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El. knyga: Handmade Electronic Music: The Art of Hardware Hacking

4.82/5 (21 ratings by Goodreads)
(The School of the Art Institute of Chicago, Illinois, USA)
  • Formatas: 452 pages
  • Išleidimo metai: 01-Jun-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429559839
Kitos knygos pagal šią temą:
  • Formatas: 452 pages
  • Išleidimo metai: 01-Jun-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429559839
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Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction to the craft of making—as well as creatively cannibalizing—electronic circuits for artistic purposes. With a sense of adventure and no prior knowledge, the reader can subvert the intentions designed into devices such as radios and toys to discover a new sonic world. You will also learn how to make contact microphones, pickups for electromagnetic fields, oscillators, distortion boxes, mixers, and unusual signal processors cheaply and quickly. At a time when computers dominate music production, this book offers a rare glimpse into the core technology of early live electronic music, as well as more recent developments at the hands of emerging artists.

This revised and expanded third edition has been updated throughout to reflect recent developments in technology and DIY approaches. New to this edition are chapters contributed by a diverse group of practitioners, addressing the latest developments in technology and creative trends, as well as an extensive companion website that provides media examples, tutorials, and further reading. This edition features:

  • Over 50 new hands-on projects.
  • New chapters and features on topics including soft circuitry, video hacking, neural networks, radio transmitters, Arduino, Raspberry Pi, data hacking, printing your own circuit boards, and the international DIY community
  • A new companion website at www.HandmadeElectronicMusic.com, containing video tutorials, video clips, audio tracks, resource files, and additional chapters with deeper dives into technical concepts and hardware hacking scenes around the world

With a hands-on, experimental spirit, Nicolas Collins demystifies the process of crafting your own instruments and enables musicians, composers, artists, and anyone interested in music technology to draw on the creative potential of hardware hacking.

Recenzijos

Praise for the Second Edition

"Nicolas Collins wants to tear apart your CD player."

WIRED magazine

"Nic Collins book passes the torch of home-brew electronics to the next generation of musical experimentalists. Providing practical and fun recipes for sonic adventures, it simultaneously introduces the reader to the past and present field of electronic sound art."

Chris Brown, Mills College Center for Contemporary Music

"This is a terrific, unique, and much needed book; I wish I had it fifteen years ago."

Dan Trueman, Princeton Laptop Orchestra, Princeton University

"The most radical music book Ive read so far this year. This jargon-free text offers a fresh alternative to the usual instruments prized by the music business."

Christopher Delaurenti, The Stranger, Seattle

"With wit, wisdom and enviable clarity, Nicolas Collins guides the would-be hardwarehacker through the possibilities and pitfalls of playing with electricity. Those who follow his guidance assiduously will not only be able to make noise that is both personal andinstilled with the virtue of self-discovery; they will also gain an education and mostimportant of all, stay alive."

David Toop

"Nic Collins has provided an informative and gently structured doorway through which anyone can enter the limitless world of possibilities to be discovered in a raw, hands-on approach to sculpting original, electronic arts hardware. Even starting with little experience, a motivated reader can emerge with invaluable circuit building, hacking and bending skills, while also gaining an enhanced understanding of what goes on inside the boxes and behind the panels of artist-invented, electronic music devices."

David Rosenboom, Composer-Performer, Richard Seaver Distinguished Chair in Music and Dean, The Herb Alpert School of Music, California Institute of the Arts

"A friendly portal into the seemingly arcane art form of circuit bending and building, rich with insights into the history and spirit of experimental electronic music. Chockfull of projects, ideas, and inspirations . . . enough to keep your neighborhood circuitbender out of trouble for years to come."

Mark Trayle

Praise for the First Edition

"Here we have, at last, an electronics book that caters to people who have ideas first, and electronics second. Collins offers a splendidly integrative look into the history ofsound art, basic electronics, and junk revisioning."

Meara OReilly, MAKE magazine and makezine.com

"There are times in the history of any art form when its true visionaries set down in words, the blueprint behind an entire generation of genius. Collins has done just that with Handmade Electronic Music, an essential manifesto of know-how, trade secrets, andaesthetic accomplishment leaping off from Cage and Tudor and landing in todaysclassroom."

Thom Holmes, author of Electronic and Experimental Music

The Website: www.HandmadeElectronkMusic.com xi
Foreword to the First Edition (2006) xiii
David Behrman
Introduction xv
Part 1 Starting
1(10)
1 Getting Started: Tools and Materials Needed
3(6)
2 The Seven Basic Rules of Hacking: General Advice
9(2)
Part 2 Listening
11(78)
3 The Victorian Synthesizer: Twitching Loudspeakers
13(5)
4 In/Out: Speaker as Microphone, Microphone as Speaker, the Symmetry of It All
18(3)
5 How to Solder: An Essential Skill
21(4)
6 Circuit Sniffing: Eavesdropping on Hidden Magnetic Music Art & Music I Mortal Coils
25(8)
7 How to Make a Contact Mike: Using Piezo Disks to Pick Up Tiny Sounds Art & Music 2 John Cage---Father of Invention Art & Music 3 Piezo Music
33(14)
8 Turn Your Wall Into a Speaker: Resonating Objects With Transducers, Motors, and More Art & Music 4 David Tudor and Rainforest Art & Music 5 Drivers
47(13)
9 Paper Speakers
60(7)
Jess Rowland
10 Tape Heads: Play Your Credit Art & Music 6 Tape
67(7)
11 Electret Microphones: Binaural on a Budget
74(8)
12 Laying of Hands: Transforming a Radio Into a Synthesizer by Making Your Skin Part of the Circuit Art & Music 7 The Cracklebox
82(7)
PART 3 Building
89(240)
13 My First Oscillator™: Six Oscillators on a Chip, Guaranteed to Work
91(21)
14 Solder Up! From Breadboard to Circuit Board
112(6)
15 Getting Messy: Modulation, Feedback, Instability, and Crickets Art & Music 8 Composing Inside Electronics
118(18)
16 Soft Circuitry: An Introduction to E-Textile Interfaces Art & Music 9 Soft Electrical Art
136(35)
Lara
Sarah Grant
17 On/Off (More Fun With Photo Resistors): Gating, Tremolo, Panning, and More
171(14)
18 Mixers and Matrices: Very Simple, Very Cheap, Very Clean Ways of Configuring Lots of Circuits
185(13)
19 Boost and Distort: A Simple Circuit That Goes From Clean Preamp to Total Distortion
198(12)
20 Analog to Digital Conversion, Sort Of: Modulating Other Audio With Your Circuits, Pitch Tracking, and a Sequencer
210(14)
21 Beyond Bending: Triggering, Sequencing, and Modulating Circuit-Bent Toys
224(12)
Alex Inglizian
22 Video Hacking
236(10)
LoVid (Tali Hinkis
Kyle Lapidus)
Jon Satrom
23 An Introduction to Op Amps
246(7)
24 A Little Hacker's Amp
253(6)
25 The Mumma-Tudor Ring Modulator
259(7)
Michael Johnsen
You Nakai
26 Paper Circuits
266(8)
Peter Blasser
27 Rule the Airwaves: Build a Radio Transmitter
274(14)
Brett Ian Balogh
28 A Grab Bag of Samples: A Voltage-Controlled Radio Receiver
288(16)
Holger Heckehoth
29 A Lo-Fi Sampler and Looper
304(8)
Holger HeCkeroth
30 The Bissell Function Block: A Lag Processor
312(7)
Peter Speer
31 Sounds From Neural Networks
319(10)
Wolfgang Spahn
Part 4 Computing
329(62)
32 Sharing Traces: Designing and Fabricating Your Own Printed Circuit Boards With Fritzing
331(20)
Eduardo F. Rosario
33 Microcontroller Sound
351(13)
Joseph Kramer
34 Small Sound: Pure Data on Raspberry Pi
364(13)
Robb Drink water
35 Data Hacking: The Foundations of Glitch Art
377(14)
Nick Briz
Part 5 Connecting
391(24)
36 Handmade Sound Communities
393(13)
Lisa Kori
David Novak
37 Hello World!
406(9)
Appendix A Resources 415(4)
Appendix B The Rules of Hacking 419(2)
Contributing Authors 421(4)
Illustration Credits 425(2)
Index 427
Nicolas Collins, an active composer and performer, has worked with John Cage, Alvin Lucier, David Tudor, and many other masters of modern music. Dr. Collins is a professor in the Department of Sound at The School of the Art Institute of Chicago, and a Research Fellow at the Orpheus Institute in Ghent, Belgium. He has led hacking workshops around the world. He has been Visiting Artistic Director of STEIM (Amsterdam), a DAAD composer-in-residence in Berlin, and a long-time Editor-in-Chief of Leonardo Music Journal.