inArt 2016: 2nd International Conference on Innovation in Art Research and Technology 1st ed. 2017 [Kietas viršelis]

Shellac/nanoparticles dispersions as protective materials for wood.-
Photoluminescence properties of zinc white: an insight into its emission
mechanisms through the study of historical artist materials.- Pigment
particles analysis with a total reflection X-ray fluorescence spectrometer:
study of influence of instrumental parameters.- Characterization of Roman
glass tesserae from the Coriglia excavation site (Italy) via
energy-dispersive X-ray fluorescence spectrometry and Raman spectroscopy.-
Chemical and spectroscopic investigation of the Raphaels cartoon of the
School of Athens from the Pinacoteca Ambrosiana.- A new scanner for in situ
digital radiography of paintings.- A structural approach in the study of
bones: fossil and burnt bones at nanosize scale.- Characterisation of
artificial patinas on bronze sculptures of the Carlo Bilotti Museum (Rome).-
In situ Raman spectroscopic study of marble capitals in the Alhambra
monumental ensemble.- A first insight on the biodegradation of limestone: the
case of the World Heritage Convent of Christ.- The analysis of European
lacquer: optimization of thermochemolysis temperature of natural resins.-
Insight into Sam Francis painting techniques through the analytical study of
twenty-eight artworks made between 1946 and 1992.- Radiocarbon dating of
twentieth century works of art.- Analysis of Wilhelm Ostwalds Colour Organ
with Raman microspectroscopy.- Light, shadows and surface characteristics:
the multispectral Portable Light Dome.- A combined approach for the
attribution of handwriting: the case of Antonio Stradivaris manuscripts.-
Visualization and quantification of weathering effects on capillary water
uptake of natural building stones by using neutron imaging.- Uncover the
mantle: rediscovering Gregório Lopes palette and technique with a study on
the painting Mater Misericordiae.- Gem and mineral identification using GL
Gem Raman and comparison with other portable instruments.- Development of a
translation stagefor in situ noninvasive analysis and high-resolution
imaging. - New insights into the painting stratigraphy of LHomme blessé by
Gustave Courbet combining scanning macro-XRF and confocal micro-XRF.-
Monitoring the impact of the indoor air quality on silver cultural heritage
objects using passive and continuous corrosion rate assessments.- Conquering
space with matter: a technical study of Alberto Burris materials and
techniques.- The corrosion process of sterling silver exposed to a Na2S
solution: monitoring and characterizing the complex surface evolution using a
multi-analytical approach.- Identification of green pigments from fragments
of Roman mural paintings of three Roman sites from north of Germania
Superior.- Nondestructive Raman investigation on wall paintings at Sala
Vaccarini in Catania (Sicily).- Rehabilitation of farmhouses and barns:
limits of salt content.- A whole spectroscopic mapping approach for studying
the spatial distribution of pigments in paintings.- Raman microscopy of hand
stencils rock art from the Yabrai Mountain, Inner Mongolia Autonomous Region,
China.- Non-invasive dendrochronology of late-medieval objects in Oslo:
refinement of a technique and discoveries.- Pictorial materials database:
1200 combinations of pigments, dyes, binders and varnishes designed as a tool
for heritage science and conservation.- Raman spectroscopic analysis of a
belltower commemorative wall decoration.- Dual phylogenetic staining protocol
for simultaneous analysis of yeast and bacteria in artworks.- On the
conservation of easel paintings: evaluation of microbial contamination and
artists materials.- Analytical characterization of glass tesserae from
mosaics of early Christian basilicas in Albania.- The comparative study of
four Portuguese sixteenth-century illuminated Manueline Charters based on
spectroscopy and chemometrics analysis.- The case study of The daughters of
the Emperor Ferdinand I by Jakob Seisenegger, in Trento (Italy): analytical
hygro-mechanical results as a support in risk assessment for technical
interventions.-Prediction and classification of the degradation state of
plastic materials used in modern and contemporary art.