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El. knyga: Hands of the Living God: An Account of a Psycho-analytic Treatment

3.67/5 (21 ratings by Goodreads)

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"[ This is] a book about art (and writing about art), about emptiness, breathing, ordinary language, mysticism, the body, the sexes, childhood, parenting, impersonality, God, theory, exchange, change, tact, forms of inattention, belief, scepticism..." Adam Phillips, from the new introduction

At once autobiographical and psychoanalytic, The Hands of the Living God, first published in 1969, provides a detailed case study of Susan who, during a 20-year long treatment, spontaneously discovers the capacity to do doodle drawings.

An important focus of the book is the drawings themselves, over 150 of which are reproduced in the text, and their deep unconscious perception of the battle between sanity and madness. It is these drawings, linked with Milner's sensitive and lucid record of the therapeutic encounter, that give the book its unique and compelling interest.

With a new introduction by Adam Phillips, The Hands of the Living God is essential reading for all those with an interest in the fields of psychoanalysis and psychotherapy and, more widely, to those involved in therapy and the arts.

Recenzijos

"[ This is] a book about art (and writing about art), about emptiness, breathing, ordinary language, mysticism, the body, the sexes, childhood, parenting, impersonality, God, theory, exchange, change, tact, forms of inattention, belief, scepticism " Adam Phillips, from the Introduction.

List of illustrations
xii
Introduction xviii
Adam Phillips
Foreword xxxv
D. W. Winnicott
Preface xxxvii
PART ONE The years before she began to draw
1(72)
1 Her history
3(14)
2 The beginning of the analysis: Her first two dreams
17(10)
3 Unable to grow spiritually or mentally: Blocks in the maturational process
27(4)
4 The dream of water behind the house: Need for the self-created environment
31(6)
5 Daydream of a river and logs: Her devil as seducer to destruction?
37(7)
6 A change in technique: Attention to the threshold between the articulate and the inarticulate
44(7)
7 Her lost background: The undifferentiated sea of inner body awareness
51(12)
8 She begins to turn up as a person: First recognition of self-projection via her cats
63(5)
9 A new experience of breakdown: When her foster home breaks up
68(5)
PART TWO The 1950 drawings
73(186)
10 She makes contact by doodle drawings: Faecal symbols as devils or chrysalises
75(22)
11 After the Easter holiday in hospital: The bottom's eye view of the world
97(34)
12 After the consultation: The turd-baby and strangled feelings
131(18)
13 The Sleeping Goddess: premonitions of waking up to face disillusionment and loss
149(23)
14 Many kinds of nests: Beginning to conceive of a holding environment
172(27)
15 The summer holiday in N.I. Hospital: Ego nuclei, early body memories and archaic body images
199(25)
16 She tries physiotherapy: The delusory body image and the real body image
224(35)
PART THREE The years from 1951 to 1957 and the background theory
259(50)
17 The external situation: Learning to cook and attending a psychotherapy group as well as analysis
261(5)
18 The post-E.C.T. drawing and the circle: A symbol of fusion of mother and child
266(22)
19 Ways of communicating feelings: Confusion of body-openings and the creative surrender
288(9)
20 Haloes, traps and the devil: Delusory cocoons and identification with the exalted ego-ideal
297(12)
PART FOUR The 1957 to 1958 drawings and her re-entry into the world
309(114)
21 She uses the symbol of water: Premonitions of re-birth
311(12)
22 The little duck gets ready to come out: But to come out means to be eaten?
323(18)
23 Her first landscapes and drawings of the inside of the mouth: Beginning to realize that her attacks can do harm
341(21)
24 Her use of the diagonal: Experimenting with ideas of duality and an interface between opposites
362(38)
25 The day her head stops turning: Recognition of a gap, a sense of loss, a `hole in the heart'
400(14)
26 The Proudman dream and return to the world: Accepting limitations to loving and discovery of communion
414(9)
PART FIVE What followed
423(42)
27 A crystallization of theory: Breathing and primary self-enjoyment
425(8)
28 Her mother's death and after: Finding a mate and towards re-finding her feet
433(11)
29 The saliva in the cup: The place of transformation
444(21)
Glossary 465(8)
Bibliography 473(5)
Index 478
Marion Milner (1900-1998) was a distinguished British psychoanalyst, educationalist, autobiographer and artist.