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1 Literature of the Early Ming Dynasty |
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1 | (34) |
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1.1 Gemini: Song Lian and Liu Ji |
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1 | (6) |
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1.2 The Grievous and Indignant Voice of Prosperous Times of the Four Great Men in Wuzhong |
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7 | (5) |
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1.3 The Beginning of the Literary Retro |
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12 | (9) |
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1.4 Qu You and New Remarks by Oil Lamp |
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21 | (7) |
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1.5 Zhu Youdun and the Changes in Zaju |
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28 | (7) |
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2 The Evolution from the Southern Drama to the Chuanqi Drama |
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35 | (18) |
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2.1 The Linkage and Differences Between the Southern Operas and the Legend |
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35 | (7) |
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2.2 Dramatists During the Transitional Period Between the Southern Opera and the Legend |
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42 | (11) |
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3 The Completion and Achievements of Full-Length Novels of Accumulated Collective Creation Through Generations (I) |
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53 | (44) |
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3.1 The Early Full-Length Novels and Collectively-Created Works Through Generations |
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53 | (4) |
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3.2 Luo Guanzhong and the Adaptation of Romance of the Three Kingdoms and Water Margin |
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57 | (4) |
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3.3 The Romance of the Three Kingdoms: Unfold the Heroic Scrolls of History |
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61 | (21) |
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3.4 Water Margin: The Legendary Life of Art Fiction |
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82 | (15) |
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4 The Completion and Achievements of Full-Length Novels of Accumulated Collective Creation Through Generations (II) |
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97 | (52) |
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4.1 Journey to the West: Twisted Minds Create New Myths |
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97 | (14) |
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4.1.1 The process of the creation of Journey to the West |
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97 | (6) |
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4.1.2 Journey to the West and the Adapter of the Final Version |
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103 | (2) |
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4.1.3 The Main Idea and the Artistic Features of Journey to the West |
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105 | (6) |
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4.2 Golden Lotus: The New World of Secular Life |
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111 | (19) |
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4.2.1 The Publication, Adapters, Dates and Editions of Golden Lotus |
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111 | (4) |
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4.2.2 The Literary Achievements of Golden Lotus and Its Significance in Literary History |
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115 | (11) |
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4.2.3 The Creative Tendency of Golden Lotus |
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126 | (4) |
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4.3 The International Dissemination of the "Four Masterpieces" |
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130 | (5) |
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4.4 A Brief Account for the Other Full-Length Novels of the Collective Creation from Accumulation of Generations |
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135 | (14) |
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4.4.1 Stories of Gods and Demons |
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135 | (6) |
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4.4.2 The Poetic Stories on History---Poetic Stories on the King of Qin in the Tang Dynasty |
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141 | (1) |
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4.4.3 Historical Novels of the Sui and Tang Dynasties |
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142 | (3) |
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4.4.4 Public Case Stories |
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145 | (4) |
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5 Individually Created Full-Length Novels That Stand Out from the Collective Creations |
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149 | (16) |
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5.1 The Rise of Individually Created Full-Length Novels |
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149 | (1) |
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5.2 A Brief Account of the Full-length Novels Created by Individuals |
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150 | (15) |
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6 The Crisis, Development and Retro of the Literature in the Middle of the Ming Dynasty |
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165 | (46) |
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6.1 The Formation of Three Yangs Bureaucratic Group and the Secretariat Poetic Style |
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165 | (3) |
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6.2 Li Dongyang's Exploration of the Ming Poetry |
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168 | (7) |
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6.3 The Doctrine of Literary Retro and Creative Practice of the Early Seven Scholars |
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175 | (17) |
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6.4 Yu Qian, Yang Shen and the Literati of Wuzhong |
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192 | (11) |
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6.5 The First Anti-retro School |
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203 | (8) |
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7 The Retro and Anti-Retro Trends in the Literature of the Late Ming Dynasty |
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211 | (38) |
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7.1 The Retro Flag Planted by the Latter Seven Scholars |
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211 | (10) |
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7.2 Li Zhi's Doctrine of Childlike Innocence and His Writings |
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221 | (5) |
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7.3 The Poetic Creation of Xu Wei and Tang Xianzu |
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226 | (11) |
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7.4 The Counterattack of Gong'an School Against Retro Trends |
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237 | (6) |
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7.5 A New Style of Tranquility and Solitude Developed by the Jingling School |
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243 | (6) |
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8 The Creation of Zaju Drama in the Middle and Late Ming Dynasty |
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249 | (14) |
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8.1 The Four Sad Sounds of the Ape and Other Works by Xu Wei |
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250 | (5) |
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8.2 Meng Chengshun and Other Masters of the Late Ming Dynasty |
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255 | (1) |
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8.3 Meng Chengshun and Other Dramatists in the Late Ming Dynasty |
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256 | (7) |
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9 The Flourishing of the Literati's Chuanqi |
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263 | (26) |
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9.1 The Reform of Kun Opera by Wei Liangfu |
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264 | (25) |
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9.1.1 Liang Chenyu and Laundering Gauze |
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266 | (23) |
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10 Tang Xianzu: The Legendary Drama Master of a Generation |
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289 | (46) |
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10.1 The Bumpy Life of Tang Xianzu |
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289 | (7) |
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10.2 The Formation of Tang Xianzu's Thoughts and Four Dreams of Linchuan |
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296 | (9) |
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10.3 An Unprecedented Masterpiece: Peony Pavilion |
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305 | (16) |
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10.4 The Tune of "Four Dreams of Lin Chuan" and the Disputes Between Tang and Shen |
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321 | (7) |
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10.5 The Opera Views in On Qingyuan Opera Master of Yihuang County |
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328 | (7) |
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11 The Compilation of Vernacular Short Novels and the Prosperous Development of Imitating Vernacular Novels |
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335 | (32) |
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11.1 Definition and Evolution of Vernacular Novels and Imitating Vernacular Novels |
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335 | (4) |
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11.2 Feng Menglong and the Compilation of Three Enlightenment |
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339 | (11) |
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11.3 Two Admonition Books, Motto for Behaviors and Other Imitating Vernacular Texts Written by Literati |
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350 | (8) |
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11.4 The Novelettes of Erotic in Common Books |
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358 | (6) |
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11.5 The Influence of Later Classical Chinese Novels on the Creation of Imitating Vernacular Novels |
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364 | (3) |
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12 The Apocalyptic Brilliance of Poem and Prose in the Ming Dynasty |
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367 | (12) |
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12.1 The Unique Beauty of Zhang Dai's Essays |
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367 | (3) |
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12.2 The Elegy of Chen Zilong and XiaWanchun |
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370 | (9) |
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13 The Last Glory of the Chuanqi Dramas in the Ming Dynasty |
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379 | (14) |
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13.1 Yuan Yuling and The West Tower |
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380 | (3) |
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13.2 Wu Bing and Five Legends of Blooming Study |
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383 | (5) |
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13.3 Meng Chenshun and Ruan Dacheng |
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388 | (5) |
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14 Ci Poetry and the Off-stage Tunes |
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393 | (22) |
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14.1 The Endeavors of Ci Poetry Writers of the Ming Dynasty in Its Decline |
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393 | (22) |
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14.1.1 The Creation and Development of the Off-stage Tune |
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403 | (12) |
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15 The Popular Folk Songs and Tunes Prevailing Across the Changjiang River |
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415 | (14) |
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15.1 The Outshining Popular Folk Songs and Tunes |
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416 | (2) |
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15.2 The Singing of Love from Popular Folk Songs and Tunes |
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418 | (4) |
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15.3 The Disclosure of Social Maladies from Popular Folk Songs and Tunes |
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422 | (7) |
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425 | (2) |
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427 | (2) |
Postscript of Second Edition |
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429 | (2) |
Enclosed with: Bibliography of Major Citations |
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431 | (6) |
A Brief Chronology of the Ming Dynasty |
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437 | |