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Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture [Minkštas viršelis]

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  • Formatas: Paperback / softback, 296 pages, aukštis x plotis x storis: 229x154x21 mm, weight: 467 g
  • Išleidimo metai: 26-Aug-2015
  • Leidėjas: Lexington Books
  • ISBN-10: 1498520626
  • ISBN-13: 9781498520621
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 296 pages, aukštis x plotis x storis: 229x154x21 mm, weight: 467 g
  • Išleidimo metai: 26-Aug-2015
  • Leidėjas: Lexington Books
  • ISBN-10: 1498520626
  • ISBN-13: 9781498520621
Kitos knygos pagal šią temą:
The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture sheds light on how imaginary works of fiction, film, and television reflect, refract, and respond to the recessionary times specific to the twenty-first century, a sustained period of economic crisis that has earned the title the Great Recession. This collection takes as its focus Bust Culture, a concept that refers to post-crash popular culture, specifically the kind mass produced by multinational corporations in the age of media conglomeration, which is inflected by diminishment, influenced by scarcity, and infused with anxiety.



The multidisciplinary contributors collected here examine mass culture not typically included in discussions of the financial meltdown, from disaster films to reality TV hoarders, the horror genre to reactionary representations of women, Christian right radio to Batman, television characters of color to graphic novels and literary fiction. The collected essays treat our busted culture as a seismograph that registers the traumas of collapse, and locate their pop artifacts along a spectrum of ideological fantasies, social erasures, and profound fears inspired by the Great Recession. What they discover from these unlikely indicators of the recession is a mix of regressive, progressive, and bemused texts in need of critical translation.

Recenzijos

The Great Recession in Fiction, Film, and Television is a welcome addition the cultural analysis of the 2007 economic meltdown. It is an astutely edited volume that shows how bust culture became a textual emphasis in all manner of productions: film, fiction, television, and art. This is vital reading for those who are interested in how focal economic events become the material of textual expression. -- Stanley Corkin, University of Cincinnati

Acknowledgments vii
Introduction: Creative Documentation of Creative Destruction ix
Kirk Boyle
Daniel Mrozowski
I Film
1 The Imagination of Economic Disaster: Eco-Catastrophe Films of the Great Recession
3(26)
Kirk Boyle
2 Real-to-Reel Recessionary Horrors in Drag Me to Hell and Contagion
29(22)
April Miller
3 Horror at the Homestead: The (Re)possession of American Property in Paranormal Activity and Paranormal Activity II
51(18)
James D. Stone
II Fiction
4 "We are the walking dead": Zombie Literature in Recession-Era America
69(26)
Lance Rubin
5 Crash Fiction: American Literary Novels of the Global Financial Crisis
95(18)
Daniel Mattingly
6 Mommy Porn, More or Less: Fifty Shades of Grey and Conservative Feminism in the New Economy
113(22)
Sarah Domet
III Television
7 And They Lived Happily Ever After...or Not at All: (Un)Imagining African Americans in Recession-Era Popular Culture
135(14)
Maryann Erigha
8 Latino Liminality, Exclusion, and Erasure in Great Recession Television: The Case of Treme and Friday Night Lights
149(14)
Charli Valdez
9 Masters, Servants, and the Effaced Middle Classes of Downton Abbey, The Dark Knight Rises, and Falling Skies
163(26)
Jesseca Cornelson
10 From Hoarders to Pickers: Salvage Aesthetics and Reality Television in The Great Recession
189(22)
Daniel Mrozowski
IV Multimedia
11 Congress at the Kitchen Table: Religious Right Applications of Moral Home Economics to Federal Economic Policy
211(22)
Rebecca Barrett-Fox
12 Graphic Radicals: Understanding the Crash and the Art of Resistance
233(30)
Sarah Hamblin
Index 263(4)
About the Contributors 267
Kirk Boyle is a visiting assistant professor in the Department of Literature and Language at the University of North Carolina Asheville.

Dan Mrozowski is a visiting assistant professor in the English Department at Trinity College in Hartford, CT, where he teaches courses in American literature, critical theory, and crime fiction.