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1 Introduction: Formal Matters |
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1 | (4) |
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2 Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget |
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5 | (16) |
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Performance Streams, Fugitive Explorations |
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5 | (5) |
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Intermedial Technovations, Extreme Performances |
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10 | (6) |
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Hopscotching Hamlet's Nodals, Intermedial Invitations |
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16 | (5) |
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3 Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare |
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21 | (56) |
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Bryan Reynolds (with sections by zooz [ Bryan Reynolds & Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) Objective Agency |
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21 | (6) |
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The Shakespearean Antique |
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27 | (6) |
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The Adventures of zooz in Intermedial Land |
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33 | (15) |
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48 | (1) |
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49 | (4) |
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53 | (2) |
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55 | (2) |
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57 | (2) |
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59 | (1) |
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60 | (17) |
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4 The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences |
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77 | (60) |
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With Parts from Guattari's Factory |
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77 | (5) |
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Revving Up Consciousness ("Who's There?") |
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82 | (6) |
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Climbing Dog Upchucks (Jean!) |
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88 | (7) |
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Andy Warhol (Click [ Mechanical Sound of Polaroid Camera], Click) |
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95 | (6) |
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Whose House? Nay, Answer me: Whose House Is It Anyway Anyway, Anyway? |
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101 | (5) |
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Reach Out, the World Cannot Repeat Us |
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106 | (9) |
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Humming the Ritual-Refrain or The Ballad of the Dead" |
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115 | (7) |
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122 | (4) |
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Refrain: Difference, with Repetition |
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126 | (11) |
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5 Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo Garcia and La Carniceria Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland |
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137 | (40) |
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The Near-Farthest/Far-Nearest |
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137 | (4) |
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Lobster Talk, or Double Articulation |
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141 | (3) |
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Feasting on Rodrigo Garcia's ACCIDENS (Matar Para Comer) |
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144 | (5) |
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Out to Lunch with Jan Lauwers and Needcompany's The Lobster Shop |
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149 | (5) |
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Staging "The Lobster Quadrille" |
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154 | (2) |
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Off the Block: Differential Mania |
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156 | (1) |
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The Evolutionary Hand Job: Lobster-Mapping the Human Brain Function |
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157 | (20) |
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6 Fractalicious! (Implosive Affects and Transversal Refractions) |
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177 | (64) |
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Zimmerman and David Backovsky & Sam Kolodezh) Fractalicious! |
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178 | (21) |
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Over a Podium Bent: Transversal Theater Company's Fractalicious! |
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199 | (1) |
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The Wayward Intimacy of Surprise |
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199 | (3) |
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An Exuberant Physicality of Thought |
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202 | (3) |
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205 | (4) |
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209 | (3) |
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Radical Joy and the Wilderness of SoCal |
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212 | (4) |
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Societies of Rhythm: Intermedial Soundscapes and Performing Concepts in Transversal Theater Company's Fractalicious! |
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216 | (2) |
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The Intimacy of Surprise: Performing Concepts |
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218 | (7) |
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Fractalicious! Traces and Multiplications |
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225 | (2) |
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227 | (2) |
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229 | (12) |
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7 For the Love of Hamlet's Headspace: Noodling with Deleuze, Thomas Ostermeier's Nodals, and Alio-Realism |
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241 | (62) |
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242 | (2) |
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244 | (6) |
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Theater, Theater, It Is Like Ecstasy |
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250 | (2) |
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No Wonder, The Second World of the Search |
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252 | (6) |
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258 | (5) |
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Anticipation and Intrafaciality |
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263 | (5) |
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Allo-Realism, Eating Dirt |
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268 | (9) |
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277 | (1) |
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Glossary of Transversal Terms |
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277 | (12) |
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289 | (1) |
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Zooz (James Intriligator & Bryan Reynolds) Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman |
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289 | (14) |
| Index |
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303 | |
