Atnaujinkite slapukų nuostatas

Harmony, Perspective, and Triadic Cognition [Kietas viršelis]

(Kansai University, Osaka)
  • Formatas: Hardback, 366 pages, aukštis x plotis x storis: 234x158x26 mm, weight: 620 g, 77 Halftones, unspecified; 77 Halftones, black and white; 81 Line drawings, black and white
  • Išleidimo metai: 29-Dec-2011
  • Leidėjas: Cambridge University Press
  • ISBN-10: 0521192137
  • ISBN-13: 9780521192132
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 366 pages, aukštis x plotis x storis: 234x158x26 mm, weight: 620 g, 77 Halftones, unspecified; 77 Halftones, black and white; 81 Line drawings, black and white
  • Išleidimo metai: 29-Dec-2011
  • Leidėjas: Cambridge University Press
  • ISBN-10: 0521192137
  • ISBN-13: 9780521192132
Kitos knygos pagal šią temą:
The big question in the science of psychology is: why is human cognition and behavior so different from the capabilities of every other animal species on Earth - including our close genetic relations, the chimpanzees? This book provides a coherent answer by examining those aspects of the human brain that have made triadic forms of perception and cognition possible. Mechanisms of dyadic association sufficiently explain animal perception, cognition and behavior, but a three-way associational mechanism is required to explain the human talents for language, tool-making, harmony perception, pictorial depth perception and the joint attention that underlies all forms of social cooperation.

Recenzijos

'Cook's unique thesis is that the human mind emerged from two related evolutionary changes: triadic sensory processing and cerebral laterality. In making stone tools, our early ancestors learned how to handle visual, auditory and touch information simultaneously in posterior association cortex. But, in making tools they were obliged to train one hand (hemisphere) to be the motor executive. Precisely because the other 'non-dominant' hemisphere was not an executive, it developed its own talents for various types of configurational processing: face recognition, harmony perception, language prosody and other holistic processes not requiring executive control.' Theodor Landis, Université de Genčve

Daugiau informacijos

This book addresses the difference between the mental processes of animals and those of the human mind.
Preface ix
1 Introduction
1(25)
1.1 The Basic Question
5(2)
1.2 Triadic Perception, Triadic Cognition and Triadic Social Interaction
7(5)
1.3 Triads versus Dyads
12(3)
1.4 Musical Harmony
15(1)
1.5 Pictorial Depth Perception
16(1)
1.6 Tool Use
17(2)
1.7 Language
19(2)
1.8 Consciousness
21(1)
1.9 Other Issues
22(4)
2 Human Hearing: Harmony
26(94)
2.1 Tonality and Dissonance
28(10)
2.2 Tension and Instability
38(26)
2.3 The Modality of Triads
64(16)
2.4 The Affective Valence of Major and Minor
80(14)
2.5 Traditional Harmony Theory
94(14)
2.6 This Is Your Brain on Harmony
108(7)
2.7 Why Not Before?
115(2)
2.8 Conclusions
117(3)
3 Human Seeing: Perspective
120(55)
3.1 Stereoscopic Vision: Two Static Points of View
122(1)
3.2 Motion Parallax: Two Sequential Points of View
123(2)
3.3 Pictorial Depth Perception
125(8)
3.4 Linear Perspective
133(14)
3.5 Shadows and Shading
147(8)
3.6 Historical Perspective on Shadows
155(2)
3.7 A Reclassification of Depth Cues
157(3)
3.8 "Perspective as Symbolic Form"
160(4)
3.9 Variations on the Illusion of Depth
164(7)
3.10 This Is Your Brain on Reverse Perspective
171(2)
3.11 Conclusions
173(2)
4 Human Work: Tools and Handedness
175(41)
4.1 Stones as Tools
176(1)
4.2 Toolmaking and Handedness
177(7)
4.3 The Division of Labor Between the Cerebral Hemispheres
184(3)
4.4 Brain Size
187(5)
4.5 Trimodal Cortical Regions
192(12)
4.6 Hafted Tools
204(2)
4.7 The Behavioral Neurology of Tool Use
206(2)
4.8 Conditional Associations
208(3)
4.9 Causality
211(2)
4.10 Conclusions
213(3)
5 Human Communication: Language
216(39)
5.1 The Tripartite Architecture of Language
217(5)
5.2 Behavioral Neurology
222(2)
5.3 The Evolution of Language
224(11)
5.4 Subjects, Objects, Verbs
235(6)
5.5 Universal Grammar
241(9)
5.6 Conclusions
250(5)
6 Consciousness
255(52)
6.1 The Main Question
258(4)
6.2 Three Levels of Discussion
262(2)
6.3 Five Approaches to Subjectivity
264(10)
6.4 The Neurophysiological Solution
274(21)
6.5 Implications
295(6)
6.6 Consciousness Is Understood, Self-Consciousness Is Not
301(2)
6.7 Conclusions
303(4)
7 Other Human Talents
307(22)
7.1 Rhythm Perception
307(2)
7.2 Face Perception
309(2)
7.3 Joint Attention
311(2)
7.4 Moral Minds
313(4)
7.5 Intelligent Neural Networks
317(2)
7.6 Color Perception
319(2)
7.7 Mental Rotation
321(2)
7.8 Subitizing
323(2)
7.9 Four-Body Cognition?
325(2)
7.10 Trigonometry
327(2)
8 Conclusion
329(8)
References 337(14)
Index 351
Norman D. Cook has authored three books on human psychology, Stability and Flexibility (1980), The Brain Code (1986) and Tone of Voice and Mind (2002). He has also published articles in numerous journals, including Nature, Perception, Journal of Experimental Psychology, Brain, American Scientist, Behavioral Science, Empirical Aesthetics, Music Perception, Spatial Vision, Cognitive Science, Brain and Language, Brain and Cognition, Consciousness and Cognition and Neuroscience. He is currently a professor of cognitive psychology at Kansai University, Osaka.