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El. knyga: Hand at Work: The Poetics of Poiesis in the Russian Avant-Garde

  • Formatas: 348 pages
  • Išleidimo metai: 14-Dec-2021
  • Leidėjas: Academic Studies Press
  • Kalba: eng
  • ISBN-13: 9781644697085
Kitos knygos pagal šią temą:
Hand at Work: The Poetics of Poiesis in the Russian Avant-GardeDidesnis paveikslėlis
  • Formatas: 348 pages
  • Išleidimo metai: 14-Dec-2021
  • Leidėjas: Academic Studies Press
  • Kalba: eng
  • ISBN-13: 9781644697085
Kitos knygos pagal šią temą:

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"Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"--

Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts.

Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyday for modernism’s obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing, and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making, as well as the perception, of literature and the arts.

Recenzijos

"Instead of offering merely an itemized listing and a categorization of the major themes and motifs of representative works that focus on gestures and palpability, the author selectively examines a remarkable variety of works by artists, writers, dramatists, theorists, actors, and filmmakers to advance an alternative conceptual framework for formulating a philology of the hand. Eight sweeping chapters examine profuse examples of the avant-gardes use of the hand in relationship to speech, writing, theater, labor, and tactile text experiments. (...) Highly recommended." K. Rosneck, University of Wisconsin-Madison, CHOICE 60, no. 1 (September 2022)

Introduction ix
I Speaking. From Hand to Mouth
1(62)
II Writing. Letters at Play
63(51)
III Pointing. Theater between Performance and Perception
114(39)
IV Working. The Word as a Tool
153(24)
V Acting. Poetics of Operativity
177(46)
VI Giving. Poetics of Life
223(25)
VII Touching. Tactile Text Experiments
248(32)
VIII Toward a Philology of the Hand
280(8)
Bibliography 288(24)
Captions 312(7)
Index 319
Susanne Strätling teaches comparative literature with a special focus on East European literatures at Freie Universität Berlin. Her research spans from Baroque aesthetics to contemporary media with a special focus on the poetics of the Russian avant-garde.
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