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Immaterial Bodies: Affect, Embodiment, Mediation [Kietas viršelis]

3.77/5 (13 ratings by Goodreads)
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Blackman (media and communications, U. of London at Goldsmith) theorizes "the thorny question of the body's potential for mediation." She does so "within the context of increasing evidence that suggests bodies cannot be reduced to materiality" while returning to "nineteenth- and early twentieth-century debates which primarily concerned the nature of perception, selfhood and embodiment." To this end, she explores affect in the contexts of spiritualism, cybernetics and contemporary media cultures attending to experiences like suggestion, voice-hearing and telepathy "which are always already open the subject to the other." She introduces the subject of affect, crowds and the problem of personality, media technologies and the problem of telepathy, new materialisms, affect and energy in rhythm and transmission, the problem with automatism, and what neuroscience has shown us about the bicameral brain and our apparent double consciousness. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com)

In this unique contribution, Lisa Blackman focuses upon the affective capacities of bodies, human and non-human as well as addressing the challenges of the affective turn within social sciences. Fresh and convincing, Immaterial Bodies uncovers the paradoxes and tensions in work in affect studies by focusing on practices and experiences, including voice hearing, suggestion, hypnosis, telepathy, the placebo effect, rhythm and related phenomena. Questioning the traditional idea of mind over matter, as well as discussing the danger of setting up a false distinction between the two, this book makes for an invaluable addition within cultural theory and the recent turn to affect.

Recenzijos

A wonderfully rich work which authoritatively outlines and defines the present moment in studies of the body. Essential reading for all those engaged in the turn to affect, curious about its genealogy, or seeking new inspiration from those strange precursors - suggestion, voice hearing, the paranormal, personality, doubles and hauntings. Lisa Blackman elegantly explains the history of our current ruminations and reaches important new conclusions for investigations of subjectivity, materiality, movement, individuality and entanglement - Margaret Wetherell, Emeritus Professor of Psychology, Open University, UK







If the social and cultural sciences are to move beyond slogans in their engagement with matters corporeal, they need to engage seriously with what the contemporary life sciences are discovering about the complex enmeshing of bodies, brains, minds and milieux. Lisa Blackmans provocative new book shows how innovative and how productive such a dialogue could be Nikolas Rose, Professor of Sociology, Kings College London, UK











From its critical review of affect theory to its engagment with the reenchantment of materialism to its attention to voice-hearing and neuroscience, Immaterial Bodies: Affect, Embodiment, Mediation is a must read. Lisa Blackman has found a brilliant way to reintroduce mediation into a wide range of discussions ongoing in contemporary critical theory. Immaterial Bodies especially will make a difference in how we conceptualize mediated embodiment Patricia Ticineto Clough, Professor of Sociology, Queens College and The Graduate Center CUNY











Lisa Blackmans book is a fascinating investigation of aspects of the genealogy of approaches to affect and embodiment from the late nineteenth century to the present and an original intervention in current debates over the turn to affect Ruth Leys, Henry Wiesenfeld Professor of Humanities, Johns Hopkins University, Maryland, US











Imagine a sociology freed from its conventional preoccupation with "boundary-making" to focus on thresholds, potentialities and flows. Imagine a psychology that takes primary inspiration from the study of suggestion, telepathy and other such nonconscious, nonrational processes. In Immaterial Bodies, Lisa Blackman positions the transmission of affect as the central question of contemporary sociology and psychology, and brings out how this question was also of key concern to the founders of these disciplines. Her recuperation of the voices of William James and Gabriel Tarde, among others, sets the stage for a wide ranging and deeply illuminating conversation with current theorists over topics ranging from mental touch to automaticity. It emerges that it is not only bodies that matter, for the immaterial (the psychic, the spiritual, the media) matters too, both to the formation of the subject and to the foundation (and future) of the human sciences. This book presents a refreshing rebuke to the crude materialism and neuroreductionism that has become so prevalent in recent years, and throws open a window on the trans-subjective David Howes, Concordia University, editor of Empire of the Senses and The Sixth Sense Reader, among other works

About the Author vi
Acknowledgements vii
Preface ix
1 The Subject of Affect: Bodies, Process, Becoming
1(25)
2 The Crowd and The Problem of Personality
26(28)
3 Mental Touch: Media Technologies and the Problem of Telepathy
54(23)
4 The Re-enchantment of Materialism: Affect and New Materialisms
77(23)
5 Affect, Energy, Rhythm and Transmission
100(24)
6 The Problem of Automatism: Divided Attention, Voice Hearing and Machinic Vision
124(30)
7 Neuroscience: The Bicameral Mind and the Double Brain
154(29)
Epilogue 183(9)
Bibliography 192(15)
Index 207
Lisa Blackman is a Reader in the Department of Media and Communications at Goldsmiths, University of London. She works at the intersection of body studies and media and cultural studies. She is the editor of the journal Body & Society and a co-editor of Subjectivity. Book include Mass Hysteria: Critical Psychology and Media Studies (Palgrave, 2001, with Valerie Walkerdine); Hearing Voices: Embodiment and Experience (Free Association Books, 2001); The Body: The Key Concepts (Berg, 2008).









She teaches courses which span critical media psychology, affect studies, embodiment and body studies, and experimentation in the context of art/science. She is particularly interested in phenomena which have puzzled scientists, artists, literary writers and the popular imagination for centuries, including automatic writing, voice hearing, suggestion, telepathy and automatism.