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El. knyga: History of Danish Cinema

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 09-Sep-2021
  • Leidėjas: Edinburgh University Press
  • Kalba: eng
  • ISBN-13: 9781474461153
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  • Formatas: EPUB+DRM
  • Išleidimo metai: 09-Sep-2021
  • Leidėjas: Edinburgh University Press
  • Kalba: eng
  • ISBN-13: 9781474461153
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    This wide-ranging collection places well-known auteurs such as Carl Th. Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children’s film, folk comedies, porn film, trends in documentary and Greenlandic cinema. With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark’s cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been — showcasing this small nation’s extraordinary contribution to world cinema.



    The first English-language book to cover Danish cinema from the 1890s to the present day.

    List of Figures
    viii
    Acknowledgments xi
    Notes on Contributors xii
    Introduction 1(20)
    C. Claire Thomson
    Isak Thorsen
    Pei-Sze Chow
    PART I FROM THE FIRST `GOLDEN AGE' TO THE OCCUPATION
    1 Surviving a Crisis: Nordisk Films Kompagni as a World Player
    21(9)
    Isak Thorsen
    2 Asta & Co.: The Politics of Early Danish Film Stardom
    30(11)
    Julie K. Allen
    3 The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career
    41(10)
    Casper Tybjerg
    4 Derailed: Danish Film during the German Occupation
    51(14)
    Lars-Martin Sorensen
    PART II NATIONAL GENRES
    5 The Art of the Popular: The Folkekomedie Tradition
    65(16)
    Niels Henrik Hartvigson
    6 Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism
    81(12)
    Birger Langkjcer
    7 Imagining Denmark: Danmarksfilm as Documentary Portraits of a Nation
    93(12)
    Ib Bondebjerg
    8 Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema
    105(13)
    Niels Henrik Hartvigson
    9 The Olsen Gang in Denmark - And Abroad
    118(10)
    Stephan Michael Schroder
    10 Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s
    128(12)
    Christa Lykke Christensen
    11 Pornography and Censorship
    140(11)
    Isak Thorsen
    PART III AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE
    12 Into the Dark Forest: The Cinema of Lars von Trier
    151(10)
    Peter Schepelern
    13 T Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema
    161(13)
    C. Claire Thomson
    14 Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors
    174(15)
    Meryl Shriver-Rice
    15 Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television
    189(11)
    Eva Novrup Redvall
    16 New Danish Screen and The Sketch: The Role of Imposed and Self-imposed Constraints in Talent Development
    200(19)
    Mette Hjort
    PART IV DECENTRING AND DIVERSIFYING DANISH CINEMA
    17 Danish Documentary Production: An All-Female Company
    219(11)
    Anne Jerslev
    18 Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema
    230(11)
    Eva Jarholt
    19 Dirty Films: Grimy Materialism and Ecological Aesthetics
    241(11)
    Benjamin Bigelow
    20 Regional Film Funds and Production
    252(11)
    Pei-Sze Chow
    21 `Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland
    263(14)
    Isak Thorsen
    Emile Hertling Peronard
    References 277(26)
    Index 303
    C. Claire Thomson, Professor, University College, London. Pei-Sze Chow, Assistant Professor, University of Amsterdam.