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El. knyga: Heavy Metal Music in Latin America: Perspectives from the Distorted South

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  • Formatas: PDF+DRM
  • Išleidimo metai: 30-Dec-2020
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781793607522
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Heavy Metal Music in Latin America: Perspectives from the Distorted SouthDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Išleidimo metai: 30-Dec-2020
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781793607522
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In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.
Introduction 1(4)
Nelson Varas-Dlaz
Daniel Nevdrez Araiijo
Eliut Rivera-Segarra
SECTION I UNDERSTANDING METAL MUSIC IN LATIN AMERICA
5(32)
1 Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America
7(30)
Nelson Varas-Dlaz
Daniel Nevdrez Araiijo
Eliut Rivera-Segarra
SECTION II A SOUNDTRACK FOR A VIOLENT CONTEXT
37(94)
2 Decomposition Cerebral: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal
39(22)
Christian M. Pack
3 Dictatorship and Metal in Chile: A Causal Relationship?
61(20)
Maximiliano Sdnchez Mondaca
4 The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre
81(26)
Pedro Manuel Lagos Chacon
5 Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation
107(24)
Josi Ignacio Ldpez Ramirez Gaston
SECTION III DECOLONIZING LOCAL HISTORIES THROUGH MUSIC
131(86)
6 The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017
133(28)
Miriela Ferndndez Lozano
7 In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal
161(22)
Maria Ximena Rodriguez Molinari
8 Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio
183(18)
Manuela Belin Calvo
9 America, Avenge Yourself: The Emergence of Combative Discourse and Other Recent Directions in Contemporary Argentinian Metal (An Exploration in Three Movements)
201(16)
Emiliano Scaricaciottoli
SECTION IV MARGINALITY AND CULTURES OF RESISTANCE
217(68)
10 The Transfiguration of the Deity Maxim6n as a Practice of Resistance in Metal from San Pedro Sacatepe' quez, San Marcos, Guatemala
219(20)
Mario Efraln Castaheda Maldonado
11 La Periferia: Marginal Contexts for Metal Music in the State of Mexico
239(26)
Alfredo Nieves Molina
12 Differences in the Sociopolitical Perspectives of Brazilian and European Volkisch Metal
265(20)
Guilherme Alfradique Klausner
SECTION V LIBERATION THROUGH METAL MUSIC
285(48)
13 "A Scream that Makes Us Visible": Latin American Heavy Metal Music and Liberation Psychology
287(18)
Eliut Rivera-Segarra
Jeffrey W. Ramos
Nelson Varas-Diaz
14 Metal Migration: The Latin American Diasporic Experience in Heavy Metal
305(28)
Daniel Nevdrez Araiijo
Index 333(14)
About the Contributors 347
NelsonVaras-Dķaz is professor of social-community psychology in the Department of Global and Sociocultural Studies at Florida International University.

Daniel Nevįrez Araśjo received his PhD from the University of Massachusetts-Amherst.

Eliut Rivera Segarra is clinical psychologist and assistant professor at the Ponce Health Sciences University in Puerto Rico.
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