Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured.
| Introduction |
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7 | (16) |
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1 `We Belong Together': Melodrama as Non-Fiction in Grey Gardens |
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23 | (21) |
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2 The Revolutionary Costume': Little Edie and Fashion |
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44 | (18) |
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3 `If you can't get a man to propose to you, you might as well be dead!': Direct Cinema and the Problem of Seduction |
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62 | (22) |
| Conclusion: `I'm pulverized by this latest thing': Grey Gardens and its Lives |
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84 | (9) |
| Notes |
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93 | (1) |
| Credits |
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94 | |
MATTHEW TINKCOM is Associate Professor of Communication, Culture and Technology at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema (2002) and co-editor of Key Frames: Popular Cinema and Cultural Studies (2001). He is currently working on a book about the digital moving image and its relation to online queer discursive communities.
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