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El. knyga: History of Literature in the Ming Dynasty

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This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. 

By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods.
 
The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.
1 Literature of the Early Ming Dynasty
1(34)
1.1 Gemini: Song Lian and Liu Ji
1(6)
1.2 The Grievous and Indignant Voice of Prosperous Times of the Four Great Men in Wuzhong
7(5)
1.3 The Beginning of the Literary Retro
12(9)
1.4 Qu You and New Remarks by Oil Lamp
21(7)
1.5 Zhu Youdun and the Changes in Zaju
28(7)
2 The Evolution from the Southern Drama to the Chuanqi Drama
35(18)
2.1 The Linkage and Differences Between the Southern Operas and the Legend
35(7)
2.2 Dramatists During the Transitional Period Between the Southern Opera and the Legend
42(11)
3 The Completion and Achievements of Full-Length Novels of Accumulated Collective Creation Through Generations (I)
53(44)
3.1 The Early Full-Length Novels and Collectively-Created Works Through Generations
53(4)
3.2 Luo Guanzhong and the Adaptation of Romance of the Three Kingdoms and Water Margin
57(4)
3.3 The Romance of the Three Kingdoms: Unfold the Heroic Scrolls of History
61(21)
3.4 Water Margin: The Legendary Life of Art Fiction
82(15)
4 The Completion and Achievements of Full-Length Novels of Accumulated Collective Creation Through Generations (II)
97(52)
4.1 Journey to the West: Twisted Minds Create New Myths
97(14)
4.1.1 The process of the creation of Journey to the West
97(6)
4.1.2 Journey to the West and the Adapter of the Final Version
103(2)
4.1.3 The Main Idea and the Artistic Features of Journey to the West
105(6)
4.2 Golden Lotus: The New World of Secular Life
111(19)
4.2.1 The Publication, Adapters, Dates and Editions of Golden Lotus
111(4)
4.2.2 The Literary Achievements of Golden Lotus and Its Significance in Literary History
115(11)
4.2.3 The Creative Tendency of Golden Lotus
126(4)
4.3 The International Dissemination of the "Four Masterpieces"
130(5)
4.4 A Brief Account for the Other Full-Length Novels of the Collective Creation from Accumulation of Generations
135(14)
4.4.1 Stories of Gods and Demons
135(6)
4.4.2 The Poetic Stories on History---Poetic Stories on the King of Qin in the Tang Dynasty
141(1)
4.4.3 Historical Novels of the Sui and Tang Dynasties
142(3)
4.4.4 Public Case Stories
145(4)
5 Individually Created Full-Length Novels That Stand Out from the Collective Creations
149(16)
5.1 The Rise of Individually Created Full-Length Novels
149(1)
5.2 A Brief Account of the Full-length Novels Created by Individuals
150(15)
6 The Crisis, Development and Retro of the Literature in the Middle of the Ming Dynasty
165(46)
6.1 The Formation of Three Yangs Bureaucratic Group and the Secretariat Poetic Style
165(3)
6.2 Li Dongyang's Exploration of the Ming Poetry
168(7)
6.3 The Doctrine of Literary Retro and Creative Practice of the Early Seven Scholars
175(17)
6.4 Yu Qian, Yang Shen and the Literati of Wuzhong
192(11)
6.5 The First Anti-retro School
203(8)
7 The Retro and Anti-Retro Trends in the Literature of the Late Ming Dynasty
211(38)
7.1 The Retro Flag Planted by the Latter Seven Scholars
211(10)
7.2 Li Zhi's Doctrine of Childlike Innocence and His Writings
221(5)
7.3 The Poetic Creation of Xu Wei and Tang Xianzu
226(11)
7.4 The Counterattack of Gong'an School Against Retro Trends
237(6)
7.5 A New Style of Tranquility and Solitude Developed by the Jingling School
243(6)
8 The Creation of Zaju Drama in the Middle and Late Ming Dynasty
249(14)
8.1 The Four Sad Sounds of the Ape and Other Works by Xu Wei
250(5)
8.2 Meng Chengshun and Other Masters of the Late Ming Dynasty
255(1)
8.3 Meng Chengshun and Other Dramatists in the Late Ming Dynasty
256(7)
9 The Flourishing of the Literati's Chuanqi
263(26)
9.1 The Reform of Kun Opera by Wei Liangfu
264(25)
9.1.1 Liang Chenyu and Laundering Gauze
266(23)
10 Tang Xianzu: The Legendary Drama Master of a Generation
289(46)
10.1 The Bumpy Life of Tang Xianzu
289(7)
10.2 The Formation of Tang Xianzu's Thoughts and Four Dreams of Linchuan
296(9)
10.3 An Unprecedented Masterpiece: Peony Pavilion
305(16)
10.4 The Tune of "Four Dreams of Lin Chuan" and the Disputes Between Tang and Shen
321(7)
10.5 The Opera Views in On Qingyuan Opera Master of Yihuang County
328(7)
11 The Compilation of Vernacular Short Novels and the Prosperous Development of Imitating Vernacular Novels
335(32)
11.1 Definition and Evolution of Vernacular Novels and Imitating Vernacular Novels
335(4)
11.2 Feng Menglong and the Compilation of Three Enlightenment
339(11)
11.3 Two Admonition Books, Motto for Behaviors and Other Imitating Vernacular Texts Written by Literati
350(8)
11.4 The Novelettes of Erotic in Common Books
358(6)
11.5 The Influence of Later Classical Chinese Novels on the Creation of Imitating Vernacular Novels
364(3)
12 The Apocalyptic Brilliance of Poem and Prose in the Ming Dynasty
367(12)
12.1 The Unique Beauty of Zhang Dai's Essays
367(3)
12.2 The Elegy of Chen Zilong and XiaWanchun
370(9)
13 The Last Glory of the Chuanqi Dramas in the Ming Dynasty
379(14)
13.1 Yuan Yuling and The West Tower
380(3)
13.2 Wu Bing and Five Legends of Blooming Study
383(5)
13.3 Meng Chenshun and Ruan Dacheng
388(5)
14 Ci Poetry and the Off-stage Tunes
393(22)
14.1 The Endeavors of Ci Poetry Writers of the Ming Dynasty in Its Decline
393(22)
14.1.1 The Creation and Development of the Off-stage Tune
403(12)
15 The Popular Folk Songs and Tunes Prevailing Across the Changjiang River
415(14)
15.1 The Outshining Popular Folk Songs and Tunes
416(2)
15.2 The Singing of Love from Popular Folk Songs and Tunes
418(4)
15.3 The Disclosure of Social Maladies from Popular Folk Songs and Tunes
422(7)
Postscript I
425(2)
Postscript II
427(2)
Postscript of Second Edition 429(2)
Enclosed with: Bibliography of Major Citations 431(6)
A Brief Chronology of the Ming Dynasty 437
Shuofang Xu (1923 2007), professor of Zhejiang University, and guest professor of Princeton University. Besides, he was the counsellor for the National Leading Group for the Classification and Publishing of Ancient Books, member of the Commission on the Classification and Study of Ancient Books in Chinese Colleges organized by Ministry of Education, and Vice-Chairman of Chinese Opera Society. All through his life XU won over 30 awards, including one of the 1st Excellent Works on Chinese Dramatic Theory, first prize of National Awards for Excellent Ancient Books, second prize of Excellent Achievements of the Study of Humanistic and Social Science organized by Ministry of Education, first prize and Outstanding Contribution Award of Excellent Achievements of the Study of Philosophy and Social Science in Zhejiang Province, and other provincial and national academic awards. Focusing on the literature of Ming Dynasty and ancient Chinese opera, XU wrote a bunch of books, such as Chronicle of Drama Writers in Late Ming Dynasty.  Qiuke Sun, professor of Kuming University, visiting scholar of Zhejiang University. About the translator: Li Maprofessor of East China University of Political Science and Law. She holds a Ph. D. in Applied Linguistics from Shanghai International Studies University. Her areas of expertise are applied/social linguistics and translation. She is the winner of 2 grants from the Shanghai Educational Commission, and a grant by the Chinese National Social Science Foundation. She is the member of Shanghai Translation Association, and the member of Shanghai Law Research Association. She was the visiting scholar in the University of California in the US .She is the author of 4 books and over 30 papers, covering the range of linguistic theories and the cultural connotations in translation. Her publications also include the translation of 4 English books into Chinese.