In Hospital aesthetics, art historian and curator, Amanda Cachia, illuminates connections amongst disability, medicine, and activism, realms of culture seldom considered compatible. This innovative juxtaposition of art and artists shows us that the common, shared human experiences of disability, illness, and care are recorded in the aesthetic archive in elegant and surprising ways. Rosemarie Garland-Thomson, Professor Emerita of English and bioethics, Emory University, Hastings Center Fellow and Senior Advisor on Disability
Amanda Cachia builds on her leading role in disability art history with Hospital aesthetics, a field-defining book that brings a deep and scholarly understanding of modern and contemporary art to practices that are considered through the conceptual space of the hospital, a site introduced as a framework for discussions about pain, death, and disability experience, and a critical focus of institutional critique. Lisa Cartwright, Professor of Visual Arts, University of California San Diego
In this beautifully written, compelling and extremely original book, Cachia focuses on outstanding artists whose works incorporate experiences of health impairments and long-term hospitalization. Their rescripting of medical affordances, she argues, is a powerful form of radical disability activism, decolonizing and transforming both the hospital and the gallery. Faye Ginsburg, David B. Kriser Professor of Anthropology, New York University
In Hospital aesthetics: Disability, medicine, activism Amanda Cachia analyzes the work of artists who incorporate experiences with hospitalization and illness while rejecting the medical model of disability. Organized into case studies, the cumulative effect is that of a manifesto for disability activism. Urgent and impassioned, it burns with writing theorized from the body out. Suzanne Hudson, Professor of Art History and Fine Arts, University of Southern California -- .
