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Horror Comes Home: Essays on Hauntings, Possessions and Other Domestic Terrors in Cinema [Minkštas viršelis]

  • Formatas: Paperback / softback, 279 pages, aukštis x plotis x storis: 229x152x14 mm, weight: 367 g, 29 photos, notes, bibliographies, index
  • Išleidimo metai: 04-Jul-2019
  • Leidėjas: McFarland & Co Inc
  • ISBN-10: 1476679673
  • ISBN-13: 9781476679679
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 279 pages, aukštis x plotis x storis: 229x152x14 mm, weight: 367 g, 29 photos, notes, bibliographies, index
  • Išleidimo metai: 04-Jul-2019
  • Leidėjas: McFarland & Co Inc
  • ISBN-10: 1476679673
  • ISBN-13: 9781476679679
Kitos knygos pagal šią temą:
Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.
Acknowledgments vi
Introduction 1(13)
Cynthia J. Miller
A. Bowdoin Van Riper
I Uncanny Spaces
Romping with Freud in the Pink Palace: Abjection, the Uncanny and the Victorian Feminine in Henry Selick's Coraline (2009)
14(14)
Sue Matheson
Guillermo del Toro's Home for Horrified Orphans
28(14)
William M. Crouch
This House Is Ours: Haunting the Self in Alejandro Amenabar's The Others
42(12)
Ismael IbAnez-Rosales
Anabel Altemir-Giral
Inside the Box: Home, Horror and Helplessness in Demon Seed
54(16)
A. Bowdoin Van Riper
II Dark Legacies
Ghost Karma: The Winchester House as Spiritual Reparation
70(13)
Thomas Robert Argiro
The House That White Privilege Built: Jordan Peek's Get Out and the Haunting Legacy of Plantation Slavery
83(12)
Cammie M. Sublette
Haunted Suburbs, Missing Children and the Reagan-Era Bogeyman: Stalking Gothumentary Catharsis in Cropsey
95(12)
Ruth Goldberg
Feminism's Reoccurring Nightmare: Monstrous Patriarchy, Pulp Horror and The Stepford Wives
107(15)
Ruth Wollersheim
Fractured Heroines, Traumatic Pasts: Traversing the Haunted Homes of Horror
122(14)
Nina K. Martin
III Troubled Minds and Bodies
Television Killed the Video Star: How A&E's Bates Motel Explains the Shock of Hitchcock's Psycho as a Realist Account of Daily Life in Late Capitalism
136(12)
David Anshen
Home Invasions: Masculine Spaces and the Mind in Manhunter
148(14)
Brian Brems
Shallow Focus: Trawling the Gothic Undercurrents of Lake Mungo
162(15)
Duncan Hubber
The Horror of the Circus: Exhibiting Disability in Freaks (1932) and American Horror Story: Freak Show (2014)
177(15)
Tatiana Prorokova
IV Insidious Threats
"We never knew you lived in the block": The White Mother and Black Male Sexual Violence in Attack the Block
192(14)
Bart Bishop
Coming Home to Horror in Insidious: The Last Key
206(13)
Cynthia J. Miller
You Saw Me, Didn't You? The Horror of the Mediated Eye in the Occult Horror Ringu Franchise
219(13)
Senjo Nakai
The Stranger in the House: Interwar Crisis Comes Home in Alfred Hitchcock's The Lodger: A Story of the London Fog (1927)
232(15)
Thomas Prasch
"Lamento lo que va a ocurrir aqui": The Place(lessness) of Youth in Mexico in Carlos Enrique Taboada's Mds negro que la noche
247(14)
Phillip Serrato
About the Contributors 261(4)
Index 265
Cynthia J. Miller, a cultural anthropologist focusing on popular culture and visual media, teaches in the Marlboro Institute for Liberal Arts at Emerson College in Boston. She is the editor or coeditor of twenty scholarly volumes, many exploring the horror genre. A. Bowdoin Van Riper is an historian specializing in depictions of science and technology in popular culture. He is the reference librarian at the Marthas Vineyard Museum, and is the author or editor of a wide range of volumes, ranging from science to science fiction to horror.