David Shenk surveys the history of chess, capturing the Zelig-like nature of the game that has changed the societies that have played it. It's rules and pieces have served as a metaphor for society (to be found in the writings of Borges, Nabokov, Tolstoy, Canetti, Eliot), it has helped to form the military strategies that conquered civilisations, influenced the mathematical understandings that have driven technological change and served as a moral guide. It has been condemned by Popes as the devil's game yet Benjamin Franklin used it as to promote diplomacy.Chess's role in influencing the intellectual advances of the twentieth-century is explored, from its role in modernist art to its crucial part in the birth of cognitive science and the development of artificial intelligence. David Shenk investigates the omnipresent role of chess in the evolution of civilisation.This history of chess is structured around a description of the "Immortal Game" played between grandmasters Adolf Anderseen and Lionel Kieseritzky in 1851, the great example of 'romantic' chess. David Shenk includes Benjamin Franklin's essay 'The Morals of Chess' and detailed analysis of games that illustrate chess's rules.
Prologue |
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xv | |
Introduction |
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1 | (8) |
Pieces and Moves |
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9 | (4) |
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I. Openings: (Where We Come From) |
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``Understanding Is the Essential Weapon'' |
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13 | (16) |
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The Immortal Game: Move I |
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21 | (8) |
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29 | (14) |
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Chess and the Muslim Renaissance |
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The Immortal Game: Move 2 |
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39 | (4) |
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The Morals of Men and the Duties of Nobles and Commoners |
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43 | (22) |
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Chess and Medieval Obligation |
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The Immortal Game: Move 3 |
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60 | (5) |
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65 | (22) |
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Modern Chess, the Accumulation of Knowledge, and the March to Infinity |
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The Immortal Game: Moves 4 and 5 |
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76 | (11) |
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II. Middlegame: (Who We Are) |
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Benjamin Franklin's Opera |
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87 | (20) |
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Chess and the Enlightenment |
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The Immortal Game: Moves 6 and 7 |
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99 | (8) |
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The Emperor and the Immigrant |
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107 | (16) |
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Chess and the Unexpected Gifts of War |
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The Immortal Game: Moves 8 and 9 |
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117 | (6) |
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123 | (18) |
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Chess and the Working Mind |
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The Immortal Game: Moves 10 and 11 |
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134 | (7) |
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``Into Its Vertiginous Depths'' |
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141 | (22) |
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Chess and the Shattered Mind |
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The Immortal Game: Moves 12--16 |
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151 | (12) |
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163 | (22) |
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Chess and Totalitarianism in the Twentieth Century |
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The Immortal Game: Moves 17-19 |
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178 | (7) |
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185 | (14) |
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The Immortal Game: Moves 20 and 21 |
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193 | (6) |
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III. Endgame: (Where We Are Going) |
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``We are Sharing Our World with Another Species, One That Gets Smarter and More Independent Every Year'' |
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199 | (28) |
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Chess and the New Machine Intelligence |
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The Immortal Game: Moves 22 and 23 (Checkmate) |
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222 | (5) |
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227 | (14) |
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Chess and the Future of Human Intelligence |
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239 | (2) |
Acknowledgments |
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241 | (4) |
Appendix I: The Rules of Chess |
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245 | (10) |
Appendix II: The Immortal Game (Recap) and Five Other Great Games from History |
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255 | (26) |
Appendix III: Benjamin Franklin's ``The Morals of Chess'' |
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281 | (6) |
Sources and Notes |
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287 | (28) |
Index |
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315 | |
David Shenk is an American writer, lecturer, and filmmaker. He is author of six books and has contributed to National Geographic, Slate, The New York Times, Gourmet, Harper's, Wired, The New Yorker, New Republic, The Nation, The American Scholar, NPR and PBS. In mid-2009, he joined The Atlantic as a correspondent. He is a 1988 graduate of Brown University.