Why I Wrote This Book |
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4 | (2) |
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Chapter 1 Drawing Anthropomorphic Characters---The Basics |
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Differences in Presentation According to Genre |
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6 | (2) |
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Key Points for Basic Sketching |
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8 | (2) |
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10 | (2) |
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Establish a Character's Personality, Starting with the Facial Expressions |
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12 | (2) |
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Tips for Character Deformation |
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14 | (2) |
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Grasping the Basics of the Human Body |
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16 | (3) |
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Helpful Tips: Useful Categorizations |
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19 | (1) |
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Impression is the Key for Character Design |
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20 | (2) |
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Getting Ideas for Characters |
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22 | (2) |
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What Exactly is Anthropomorphism? |
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24 | (2) |
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More Human or More Animal? Balancing the Elements |
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26 | (2) |
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Adding Movement to Your Character |
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28 | (2) |
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Helpful Tips: A Unique Character Created with Keywords and Associations |
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30 | (2) |
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Chapter 2 Anthropomorphized Mammals |
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Designing a Cat Character---Part I (Drawing Furries) |
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32 | (2) |
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Designing Dog Characters (Drawing Furries) |
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34 | (2) |
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Designing a Cat Character---Part II (Drawing Human-like Creatures) |
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36 | (2) |
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Designing Werewolf Characters (Drawing Human-like Creatures) |
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38 | (2) |
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Designing a Fox Character (Expressing Anthropomorphism) |
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40 | (2) |
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Designing a Centaur Character (My Process for the Manga Jinba) |
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42 | (2) |
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Establishing the Anthropomorphic Character's Lifestyle and Culture (My Process for the Manga Jinba) |
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44 | (2) |
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Fictional Animals Based on Animal Characteristics (My Process for the Monster Ajai) |
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46 | (4) |
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Thinking About the Individuality and Characteristics of Horned Animals |
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50 | (2) |
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Sumiyoshi's Sketch Notes (Mammals) |
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52 | (6) |
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Chapter 3 Anthropomorphized Birds and Reptiles |
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Learning About Wing Structure and How Feathers Overlap |
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58 | (2) |
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Creating Bird Characters (Expressing Anthropomorphic and Nearly-human Traits) |
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60 | (2) |
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Differentiating Individual Characters |
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62 | (2) |
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Anthropomorphizing Birds---Part I (Drawing Human-like Creatures) |
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64 | (4) |
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Anthropomorphizing Birds---Part II (Drawing Creatures) |
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68 | (2) |
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Anthropomorphizing a Wolf-Bird Hybrid (Drawing Creatures) |
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70 | (2) |
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Sumiyoshi's Sketch Notes (Birds) |
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72 | (3) |
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Helpful Tips: The Fascinating Dinosaur Connection Between Birds and Reptiles |
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75 | (1) |
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Learn the Structure and Emotional Expressions of Reptiles |
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76 | (2) |
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The Relationship Between Reptile Poses and Facial Expressions |
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78 | (2) |
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Making the Most of Reptilian Features in Character Designs |
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80 | (2) |
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Anthropomorphizing Reptiles (Drawing Human-like Creatures) |
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82 | (2) |
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Creating Snake Characters (Drawing Yokai) |
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84 | (2) |
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Anthropomorphizing Dino-taurs |
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86 | (4) |
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Think About the Size of Your Character |
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90 | (2) |
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Sumiyoshi's Sketch Notes (Dinosaurs and Reptiles) |
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92 | (4) |
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Chapter 4 Anthropomorphized Arthropods |
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Think About the Balance of Attributes |
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96 | (2) |
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Designing for Character Acceptance |
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98 | (2) |
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Anthropomorphizing Arthropods for Commercial Work---A Look at the Manga The Iron Hero |
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100 | (4) |
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Anthropomorphizing Arthropods (Drawing Monsters)---A Look at the Manga The Iron Hero |
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104 | (2) |
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Creating a Different Character by Changing the Theme |
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106 | (2) |
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Creating Arthropod Characters |
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108 | (2) |
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Anthropomorphizing Beneficial and Detrimental Insects |
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110 | (2) |
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Creating Crustacean Characters (Drawing Non-human Entities) |
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112 | (2) |
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Thinking of Anthropomorphic Characters Based on Arthropods |
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114 | (2) |
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Anthropomorphizing Crustaceans (Drawing Monsters) |
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116 | (2) |
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Sumiyoshi's Sketch Notes (Insects) |
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118 | (2) |
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Sumiyoshi's Sketch Notes (Arthropods) |
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120 | (2) |
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Helpful Tips: Enjoy Anthropomorphizing Intangible Feelings and Concepts |
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122 | (2) |
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Creating Fish Characters---Part I (Drawing Human-faced Fish) |
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124 | (2) |
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Creating Fish Characters---Part II (Drawing Merfolk) |
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126 | (4) |
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Sumiyoshi's Sketch Notes (Fish) |
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130 | (4) |
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134 | |
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137 | (4) |
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141 | |