This book aims to provide readers with a clear and comprehensive picture of the development of Chinese art. Its main feature is the combination of illustration and text. It highlights representative works of art in the form of illustrations and discusses their styles, themes, and underlying artistic principles. In addition, each chapter of the book focuses on covering a specific period in Chinese art history, striving to capture representative artistic and stylistic features of the period and providing a preliminary analysis of the social, political, religious, and cultural factors behind its artistic phenomena.
Late Neolithic -- Painted Pottery.- Pre-Qin Dynasty (Xia, Shang and Zhou Dynasties) -- Bronze Age.- Qin and Han Dynasties -- Pottery Sculpture, Brick/Stone Art.- Three Kingdoms, Jin Dynasty, Southern and Northern Dynasties -- The First Group of Famous Painters, Fresco, Buddhist Art.- Sui and Tang Dynasties -- Figure and Landscape Painting, Fresco, Craft Art.- Five Dynasties, Song Dynasty (Liao, Jin, Xixia) -- Scroll Painting, Porcelain.- Yuan Dynasty -- Literati Painting.- Ming Dynasty -- Literati Painting.- Qing Dynasty -- Literati Painting.- Modern Times -- A New Exploration of the Combination of the East and the West.
Chen Ting is Associate Professor at School of Design, Shanghai Jiaotong University And completed Ph.D. in Theory of Art Design, School of Arts, Soochow University. Chen Tings main publications are Research on the Early Chinese Lithograph Art, monograph, Shanghai Jiao Tong University Press, 2019, Collection of Chen Shenduos Works, Editor-in-Chief, Liu Haisu Art Museum, Shanghai Peoples Fine Arts Publishing House, 2017, Shanghai Landscape Architecture Discipline Development Report, Co-author, Shanghai Scientific and Technical Publishers, 2012, Illustrated History of Chinese Fine Arts, Co-author, China Architecture and Building Press, 2006, Watercolor, Co-author, Shanghai Peoples Fine Arts Publishing House, 2006, Analysis of the Change of the Graphical Layout in Late Qing Pictorial, published in FineArts & Design-Journal of Nanjing Arts Institute 2014 Vol.3, 2014, and The Iconology Difference between the Late Qing Lithographs and the Traditional Wood Engraving Art, published in Art Magazine 2014 Vol.05, 2014.
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