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Great North American Stage Directors Set 2: Volumes 5-8: Directors and the Theatrical Avant-garde, post-1970 [Multiple-component retail product]

Edited by (Muhlenberg College, USA)
  • Formatas: Multiple-component retail product, aukštis x plotis x storis: 224x148x74 mm, weight: 1720 g, 66 bw illus, Contains 4 hardbacks
  • Serija: Great Stage Directors
  • Išleidimo metai: 18-Nov-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350046027
  • ISBN-13: 9781350046023
Kitos knygos pagal šią temą:
  • Formatas: Multiple-component retail product, aukštis x plotis x storis: 224x148x74 mm, weight: 1720 g, 66 bw illus, Contains 4 hardbacks
  • Serija: Great Stage Directors
  • Išleidimo metai: 18-Nov-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350046027
  • ISBN-13: 9781350046023
Kitos knygos pagal šią temą:
The definitive account of the work, lineage and legacy of the most important North American stage directors since 1970, where the role of the director is seen primarily as an auteur. In each of the 4 volumes, a cluster of 3 related directors is analysed in detail within a wider artistic context, offering a rich and substantial account of the development of artistic practice and the artform as a whole.

The Great North American Stage Directors: Set 2 offers an authoritative account of the work, lineage and legacy of the major theatre directors since 1970, where the role of the director is seen primarily as an auteur. Across the four volumes it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.

Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.

Volume 5: Richard Schechner, Lee Breuer, Anne Bogart: Company Experiments (edited by Joan Herrington, Western Michigan University, USA)

Volume 6: Meredith Monk, Richard Foreman, Robert Wilson: Landscapes of Consciousness (edited by Ann Shanahan, Purdue University, USA)

Volume 7: Elizabeth LeCompte, Ping Chong, Robert Lepage: Multi-Media Interrogations (edited by David Z. Saltz, University of Georgia, USA)

Volume 8: Jesusa Rodriguez, Peter Sellars, Reza Abdoh: Theatre in the Public Sphere (edited by James Peck, Muhlenberg College, USA)

Featuring 64 illustrations, the eight volumes from Sets 1 and 2 of The Great North American Stage Directors series combine to present the most comprehensive and authoritative survey available on North American theatre directors.

Recenzijos

This resource provides a valuable in-depth look into the development of a stage directors work and how their efforts affected the development of the performative arts. * CHOICE *

Daugiau informacijos

The definitive account of the work, lineage and legacy of the most important North American stage directors since 1970, where the role of the director is seen primarily as an auteur.
Volume 5
List of Figures
vii
Series Introduction
viii
James Peck
Acknowledgments
x
Facing the Impossible: An Introduction
1(22)
Joan Herrington
Richard Schechner
1 Richard Schechner: Broadening the Spectrum, 1957-76
23(35)
Mike Sell
2 Onward! Richard Schechner's Global Theatre, Performance Training, and Ensemble-Building 1981-2011
58(41)
Cindy Rosenthal
Lee Breuer
3 The Drama in the Dialectic: Lee Breuer's Theatrical Life and Collaborations
99(35)
Jessica Silsby Brater
4 Lee Breuer: Writing, Directing, Illusion-Making, and Theatre
134(41)
Arthur J. Sabatini
Anne Bogart
5 Undefining the World: Anne Bogart
175(34)
Erin B. Mee
6 What Are We Waiting For? Bogart in Collaboration
209
Joan Herrington
Notes on Contributors
248(3)
Index
251
Volume 6
List of Figures
vii
Series Introduction
ix
James Peck
Acknowledgments
xii
Introduction: Theatres of Perception
1(24)
Ann M. Shanahan
Meredith Monk
1 Meredith Monk: Five Decades of Embodied Innovation
25(35)
Nancy Putnam Smithner
2 The Theatre of Meredith Monk: Embodying Wholeness by Working Between the Cracks
60(45)
Ann M. Shanahan
Richard Foreman
3 'Make 'em Dance': The Directorial Strategy of Richard Foreman
105(31)
Neal Swettenham
4 'What a Time It Was': Richard Foreman and the Heyday of the East Village Avant-Garde
136(39)
David Callaghan
Robert Wilson
5 Robert Wilson's Sonosphere
175(34)
Maria Shevtsova
6 Standing at the Threshold: Robert Wilson As a Designer-Director
209
Ewa Kara
Notes on Contributors
243(3)
Index
246
Volume 7
List of Figures
vii
Series Introduction
ix
James Peck
Introduction Claudia Orenstein
1(22)
Elizabeth LeCompte
1 The Forty Year Rehearsal: The Wooster Group's Endless Work in Progress
23(23)
David Gordon
2 Tele-Performatively Yours: Deformation, Distraction, and Meaning-Making in Three Recorded Works of Elizabeth LeCompte and The Wooster Group
46(39)
Thomas Cartelli
Ping Chong
3 Ping Chong: An Artist, Storyteller, and Activist
85(31)
Yuko Kurahashi
4 Animated Objects in the Work of Ping
116(29)
Chong Claudia Orenstein
Robert Lepage
5 The Interdisciplinary and Collaborative Theatre of Robert Lepage
145(37)
Aleksandar S. Dundjerovie
6 Intermediality in the Theatre of Robert Lepage
182
Christopher B. Balme
Notes on Contributors
212(3)
Index
215
Volume 8
List of Figures
vii
Series Introduction
viii
James Peck
Acknowledgments
xi
Introduction
1(10)
Jesusa Rodriguez
Peter Sellars
Reza Abdoh James Peck
Jesusa Rodriguez
1 From El Habito to Resistencia Creativa: Reimagining Mexico through Jesusa Rodriguez's Artivism
11(33)
Leticia Robles-Moreno
2 Directing the Public: On Jesusa Rodriguez's Lesbian Feminist Interventions
44(27)
Ivan A. Ramos
Peter Sellars
3 Peter Sellars: Politics and Spirituality in Opera
71(35)
James Peck
4 Peter Sellars's Work in Theatre Directing
106(27)
Peter Lichtenfels
Reza Abdoh
5 Hypervalent Elegies: Death and Loss in the Late Works of Reza Abdoh
133(33)
Daniel Mufson
6 Tough Love: Offstage and Affect in the New York Plays of Reza Abdoh
166(33)
Guy Zimmerman
Notes on Contributors
199(3)
Index
202
James Peck is Professor of Theatre at Muhlenberg College, USA. He is the co-editor of Performing Magic on the Western Stage (2008) and has published in many leading academic journals. He serves on the editorial board of Theatre Topics and on the senior advisory board to the peer reviewed section of the SDC Journal.