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El. knyga: Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture

Edited by , Edited by
  • Formatas: 315 pages
  • Išleidimo metai: 15-Mar-2012
  • Leidėjas: Cambridge Scholars Publishing
  • ISBN-13: 9781443838160
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  • Formatas: 315 pages
  • Išleidimo metai: 15-Mar-2012
  • Leidėjas: Cambridge Scholars Publishing
  • ISBN-13: 9781443838160
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As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of "Gothic" art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what "Gothic" could mean in particular contexts, and how it was used across different periods, cultures, and media.The book's twelve essays are divided into thematic sections, which identify recurring themes in discussions of the "Gothic". The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between "Gothic" art and literature, and the invocation of concepts of the "Gothic" in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.
List of Illustrations
vii
Acknowledgements xi
Introduction xii
Laura Cleaver
Ayla Lepine
Part I Spolia
Chapter One The After-lives of English Gothic
2(19)
Matthew Woodworth
Chapter Two Hunting for Goths: The Evidence of and for King Childebert's Tomb
21(17)
Laura Cleaver
Chapter Three Georgian Gothic Fabrications in the Antiquarian Style: William Kent, Batty Langley and Horace Walpole
38(22)
Peter N. Lindfield-Ott
Chapter Four From Form to Formalism in the Reception of Gothic Architecture
60(34)
Anne Moignet-Gaultier
Part II Language and Literature
Chapter Five Death in Venice: A Gothic Opera?
94(21)
Charlotte de Mille
Chapter Six Apollinaire, Derain, and L'Enchanteur Pourrissant: The Decay and Multiplication of Gothic Meaning
115(20)
Caroline Levitt
Chapter Seven Victor Brauner and the Surrealist Claim on the fantastique noir Imagery
135(23)
Camelia Darie
Part III Oppositions
Chapter Eight Hawksmoor and the Gothic
158(24)
Owen Hopkins
Chapter Nine Reconstructions of the Gothic Past: Ruins and the Improving Landlord in Early Nineteenth-Century Ireland
182(24)
Niamh Nic Ghabhann
Chapter Ten Tower Bridge: The Gothic and the Modern. Critical and Symbolic Implications, 1886--1894
206(18)
Jeong-Yon Ha
Chapter Eleven Sacred Buildings, Sacred Bodies: George Frederick Bodley, Frederick Hart, and Washington National Cathedral
224(22)
Ayla Lepine
Chapter Twelve Chasing Linear Fantasies: A Study of the Gothic Line in the Woodcuts of Ernst Barlach
246(25)
Niccola Shearman
Contributors 271(3)
Bibliography 274
Laura Cleaver is Ussher Lecturer in Medieval Art at Trinity College Dublin.Ayla Lepine is an Andrew W. Mellon Postdoctoral Fellow at The Courtauld Institute of Art.