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El. knyga: Hamlet: Shakespeare: The Critical Tradition, Volume 1

Edited by (Indiana-Purdue University Fort Wayne, USA), Series edited by (School of Advanced Study, University of London, UK), Series edited by (University of Arkansas, USA)

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"Hamlet is one of Shakespeare's four great tragedies, studied and performed around the world. These new volumes in Shakespeare: The Critical Tradition increase our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. They trace the course of Hamlet criticism. The volumes make a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century"--

Hamlet is one of Shakespeare's four great tragedies, studied and performed around the world. This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. It traces the course of Hamlet criticism, from the earliest items of recorded criticism to the latter half of the Victorian period. The focus of the documentary material is from the late 18th century to the late 19th century. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century. The introduction constitutes an important chapter of literary history, tracing the entire critical career of Hamlet from the beginnings to the present day.

The volume features criticism from leading literary figures, such as Henry James, Anna Jameson, Victor Hugo, Thomas Carlyle, Samuel Taylor Coleridge and Mary Cowden Clarke. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

Daugiau informacijos

An indispensable scholarly resource offering a unique account of the critical history of one of Shakespeare's major tragedies
General editor's preface viii
General editors' preface to the revised series xi
Preface xii
Introduction 1(31)
1 Thomas Davies, on Steevens's and Malone's editions and various eighteenth-century theatrical performances, 1784
32(8)
2 William Richardson, a philosophical analysis of Hamlet's character, 1784
40(5)
3 Walter Whiter, on Hamlet's melancholic disposition, 1794
45(4)
4 Johann Wolfgang von Goethe, Hamlet's character as analogue for Wilheim Meister's own disenchantment, 1797
49(17)
5 Lord John Chedworth, glosses and personal annotation of early variorum editions (Johnson, Steevens, Malone), 1805
66(5)
6 E. H. Seymour, on collations of various passages from quartos as a means of making the `brightness of Shakespeare's genius still more conspicuous', 1805
71(10)
7 Francis Douce, on the historical, cultural analogues and `anachronisms' of the play, 1807
81(8)
8 Henry James Pye, various commentary notes, 1807
89(3)
9 John Monck Mason, various commentaries on variorum editions, 1807
92(4)
10 August Wilheim von Schlegel, on Hamlet's unheroic predisposition, 1808
96(3)
11 Samuel Taylor Coleridge, on Hamlet's `unpractical being' and similarity with Wilheim Meister, 1810
99(2)
12 Charles Lamb, on the difficulty of representing theatrically Hamlet's `solitary musings', 1811
101(4)
13 Samuel Taylor Coleridge, on Hamlet's `irresoluteness' of his revenge in Act 3, 1812
105(1)
14 Samuel Taylor Coleridge, Hamlet's use of `trivial objects and familiar circumstances', 1813
106(2)
15 William Hazlitt, on Edmund Kean's rehearsal of Hamlet's `undulating lines', 1814
108(4)
16 Andrew Becket, on the importance of collation and conjecture in determining Shakespeare's meaning, 1815
112(3)
17 William Hazlitt, on the complexity of Hamlet's characters, with passing reference to Kemble and Kean's flawed performances, 1817
115(5)
18 Samuel Taylor Coleridge, and Hamlet's `flying' from reality, 1818
120(1)
19 T.C. [ Thomas Campbell] John Wilson? `Letters on Shakspeare -- No.
1. -- Hamlet'., 1818
121(7)
20 Samuel Taylor Coleridge, Hamlet and the development of his `philosophical criticism', 1819
128(2)
21 Zachary Jackson, presenting 700 passages needing penetration and restoration, 1819
130(8)
22 Anon. `Observations on Mr. Campbell's Essay on English Poetry', the `unity' of Hamlet's character, 1819
138(1)
23 Samuel Taylor Coleridge, and the `easy language of common life' in Hamlet, 1819
139(2)
24 Samuel Taylor Coleridge, on Hamlet Act 1, 1819
141(4)
25 Samuel Taylor Coleridge, miscellaneous manuscript notes, 1819
145(3)
26 Augustine Skottowe, various observations on scenes, 1824
148(3)
27 Samuel Weller Singer, and the dating of Hamlet, 1826
151(7)
28 Hartley Coleridge, on the complexity of reading Hamlet's character and his treatment of others, 1828
158(11)
29 George Farren, an appendix on mania and melancholy in Hamlet and Ophelia, 1829
169(8)
30 Thomas Caldecott, a defence of Hamlet's behaviour as a means of enacting revenge, 1832
177(5)
31 James Boaden, a memoir of Garrick's Hamlet, 1832
182(15)
32 Anna Jameson, Ophelia, `the snowflake dissolved in air', 1832
197(3)
33 Nathan Drake, Hamlet's reticence to revenge, 1838
200(4)
34 Thomas Carlyle, Shakespeare: Priest of Mankind, 1840
204(5)
35 Alexander Dyce, a critique of Collier's 1841 and Knight's 1842 editions, 1844
209(5)
36 Joseph Hunter, Shakespearean variants, 1845
214(15)
37 Henry N. Hudson, the `universality' of Hamlet's character, 1848
229(4)
38 Edward Strachey, Hamlet as a `man' and the `triumph' of his revenge, 1848
233(5)
39 Samuel Weller Singer, `The Meaning of "Drink Up Eisell" in Hamlet.', 1850
238(1)
40 Nicolaus Delius, selected commentary notes, 1854
239(5)
41 Rev. Arthur Ramsay, and the `mystery of humanity', 1856
244(7)
42 Henry Hope Reed, on Hamlet's `meditative mind', 1856
251(7)
43 William Maginn, on Polonius as `ceremonious courtier', 1856
258(10)
44 William Rushton, on Shakespeare's legal acumen, 1859
268(2)
45 Ivan Turgenev, on the `turbulent sea' and the `deep flowing tranquility', 1860
270(6)
46 Charles Cowden Clarke and the `shrouding' of Hamlet's revenge, 1863
276(6)
47 Georg Gottfried Gervinus, the `conscientious' Hamlet, 1863
282(6)
48 Brinsley Nicholson, Shakespeare and `sour and stale beer', 1864
288(2)
49 James Henry Hackett, reviews of contemporary `Hamlets', 1864
290(13)
50 Victor Hugo, Hamlet and `hesitation', 1864
303(6)
51 Albert Cohn, the German `Hamlet', 1865
309(5)
52 Samuel Bailey, on the empirical Shakespeare, 1866
314(4)
53 John Bucknill, `Ophelia, so simple, so beautiful, so pitiful', 1867
318(8)
54 Thomas Keightley, on individual passages, 1867
326(5)
55 Benno Tschischwitz, on Bruno's atomistic philosophy and Hamlet, 1867
331(3)
56 Benno Tschischwitz, on Shakespeare's Philosophy and Giordano Bruno's Influence, 1869
334(2)
57 Peter Augustin Daniel, notes and conjectures, 1870
336(3)
58 George Miles, A Review of `Hamlet', 1870
339(3)
59 Robert Gordon Latham, the `hopelessness' of Hamlet's pre-cursors, 1872
342(3)
60 Mary Cowden Clarke, on Ophelia's youth, 1873
345(4)
61 Karl Elze, the French Hamlet, 1874
349(6)
62 Edward Dowden, and mystery, the `baffling, vital obscurity of the play', 1875
355(4)
63 Frank A. Marshall, and `the early life' of Hamlet, 1875
359(10)
64 Hermann Ulrici, Hamlet's `double contradiction', 1876
369(6)
65 John Bulloch, and the Globe edition emendations, 1878
375(6)
66 J. O. Halliwell-Phillipps, on Hamlet's `singular determination', 1879
381(3)
67 Charles Cowden Clarke and Mary Cowden Clarke, `unlocking the treasures of his style', 1879
384(9)
Notes 393(28)
Bibliography -- quarto and folio texts 421(11)
Index 432
Hardin Aasand is Professor of English and Chair of the Department of English and Linguistics at Indiana-Purdue University Fort Wayne, USA.