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El. knyga: Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV, and Digital Media (Third Edition)

4.14/5 (149 ratings by Goodreads)
  • Formatas: 408 pages
  • Išleidimo metai: 17-Jul-2018
  • Leidėjas: Allworth Press,U.S.
  • Kalba: eng
  • ISBN-13: 9781621536598
Kitos knygos pagal šią temą:
  • Formatas: 408 pages
  • Išleidimo metai: 17-Jul-2018
  • Leidėjas: Allworth Press,U.S.
  • Kalba: eng
  • ISBN-13: 9781621536598
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Hollywood Dealmaking has become the go-to resource for new and experienced entertainment attorneys, agent trainees, business affairs executives, and creative executives. Entertainment attorneys and Hollywood insiders Dina Appleton and Daniel Yankelevits explain the negotiation techniques and strategies of entertainment dealmaking and detail the interests and roles of producers, writers, actors, directors, agents, and studio employees in crafting a deal. This new edition captures the dramatic changes over the past five years in the film and television industry landscape, with two new chapters: "Reality Television" details the sources of revenue, syndication possibilities, and format sales of these shows as well as the talent deals that are made, and the "Internet/New Media" chapter delves into new digital formats such as mobile phones, game consoles, video-on-demand, and web-based apps, and explains where today's revenues are generated, where the industry is headed, and talent negotiation issues.

All the ins and outs of negotiating are explained, including back ends, gross and adjusted gross profits, deferments, box office bonuses, copyrights, and much more. This easy-to-follow reference is packed with expert insights on distribution, licensing, and merchandising. The book's invaluable resource section includes definitions of lingo for acquisition agreements and employment deals, twelve ready-to-use sample contracts, and a directory of entertainment attorneys in both New York and Los Angeles. In Hollywood Dealmaking, readers will recognize the key players in the process, understand the "lingo" of crafting deals, learn how to negotiate agreements for the option and purchase of books and screenplays, be able to negotiate employment deals for all members of a film or television crew, understand payment terms and bonuses, and be able to register copyrights in scripts and other literary works.

Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Chapter 1 INTRODUCTION TO THE DEALMAKING PROCESS 1
THE PLAYERS
STUDIOS VERSUS INDEPENDENT PRODUCERS
THE ART OF NEGOTIATION: TIPS FROM INDUSTRY PLAYERS
THE NEW LANDSCAPE: OBSERVATIONS OF INDUSTRY PLAYERS
Chapter 2 RIGHTS ACQUISITION AGREEMENTS 24
THE OPTION/PURCHASE DEAL
LIFE STORY RIGHTS AGREEMENTS
DEAL POINT SUMMARY: OPTION/PURCHASE AGREEMENTS
Chapter 3 FEATURE WRITER EMPLOYMENT DEALS 43
MAKING THE DEAL
DEAL POINT SUMMARY: FEATURE WRITER AGREEMENTS
Chapter 4 TELEVISION WRITER/PRODUCER AGREEMENTS 71
THE ECONOMICS OF TELEVISION
MAKING THE DEAL
WRITERS ON STAFF
OVERALL DEALS
DEAL POINT SUMMARY: TELEVISION WRITER/PRODUCER AGREEMENTS
Chapter 5 FEATURE FILM AND TELEVISION DIRECTOR AGREEMENTS 94
THE DEAL: FEATURE DIRECTING
TELEVISION DIRECTORS
DEAL POINT SUMMARY: DIRECTOR AGREEMENTS
Chapter 6 FILM PRODUCERS 114
SERVICES: THE PRODUCER'S ROLE
MAKING THE DEAL
DEAL POINT SUMMARY: PRODUCER AGREEMENTS
Chapter 7 FEATURE ACTOR AGREEMENTS 128
NEGOTIATING THE DEAL
DEAL POINT SUMMARY: FEATURE ACTOR AGREEMENTS
Chapter 8 TELEVISION ACTOR DEALS 148
NEGOTIATING THE DEAL
RENEGOTIATION
HOLDING DEALS
MOVIES FOR TELEVISION/MOVIES OF THE WEEK
DEAL POINT SUMMARY: TELEVISION ACTOR AGREEMENTS
Chapter 9 CREW (BELOW-THE-LINE) AGREEMENTS 168
SAMPLE DEAL MEMO: FEATURE FILM COMPOSER
SAMPLE DEAL MEMO: TELEVISION PILOT/SERIES CASTING DIRECTOR
SAMPLE DEAL MEMO: MUSIC EDITOR, TV SERIES
SAMPLE DEAL MEMO: POSTPRODUCTION SUPERVISOR, FEATURE FILM
SAMPLE EDITOR AGREEMENT
DEAL POINT SUMMARY: BELOW-THE-LINE AGREEMENTS
Chapter 10 NET PROFITS 180
FEATURE FILM NET PROFITS
KEY TERMS
NEGOTIABLE ISSUES/AREAS OF COMPLAINT
GROSS AND ADJUSTED GROSS RECEIPTS (AGR)
TELEVISION NET PROFITS
CONCLUSION
DEAL POINT SUMMARY: NET PROCEEDS NEGOTIATIONS
Chapter 11 THE BASICS OF COPYRIGHT LAW 204
QUESTIONS ABOUT COPYRIGHT
THE DIGITAL MILLENNIUM COPYRIGHT ACT
Chapter 12 REALITY TELEVISION 217
WHAT IS REALITY TV?
Chapter 13 DIGITAL CONTENT DEALS 225
RIGHTS GRANTED: COPYRIGHT IS KEY
METHOD OF TRANSMISSION
TYPE OF SERVICE
AUTHORIZED DEVICES
FEES/ALLOCATION OF COSTS
BARTER DEALS
RESERVED RIGHTS
SUBLICENSING
SECURITY MEASURES
TERM
REPORTING FREQUENCY
WARRANTIES AND INDEMNITIES
SUBSEQUENT PRODUCTIONS
CONSULTATION AND APPROVAL RIGHTS
GUILD APPLICABILITY
DEAL POINT SUMMARY: DIGITAL CONTENT AGREEMENT
Appendix A SAMPLE CONTRACTS/FORMS 231
CERTIFICATE OF AUTHORSHIP/CERTIFICATE OF EMPLOYMENT
NUDITY RIDER
PUBLISHER'S RELEASE
MATERIALS RELEASE/SUBMISSION RELEASE
ANNOTATION GUIDE
PERSONAL DEPICTION RELEASE
LIFE STORY OPTION/PURCHASE AGREEMENT
SCREENPLAY PURCHASE AGREEMENT
EXHIBIT "A": SHORT FORM ASSIGNMENT
SHOPPING AGREEMENT/ATTACHMENT AGREEMENT
PILOT/SERIES TELEVISION WRITER/PRODUCER AGREEMENT
FORM OF REALITY SERIES PARTICIPANT AGREEMENT
Appendix B THE LINGO 295
ABOUT THE AUTHORS 306
INDEX 307
Dina Appleton is currently Special Counsel in the Entertainment, Media and Technology group at a top Los Angeles law firm. Prior to her current position, she was the head of business and legal affairs at a full-service talent and literary agency.

Daniel Yankelevits is Senior Vice President of Legal Affairs at Sony Pictures Entertainment. He serves on the planning committee of the USC Institute of Entertainment Law and Business and teaches a course at the USC Gould School of Law entitled "Entertainment Law & Industry." Daniel is a graduate of Harvard Law School and resides in Los Angeles, California.