Adobe Photoshop holds an incredible amount of power, which is sometimes locked behind a dizzying array of features and tools. Scott Valentine not only shows you the keys to unlocking that power, he also demonstrates how the keys work. You will get hands-on experience with experiments and examples as you explore new techniques for editing your images.
Written for both professionals and hobbyists, this book presents essential techniques and discusses when and how to try innovative solutions. By focusing on two core capabilities blending modes and adjustment layersyou will discover how Photoshop gives you deep control over your images to address some of photography's most challenging problems. Photoshop users of all levels will find clear explanations and step-by-step procedures for expert techniques. Advanced users will enjoy exploring new ideas that can inform their own workflow. Through richly illustrated examples with clear explanations, The Hidden Power of Adobe Photoshop teaches you:
Multiple approaches to problem solving and creative exploration How to see your images as data that you can control Underlying principles that drive industrial-strength techniques Instructions for building your own Photoshop experiment files
| Foreword |
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xi | |
| Preface & Acknowledgements |
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xiii | |
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1 | (52) |
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3 | (32) |
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4 | (2) |
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How to Approach This Material |
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6 | (8) |
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9 | (1) |
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Monogram Creative Console |
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10 | (1) |
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10 | (1) |
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11 | (1) |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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How Photoshop "Sees" Your Images |
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14 | (4) |
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18 | (17) |
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Staying Ahead of the Curves |
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19 | (10) |
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29 | (2) |
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31 | (2) |
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33 | (2) |
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35 | (18) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (14) |
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Blending Modes, Opacity, and Fill |
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39 | (1) |
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40 | (1) |
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40 | (6) |
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"Trapping" Blend If Transparency |
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46 | (2) |
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Stamp Merge Visible (The Claw) |
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48 | (5) |
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53 | (32) |
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54 | (7) |
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58 | (3) |
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Gradient Map Luminosity Selection |
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61 | (6) |
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67 | (5) |
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Tweaking Channels & Masks |
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72 | (13) |
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73 | (2) |
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75 | (3) |
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Multiply Blend for Group Masking |
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78 | (2) |
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Painting with Blending Modes |
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80 | (5) |
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85 | (40) |
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86 | (7) |
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87 | (2) |
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89 | (2) |
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91 | (2) |
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Instant Image Enhancement |
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93 | (4) |
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97 | (7) |
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Graduated Neutral Density Filter |
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104 | (2) |
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106 | (7) |
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113 | (6) |
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119 | (6) |
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125 | (48) |
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126 | (10) |
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126 | (2) |
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Hue/Saturation Adjustments |
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128 | (1) |
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129 | (2) |
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131 | (5) |
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136 | (10) |
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141 | (5) |
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146 | (5) |
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151 | (9) |
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160 | (7) |
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167 | (6) |
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173 | (14) |
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175 | (1) |
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176 | (2) |
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178 | (1) |
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179 | (2) |
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181 | (2) |
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183 | (4) |
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187 | (24) |
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188 | (5) |
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193 | (8) |
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201 | (5) |
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204 | (1) |
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205 | (1) |
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206 | (5) |
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211 | (128) |
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213 | (46) |
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Creating the Workbench Files |
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214 | (20) |
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Gradient Experiments File |
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214 | (1) |
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215 | (9) |
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224 | (3) |
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227 | (1) |
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228 | (4) |
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232 | (2) |
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Basic Portrait Retouching |
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234 | (5) |
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239 | (8) |
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247 | (12) |
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254 | (5) |
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259 | (26) |
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262 | (1) |
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263 | (3) |
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266 | (1) |
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267 | (1) |
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268 | (1) |
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269 | (1) |
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271 | (2) |
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273 | (1) |
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278 | (2) |
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280 | (2) |
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282 | (1) |
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282 | (1) |
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283 | (2) |
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285 | (54) |
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287 | (3) |
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290 | (2) |
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292 | (4) |
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296 | (1) |
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296 | (2) |
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298 | (10) |
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298 | (1) |
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299 | (3) |
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302 | (2) |
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304 | (2) |
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306 | (2) |
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308 | (7) |
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308 | (1) |
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309 | (1) |
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310 | (2) |
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312 | (2) |
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314 | (1) |
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315 | (13) |
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315 | (2) |
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317 | (1) |
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318 | (2) |
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320 | (2) |
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322 | (2) |
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324 | (2) |
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326 | (2) |
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328 | (5) |
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328 | (2) |
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330 | (1) |
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331 | (1) |
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332 | (1) |
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333 | (6) |
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333 | (1) |
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334 | (2) |
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336 | (1) |
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337 | (2) |
| Index |
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339 | |
Scott Valentine is an experimentalist by nature, drawing on his background in physics, music, and theater to bring a unique perspective to sharing knowledge with other photographers and Photoshop users. For more than 20 years, Scott has supported the greater imaging community through hosting user groups, teaching at conferences, and writing. He has been an invited speaker at the Art Directors Invitational Master Class (ADIM), Adobe MAX, and Photoshop World. Scott also writes Photoshop Proving Ground, a monthly column featured in KelbyOne's Photoshop User magazine. He is always up for helping fellow creative professionals and hobbyists. Scott's previous two books have become must-have resources for colleges and instructional programs, valued for their combination of technical and creative elements, an approachable style, and straightforward language. Aside from pushing pixels, Scott enjoys playing guitar, ice hockey, backpacking, and spending time with his family.
