Acknowledgements |
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vii | |
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viii | |
Prologue: The history of gothic fiction |
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1 | (7) |
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On the pleasure derived from objects of terror |
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8 | (3) |
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11 | (6) |
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History and the gothic novel |
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17 | (31) |
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What's gothic about the gothic novel? |
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17 | (10) |
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Questions of form: the novel and the romance |
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18 | (4) |
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Questions of history: Goths and the age of enlightenment |
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22 | (2) |
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Reading history and the gothic constitution |
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24 | (3) |
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Reading gothic histories: Walpole's The Castle of Otranto |
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27 | (21) |
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Patriotism, Wilkes and the gothic |
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37 | (11) |
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Female gothic and the secret terrors of sensibility |
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48 | (33) |
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Radcliffe and the politics of female sensibility |
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51 | (11) |
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Radcliffe and gothic masculinity: banditti and tyrants |
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56 | (6) |
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Radcliffe and the politics of masculine sensibility |
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62 | (8) |
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The `supernatural explained' and the politics of gothic form |
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66 | (4) |
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Gothic radicals: Wollstonecraft's The Wrongs of Woman |
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70 | (11) |
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Revolution and libertinism in the gothic novel |
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81 | (40) |
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Compositional politics of The Monk |
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83 | (13) |
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Libertine writing and the revolutionary enlightenment |
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89 | (7) |
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Lewis and the French Revolutionary Wars |
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96 | (10) |
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102 | (4) |
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Publication and the politics of censorship |
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106 | (15) |
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The Monk: criticism and censorship |
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108 | (13) |
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Science, conspiracy and the gothic enlightenment |
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121 | (40) |
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Charles Brockden Brown: conspiracy, enlightenment and the supernatural explained |
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123 | (18) |
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A `single family' and `the condition of a nation' |
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127 | (4) |
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Superstition and madness, reason and wonder |
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131 | (3) |
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Gothic revolutionaries and the secret enlightenment |
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134 | (5) |
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Conspiracy and enlightenment in Carwin's `memoirs' |
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139 | (2) |
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Fictions of science in Mary Shelley's Frankenstein |
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141 | (20) |
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Alchemy and modern science |
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143 | (9) |
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152 | (9) |
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Vampires, credulity and reason |
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161 | (44) |
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The 1730s vampire controversy |
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162 | (13) |
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Walpole, the new commercial society and the excise vampire |
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165 | (3) |
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Antiquarian vampires and the birth of folklore |
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168 | (7) |
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Romance vampires and the romantic poets |
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175 | (14) |
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Byron's The Giaour (1813): the vampire as modern tyrant |
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178 | (3) |
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John William Polidori, The Vampyre and Byron |
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181 | (5) |
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Vampires and the science of folklore |
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186 | (3) |
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History, the vampire and Dracula |
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189 | (16) |
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Modernity and atavism in the vampire |
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195 | (10) |
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Zombies and the occultation of slavery |
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205 | (40) |
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Answering the question `What is a zombie?' |
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206 | (2) |
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208 | (10) |
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Rebel slaves and the devil-king Zombi |
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212 | (2) |
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Lafcadio Hearn's zombie stories: history as spectre |
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214 | (4) |
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Twentieth-century gothic and the zombies of modernity |
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218 | (15) |
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Modern slavery in Seabrook's The Magic Island |
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220 | (9) |
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Gothic hybrids and the white zombies |
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229 | (4) |
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The occultation of miscegenation and slavery in the zombie film |
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233 | (12) |
Select bibliography of gothic resources |
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245 | (9) |
Index |
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254 | |