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How Greek Tragedy Works: A Guide for Directors, Dramaturges, and Playwrights [Minkštas viršelis]

  • Formatas: Paperback / softback, 184 pages, aukštis x plotis: 234x156 mm, weight: 453 g
  • Išleidimo metai: 31-Dec-2020
  • Leidėjas: Routledge
  • ISBN-10: 0367634066
  • ISBN-13: 9780367634063
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 184 pages, aukštis x plotis: 234x156 mm, weight: 453 g
  • Išleidimo metai: 31-Dec-2020
  • Leidėjas: Routledge
  • ISBN-10: 0367634066
  • ISBN-13: 9780367634063
Kitos knygos pagal šią temą:

How Greek Tragedy Works is a journey through the hidden meanings and dual nature of Greek tragedy, drawing on its foremost dramatists to bring about a deeper understanding of how and why to engage with these enduring plays.

Brian Kulick dispels the trepidation that many readers feel with regard to classical texts by equipping them with ways in which they can unpack the hidden meanings of these plays. He focuses on three of the key texts of Greek theatre: Aeschylus' Agamemnon, Euripides' The Bacchae, and Sophocles' Electra, and uses them to tease out the core principles of the theatre-making and storytelling impulses. By encouraging us to read between the lines like this, he also enables us to read these and other Greek tragedies as artists' manifestos, equipping us not only to understand tragedy itself, but also to interpret what the great playwrights had to say about the nature of plays and drama.

This is an indispensable guide for anyone who finds themselves confronted with tackling the Greek classics, whether as a reader, scholar, student, or director.

Acknowledgements ix
Introduction: 115th and Broadway, circa 410 BCE 1(16)
PART I Conversing with shadows: on the interpretation of ancient texts
17(38)
1 Raising the dead; or, theatre as thanatology
19(7)
2 Antigone: a journey to the underworld of the text -- how to read a Greek tragedy
26(19)
3 Dictionary for the ghost language of the tragic
45(10)
PART II Toward an alternate poetics; or, what our three Greek tragedians can tell us about the nature and function of the tragic
55(72)
4 Aeschylus' Agamemnon; or, first principles
57(24)
5 Sophocles' Electra; or, the dialectics of the tragic
81(25)
6 Euripides' Hie Bacchae; or, recognition as re-cognition
106(21)
PART III Further thoughts on form
127(46)
7 Tragedy as "the metaphor of an intellectual intuition": Holderlin on the poetics of the tragic
129(17)
8 Among the ruins: what the fragments can tell us about Greek tragedy
146(27)
Coda: Back to the light of day
169(4)
Appendices
173(7)
Appendix 1 What to think about when thinking about staging a Greek chorus
174(1)
Appendix 2 Agamemnon and the red carpet; or how to create an event in 3 steps
175(2)
Appendix 3 Scoring an agon logon; or the music of actions
177(3)
Index 180
Brian Kulick is chair of the Theatre Program at Columbia Universitys School of the Arts. He has been an Associate Artist at The Public Theatre where his work on Shakespeare has been seen at The Delacorte in Central Park, and the Artistic Director of Classic Stage Company where he directed such world premieres as Anne Carsons critically acclaimed An Oresteia.

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