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El. knyga: History of Gothic Fiction

3.85/5 (54 ratings by Goodreads)
  • Formatas: PDF+DRM
  • Išleidimo metai: 24-Jun-2021
  • Leidėjas: Edinburgh University Press
  • Kalba: eng
  • ISBN-13: 9781474497107
  • Formatas: PDF+DRM
  • Išleidimo metai: 24-Jun-2021
  • Leidėjas: Edinburgh University Press
  • Kalba: eng
  • ISBN-13: 9781474497107

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The History of Gothic Fiction debates the rise of the genre from its origins in the late eighteenth-century novel through nineteenth-century fictions of tyrants, monsters, conspirators and vampires to the twentieth-century zombie film. Approaching key novels by authors such as Walpole (The Castle of Otranto), Radcliffe (The Romance of the Forest and The Mysteries of Udolpho), Austen (Northanger Abbey), Wollstonecraft (The Wrongs of Woman), Lewis (The Monk), Shelley (Frankenstein), Stoker (Dracula) and Halperin (White Zombie), the argument proceeds on historicist principles, analysing the peculiar tone of these fictions and uncovering themes of credulity and reason, secrecy and enlightenment, tyranny and libertinism, sexuality and gender, race and miscegenation. The final chapters on the vampire and the zombie examine how the un-dead of gothic terror are embedded in an argument from history. Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from popular psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of Gothic fiction. Illustrated with ten black and white plates and including up-to-date bibliographies, this will be an ideal text for all those with an interest in the Gothic. Key Features: * written with an undergraduate audience in mind * covers topics such as vampires, zombies, tyrants, banditti and demon-lovers * offers clearly argued summaries of critical debate

Recenzijos

The beautifully reproduced illustrations in The History of Gothic Fiction are integral to the book since Ellis discusses them at length ... [ This fine book] reveal[ s] a critically sophisticated and historically informed interest in Gothic fiction that shows every sign of continuing in current and future literary study. A study that both historicizes the gothic novel and offers a series of readings demonstrating how the gothic novel often employs historical events within its narrative structure. What at first seems a tracing of the genre's development is actually an insightful and well-researched explanation of the gothic novel's rise, meaning, evolution, historical use, and contemporary reception. The first two sectins of the book are an engaging and intriguing start to a fascinating analysis that sheds new light on a genre considered overworked and exhausted. Ellis effectively describes the differences between the gothic genre and other literary forms and convincingly demonstrates that there is more to the genre than previously thought ... His thorough explanation of Lewis' controversial and revolutionary novel [ The Monk] is a wonderful magnifying glass through which to view this politically turbulent period ... In short, Ellis argues cogently for the inclusion of 'gothic' works within serious literary study ... Ellis' work lends credibility to a genre that gained critical notice in the nineteenth century but that has now been dismissed and marginalized. The History of Gothic Fiction is an important contribution to the field of nineteenth-century studies and the ongoing critical work that seeks to redefine and diversify the literary canon. The beautifully reproduced illustrations in The History of Gothic Fiction are integral to the book since Ellis discusses them at length ... [ This fine book] reveal[ s] a critically sophisticated and historically informed interest in Gothic fiction that shows every sign of continuing in current and future literary study. A study that both historicizes the gothic novel and offers a series of readings demonstrating how the gothic novel often employs historical events within its narrative structure. What at first seems a tracing of the genre's development is actually an insightful and well-researched explanation of the gothic novel's rise, meaning, evolution, historical use, and contemporary reception. The first two sectins of the book are an engaging and intriguing start to a fascinating analysis that sheds new light on a genre considered overworked and exhausted. Ellis effectively describes the differences between the gothic genre and other literary forms and convincingly demonstrates that there is more to the genre than previously thought ... His thorough explanation of Lewis' controversial and revolutionary novel [ The Monk] is a wonderful magnifying glass through which to view this politically turbulent period ... In short, Ellis argues cogently for the inclusion of 'gothic' works within serious literary study ... Ellis' work lends credibility to a genre that gained critical notice in the nineteenth century but that has now been dismissed and marginalized. The History of Gothic Fiction is an important contribution to the field of nineteenth-century studies and the ongoing critical work that seeks to redefine and diversify the literary canon.

Acknowledgements vii
List of illustrations
viii
Prologue: The history of gothic fiction 1(7)
On the pleasure derived from objects of terror
8(3)
Gothic and history
11(6)
History and the gothic novel
17(31)
What's gothic about the gothic novel?
17(10)
Questions of form: the novel and the romance
18(4)
Questions of history: Goths and the age of enlightenment
22(2)
Reading history and the gothic constitution
24(3)
Reading gothic histories: Walpole's The Castle of Otranto
27(21)
Patriotism, Wilkes and the gothic
37(11)
Female gothic and the secret terrors of sensibility
48(33)
Radcliffe and the politics of female sensibility
51(11)
Radcliffe and gothic masculinity: banditti and tyrants
56(6)
Radcliffe and the politics of masculine sensibility
62(8)
The `supernatural explained' and the politics of gothic form
66(4)
Gothic radicals: Wollstonecraft's The Wrongs of Woman
70(11)
Revolution and libertinism in the gothic novel
81(40)
Compositional politics of The Monk
83(13)
Libertine writing and the revolutionary enlightenment
89(7)
Lewis and the French Revolutionary Wars
96(10)
Lewis and the Terror
102(4)
Publication and the politics of censorship
106(15)
The Monk: criticism and censorship
108(13)
Science, conspiracy and the gothic enlightenment
121(40)
Charles Brockden Brown: conspiracy, enlightenment and the supernatural explained
123(18)
A `single family' and `the condition of a nation'
127(4)
Superstition and madness, reason and wonder
131(3)
Gothic revolutionaries and the secret enlightenment
134(5)
Conspiracy and enlightenment in Carwin's `memoirs'
139(2)
Fictions of science in Mary Shelley's Frankenstein
141(20)
Alchemy and modern science
143(9)
Secrecy and subversion
152(9)
Vampires, credulity and reason
161(44)
The 1730s vampire controversy
162(13)
Walpole, the new commercial society and the excise vampire
165(3)
Antiquarian vampires and the birth of folklore
168(7)
Romance vampires and the romantic poets
175(14)
Byron's The Giaour (1813): the vampire as modern tyrant
178(3)
John William Polidori, The Vampyre and Byron
181(5)
Vampires and the science of folklore
186(3)
History, the vampire and Dracula
189(16)
Modernity and atavism in the vampire
195(10)
Zombies and the occultation of slavery
205(40)
Answering the question `What is a zombie?'
206(2)
Slavery and the zombie
208(10)
Rebel slaves and the devil-king Zombi
212(2)
Lafcadio Hearn's zombie stories: history as spectre
214(4)
Twentieth-century gothic and the zombies of modernity
218(15)
Modern slavery in Seabrook's The Magic Island
220(9)
Gothic hybrids and the white zombies
229(4)
The occultation of miscegenation and slavery in the zombie film
233(12)
Select bibliography of gothic resources 245(9)
Index 254


Markman Ellis is Senior Lecturer in the School of English and Drama at Queen Mary and Westfield College, University of London