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Hybrid Modernity: The Public Park in Late 20th Century China [Kietas viršelis]

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  • Formatas: Hardback, 230 pages, aukštis x plotis: 246x174 mm, weight: 680 g, 4 Tables, black and white; 27 Line drawings, black and white; 60 Halftones, black and white; 120 Illustrations, black and white
  • Serija: Ashgate Studies in Architecture
  • Išleidimo metai: 27-Jul-2020
  • Leidėjas: Routledge
  • ISBN-10: 1472445678
  • ISBN-13: 9781472445674
Kitos knygos pagal šią temą:
Hybrid Modernity: The Public Park in Late 20th Century ChinaDidesnis paveikslėlis
  • Formatas: Hardback, 230 pages, aukštis x plotis: 246x174 mm, weight: 680 g, 4 Tables, black and white; 27 Line drawings, black and white; 60 Halftones, black and white; 120 Illustrations, black and white
  • Serija: Ashgate Studies in Architecture
  • Išleidimo metai: 27-Jul-2020
  • Leidėjas: Routledge
  • ISBN-10: 1472445678
  • ISBN-13: 9781472445674
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781472445674.html
Raktažodžiai:
This book provides a detailed historical and design analysis of the development of parks and modern landscape architecture in late 20th century China. It questions whether the fusion of international influences with the local Chinese design vocabulary in late 20th century China has created a distinctive and novel approach to the design of public parks.

Hybrid Modernity proposes a new theory for examining the design of public parks built in post-Mao China since the reforms and sets the various processes for Chinas late 20th century socio-cultural context. Drawing on modernization theory, research on Chinas modernity, local and global cultural trends, it illustrates through a range of case studies ways hybrid modernity defines a new design genre and language for the spatial forms of parks that emerged in Chinas secondary cities. Featured case studies include the Living Water Park in Chengdu, Sichuan province, Zhongshan Shipyard Park in Guangdong Province, Jinji Lake Landscape Master Plan in Suzhou, Jiangsu province, and the West Lake Southern Scenic Area Master Plan in Hangzhou, Zhejiang province. This book argues that these forms represent a new stage in Chinas history of landscape architecture. The work reveals that as a new profession, landscape architecture has greatly contributed to Chinas massive urban experiment.

This book is an ideal read for students enrolled in landscape architecture, architecture, fine arts and urban planning programs who are engaged in learning the arts and international design education.

Recenzijos

"Mary Padua has authoritatively chronicled the growth of the landscape architecture profession in China over several decades. This volume frames recent landscapes within a framework of China's rich legacy of gardens and cultural landscapes. Eminently, it collects her valuable insights on seminal projects and persons who have shaped landscape investigations of China's rich history, culture, and ecology within the context of globalization, urbanization, and international design. Ron Henderson, Director of the Landscape Architecture and Urbanism Program at Illinois Institute of Technology

"A plethora of scholarship on Chinas urban architecture and built environment has charted the heat of the nations urban construction since Dengs reforms opened it to the world. Dr. Mary Padua's book supplements this work with her in-depth investigation of public parks in Chinas late 20th century. The arts and garden tradition since its ancient beginnings, Zhongshan lexicon for the modern park and nation-building in the Republic period, places for workers in Mao's era and international influences all pave the way to the public park in post-Mao China an epochal quest for modern urban life. Rather than examining Chinas major cities like Beijing and Shanghai, the author keenly focuses on cases in the secondary cities, places of innovation and potential for Chinas hopes in the years ahead." Dr. Charlie Xue, author of Building a Revolution: Chinese architecture since 1980, A history of design institutes in China: from Mao to market and Grand theater urbanism Chinese cities in the 21st century.

"Hybrid Modernity imparts valuable insights on the creation of urban public parks in late 20th Century China and envisions new directions emerging in the 21st Century. Offering a new theoretical framework, Paduas perceptive analyses confirm the innovative contributions of major park development projects and their impact on shaping public urban spaces in Chinas rapidly developing cities." Linda Corkery, Professor of Landscape Architecture, UNSW Sydney, Australia

List of figures and tables
ix
Preface xiii
1 Introducing hybrid modernity
1(19)
Post-Mao transformations: framing hybrid modernity
7(3)
Chinas physical setting and settlement patterns
10(2)
Book scope and structure
12(5)
References
17(3)
2 Navigating modern(s) and the park in modern China
20(44)
Modernization: social construction and nation-building
21(2)
Modernity, globalization and identity
23(1)
Hybrid modernization: expanding modernization theory and alternative modernities
24(2)
Re-visiting modernism (international) genre
26(4)
Modernism in architecture and landscape architecture
30(2)
Modernity in China
32(27)
China's early modernity and westernization
33(2)
Forced (colonial) modernity
35(4)
The public park, Republican modernity (1912-1949) and nation-building
39(10)
Mao's modernity: 1949-1976
49(8)
Synopsizing China's modern experience
57(2)
References
59(5)
3 Pre-modern China: Nature, cosmology, mythology and the Chinese Picturesque
64(17)
Nature, cosmology, mythology and folklore
66(2)
Brief history of China's designed landscapes
68(3)
Interpreting garden-making throughout pre-modern China
71(3)
Chinese Picturesque garden design language
74(5)
References
79(2)
4 Looking "inside" and "outside" post-Mao China
81(24)
A glance back at the arts and culture in the Mao era
82(5)
Inside post-Mao China
87(2)
Post-Mao art trends
89(5)
Trends in post-Mao China's built environment
94(2)
Post-Mao landscape architecture: foundations of professional practice and education
96(3)
Landscape architecture "outside" post-Mao China
99(3)
References
102(3)
5 Revealing late 20th century hybrid modernity: Four purpose-built parks
105(91)
Case study one: Living Water Park, Huoshui Gongyuan, Chengdu Sichuan Province
106(19)
Chengdu context
108(2)
Project inception
110(1)
Design realization
111(9)
Hybrid modern synthesis
120(5)
Case study two: Zhongshan Shipyard Park, Zhongshan Shiqi Jiang Gongyuan, Zhongshan, Guangdong Province
125(25)
Zhongshan context
127(1)
Project inception
127(5)
Design realization
132(9)
Hybrid modern synthesis
141(9)
Case study three: Jinji Lake Landscape Master Plan, Jinji Hu Jingguan Zongti Guihua, Suzhou, Jiangsu Province
150(14)
Suzhou context
150(4)
Project inception
154(1)
Project realization
155(6)
Hybrid modern synthesis
161(3)
Case study four: West Lake Southern Scenic Area Master Plan, Xihu Huanhu Nanxian Jingqu Zongti, Hangzhou, Zhejiang Province
164(25)
West Lake, Hangzhou context
166(3)
Project inception
169(2)
Project realization
171(2)
SSA experience
173(13)
Hybrid modern synthesis
186(3)
Four public parks - the schema for post-Mao China's hybrid modernity
189(5)
References
194(2)
6 Transforming from "hybrid" to "ecological" modernization in China's 21st century
196(27)
Four case study parks and trends in the host cities
197(8)
Top-down China + Five-Year Plan = green revolution and ecological modernization
205(3)
China's Sponge City program and contribution to international "green" urbanism
208(3)
Revolutionary praxis, trends and Beautiful China
211(8)
References
219(4)
Index 223
Mary G. Padua, PhD, RLA, is an internationally recognized educator, thought leader, contemporary theorist and artist. Her research focuses on socio-cultural phenomena, human-centered design and the meaning of public space. She is one of the first English language writers on post-Mao designed landscapes and the discipline of landscape architecture as contributing agents to Chinas late 20th century urban experiment. She maintains MGP Studio, a critically minded practice rooted in craft, equity, inclusion and restorative experiences, and teaches at Clemson Universitys School of Architecture.