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El. knyga: Hybrid Documentary and Beyond

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"Hybrid Documentary and Beyond focusses on the theories, production techniques, ethical implications and impact of hybrid documentaries. Challenging the common conceptualisation of hybrid documentary as a simple combination of fact and fiction, the author explores not just what hybrid documentaries are but why and how they are made, and what real world consequences they have on the subjects, on practitioners and on audiences. Through a combination of theoretical analysis and practical case studies she demonstrates that making and researching hybrid documentaries can be creatively liberating for all involved from theorists, filmmakers, crews, participants to audiences, and that their production, appeal and impact are growing globally. Offering a fresh andbold perspective on hybrid documentary filmmaking, this book will be an essential resource to scholars, practitioners and students working in the areas of media arts and production, film studies and documentary"--

Hybrid Documentary and Beyond focusses on the theories, production techniques, ethical implications and impact of hybrid documentaries.

Challenging the common conceptualisation of hybrid documentary as a simple combination of fact and fiction, the author explores not just what hybrid documentaries are but why and how they are made, and what real world consequences they have on the subjects, on practitioners and on audiences. Through a combination of theoretical analysis and practical case studies she demonstrates that making and researching hybrid documentaries can be creatively liberating for all involved from theorists, filmmakers, crews, participants to audiences, and that their production, appeal and impact are growing globally.

Offering a fresh and bold perspective on hybrid documentary filmmaking, this book will be an essential resource to scholars, practitioners and students working in the areas of media arts and production, film studies and documentary.



Hybrid Documentary and Beyond focusses on the theories, production techniques, ethical implications and impact of hybrid documentaries.

Introduction

Part I. Overview: Hybrid documentary theory and the truth

1. What are hybrid documentaries?: Re-contextualising the hybrid documentary in theoretical contexts, challenging the non-fiction/fiction definition.

2. Documentary and the obsession with definitions: Identifying the traits of hybrid documentary through classic 20th century antecedents.

3. What is the truth?: Beyond the non-fiction/fiction blur, using philosophical, ethical frameworks to communicate the truth in Hybrid Documentary and Beyond.

Part II. Praxis: Why make hybrid documentaries?: Methodology, ethics and impact.

4. A Model for teaching hybrid documentary workshops

5. Collaboration: Exercises, problem solving, script development, design as metaphor, form as content. The Impact of hybrid workshops on graduate careers.

6. Subjects in Hybrid documentaries: Casting, collaboration and co-creation. Whose story is it? What happens when hybrid documentaries behave badly and compromise the veracity of the content and integrity of the subjects? Are there check and balances? Should there be? What are the experiences of participants/subjects of hybrid documentary?

Part III. Beyond: Contemporary Hybrid Filmmakers; interviews with contemporary documentary makers working in hybrid documentary forms.

7. Explorers: Late 20th Century innovators in form; Errol Morris, Brian Hill.

8. Adventurers: 21st Century hybrid documentary makers; Lynette Wallworth, Anna Broinowski, Robert Greene.

9. New Visions: Filmmakers whose first hybrid documentary features were released in 2020 and 2021 to international acclaim; Payal Kapadia, Kirsten Johnston.

Professor Rachel Landers is a filmmaker, author and historian. She is currently head of Media Arts and Production and Animation Production at The University of Technology, Sydney.
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