Atnaujinkite slapukų nuostatas

El. knyga: I Wanna Be a Producer: How to Make a Killing on Broadway...or Get Killed

4.09/5 (99 ratings by Goodreads)
  • Formatas: EPUB+DRM
  • Serija: Applause Books
  • Išleidimo metai: 01-Jan-2000
  • Leidėjas: Applause Theatre Book Publishers
  • Kalba: eng
  • ISBN-13: 9781495063701
Kitos knygos pagal šią temą:
  • Formatas: EPUB+DRM
  • Serija: Applause Books
  • Išleidimo metai: 01-Jan-2000
  • Leidėjas: Applause Theatre Book Publishers
  • Kalba: eng
  • ISBN-13: 9781495063701
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

(Applause Books). What does a "producer" actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? John Breglio cannot guarantee you a hit, but he does take the reader on a fascinating journey "behind the curtains" where he himself once stood as a child, dreaming about the theatre. Part memoir, part handbook, Behind the Curtains is a road map to the hows and wherefores, the dos and don'ts of producing a Broadway play, written by a Broadway veteran with more than 40 years of experience. This comprehensive and highly informative book features practical analysis and concepts for the producer and is filled with entertaining anecdotes from Breglio's illustrious career as a leading theatrical lawyer and producer. Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind the scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks. Whether you are a working or aspiring producer, an investor, or are just curious about the backstage reality of the theater, Breglio shares his knowledge and experience of the industry, conveying practical information set against the real-life stories of those who have devoted their lives to the craft. Also included is a DVD of Every Little Step a documentary of the auditions for the 2006 Broadway revival of A Chorus Line .
Foreword ix
Oskar Eustis
Preface xi
Introduction 1(4)
1 The Idea: Free as the Air
5(10)
2 Get Thee to a Lawyer
15(6)
3 The Eye of the Tiger
21(4)
4 The General Manager: An Unsung Hero
25(4)
5 Securing the Rights
29(24)
6 In Pursuit of the Holy Trinity
53(8)
7 Collaboration: A Conspiracy among Artists
61(12)
8 The Authors' Collaboration Agreement
73(8)
9 Royalty Pools
81(14)
10 Enter Amortization: New Twists in the Royalty Pool
95(6)
11 Workshops: Their Use and Abuse
101(12)
12 The Approved Production Contract
113(18)
13 Not-for-Profit Theaters vs. the Commercial Theater: An Uneasy Alliance Born of Necessity
131(12)
14 What's a Commercial Hit? (Or, I Don't Know It When I See It!)
143(12)
15 Finding the Money: A Gathering of Angels
155(20)
16 The Director and Choreographers
175(8)
17 The Designers
183(8)
18 The Producer's Deal
191(4)
19 Auditions and Casting
195(6)
20 The Star
201(10)
21 A Tale of Two Divas
211(6)
22 Getting a Theater
217(16)
23 A Theater Mystery
233(4)
24 The British Invasion
237(4)
25 Rehearsals and Previews
241(8)
26 Advertising, Marketing, and Press
249(14)
27 Catharsis: Opening Night
263(6)
28 The Opening Night Party
269(4)
29 The Choices We Make
273(8)
Epilogue 281(8)
Acknowledgments 289(2)
Index 291
JOHN BREGLIO (New York City) has spent over three decades working in all sectors of the entertainment industry, including theatre, motion pictures, publishing, and music. As an entertainment lawyer, he was instrumental in helping his clients to produce and finance plays, musicals, and films for nearly four decades. In 2008, he retired from his law practice and since then has been producing plays, musicals, and films independently, including the critically acclaimed revival of A Chorus Line and Dreamgirls. Breglio has served as chair of the Theatre Development Fund and has sat on the boards of the American Foundation for AIDS Research, the Alliance for the Arts, the John Golden Fund, and Young Playwrights. He has also lectured frequently for the National Law Journal Seminars, the Practicing Law Institute, and at Yale University and Columbia University School of the Arts, where he has taught a graduate course on theatre and the law. In 2005, he received the Actors' Fund Medal of Honour, and he has been recognised for his contributions to the theatrical community by the Public Theatre, the National Corporate Theatre Fund, and Cherry Lane Theatre.