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El. knyga: History of Chinese Animation [Taylor & Francis e-book]

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  • Formatas: 572 pages, 523 Halftones, black and white, Contains 2 hardbacks
  • Serija: China Perspectives
  • Išleidimo metai: 17-Jun-2020
  • Leidėjas: Routledge
  • ISBN-13: 9780367855062
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 332,36 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 474,80 €
  • Sutaupote 30%
History of Chinese AnimationDidesnis paveikslėlis
  • Formatas: 572 pages, 523 Halftones, black and white, Contains 2 hardbacks
  • Serija: China Perspectives
  • Išleidimo metai: 17-Jun-2020
  • Leidėjas: Routledge
  • ISBN-13: 9780367855062
Kitos knygos pagal šią temą:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
Partnerių interneto svetainė: https://www.taylorfrancis.com/books/9780367855062
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future.

This two-volume set describes the history, present and future of Chinas animation industry. The author divides the businesss 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, it focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation.

Scholars and students who are interested in the history of Chinese animation will benefit from this set and it will appeal additionally to readers interested in Chinese film studies.
Preface vii
Acknowledgments viii
List of figures
ix
List of contributors
xxiv
PART I The embryonic stage and birth of Chinese animation (1920s--1930s)
1(42)
1 Overview
3(2)
2 The embryonic stage and birth of Chinese animation consciousness
5(11)
3 Modern Chinese animation
16(27)
PART II Early Chinese animation between the years of 1931 and 1948
43(52)
4 Overview
45(2)
5 Chinese animation during the War of Resistance against Japanese Aggression
47(36)
6 Art film team of the Northeast Film Studio
83(12)
PART III The development of Chinese animation between the years of 1949 and 1977
95(2)
7 Overview
97(2)
8 Founding of Shanghai Animation Film Studio
99(33)
9 Enlightened education in animation
132(4)
10 Blockbuster works
136(75)
11 Ink-wash animation in China
211(19)
12 Havoc in Heaven, the first cartoon feature film
230(37)
13 Summary of the characteristics of animation creation in the period
267(16)
14 Representative works from the 1950s to the 1970s in Hong Kong, China
283(5)
15 The creation background and representative works in Taiwan, China in the 1950s, 1960s, and 1970s
288(3)
Bibliography 291(2)
Index 293
Preface vii
Acknowledgments viii
List of figures
ix
List of contributors
xvi
PART I 1978--1988 -- Chinese animation after the reform and opening up (I)
1(128)
1 Overview
3(2)
2 Creation and exploration
5(18)
3 Representative works
23(88)
4 Unique artistic style
111(13)
5 Development, representative works, and features of animation in the 1980s in Hong Kong, China
124(3)
6 The development of animation and TV animation series in the 1980s in Taiwan, China
127(2)
PART II 1989--1999 -- Chinese animation after the reform and opening up (II)
129(42)
7 Overview
131(13)
8 Creation and exploration
144(14)
9 Representative works
158(8)
10 Representative animation works in Hong Kong, China and their characteristics in the 1990s
166(2)
11 Animation development and representative works of Taiwan, China, in the 1990s
168(3)
PART III After the year 2000 -- Chinese animation stepping into the new century
171(48)
12 Overview
173(5)
13 Representative works
178(18)
14 Art short film
196(7)
15 Animation education and talent cultivation
203(6)
16 Summary of the creation characteristics in the period
209(4)
17 Representative works of animation in the early 21st century in Hong Kong, China, and their characteristics
213(3)
18 Representative works of animation in Taiwan, China, in the early 21st century and their characteristics
216(3)
Bibliography 219(2)
Index 221
Sun Lijun is the Vice President of Beijing Film Academy, President of China Animation Institute of Beijing Film Academy, Vice President of China Animation Association, and the President of Beijing Film and Television Animation Association. He published widely on animation. Famous publications include Modern Animation Design, Animation Art Dictionary, Animation Fundamentals, etc.
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