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History and Art History: Looking Past Disciplines [Minkštas viršelis]

Edited by (Carleton University), Edited by (Universite de Montreal, Canada)
  • Formatas: Paperback / softback, 246 pages, aukštis x plotis: 246x174 mm, weight: 580 g, 30 Halftones, black and white; 30 Illustrations, black and white
  • Serija: Routledge Research in Art History
  • Išleidimo metai: 09-Jan-2023
  • Leidėjas: Routledge
  • ISBN-10: 0367629690
  • ISBN-13: 9780367629694
Kitos knygos pagal šią temą:
History and Art History: Looking Past DisciplinesDidesnis paveikslėlis
  • Formatas: Paperback / softback, 246 pages, aukštis x plotis: 246x174 mm, weight: 580 g, 30 Halftones, black and white; 30 Illustrations, black and white
  • Serija: Routledge Research in Art History
  • Išleidimo metai: 09-Jan-2023
  • Leidėjas: Routledge
  • ISBN-10: 0367629690
  • ISBN-13: 9780367629694
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780367629694.html
Raktažodžiai:

Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present.



Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present.

Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge.

This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.

1. Why History and Art History? Part I: Visualizing History
2. How He
Saw It: Visual Satire in the Writings of Joseph Woolley
3. Historical
Distance and the Nineteenth-Century Revival of Fresco
4. The Unsettled
5. Art
History and History: Around Francis Haskell and the Rediscovery of French
Nineteenth-Century History Painting
6. Shanawdithits Drawings Part II:
Visions of the Past
7. What Giorgione Saw: Variations on The Three
Philosophers
8. Art and the Masquerade of History
9. Do Styles Have a Body? A
History of Images and a History of Perception
10. Still Another, and Yet
Another: Li Rans Re-writings of Art History a Translational
Historiographical Approach to Global Art History Part III: Writing about the
Past
11. The People of the Past Come First: Natalie Zemon Davis in
Conversation with Nicholas Chare
12. Analogous Histories? Textual/Visual
Constructions of the Past and Present
13. Histories in the Art of
Ravensbrück: The Drawings of Jeannette LHerminier and Violette Rougier-Lecoq
14. When History Intersects with Spaces of Indigenous Self-representation: On
the Trail of the Artists Zacharie Vincent and Pierre Sioui 15: The Answers
are the Question: A Conversation about Art History, Artwriting and
Historical Time
Nicholas Chare is Associate Professor in the Department of History of Art and Film Studies at the Université de Montréal.

Mitchell B. Frank is Associate Professor of Art History at Carleton University in Ottawa.