| Editors' Acknowledgments |
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ix | |
| Comics and Intermediality: An Introduction |
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xi | |
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Part One Comics and Cinema |
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1 Still Pictures, Moving Frame: Comics on the Edge of Cinema |
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1 | (14) |
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2 Ghosting the Film: Graphic Restitution and Intermediality in Nadar and Frey's Avec Edouard Luntz, le ciniaste des ames inquietes |
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15 | (20) |
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3 Godard's Contra-Bande: Early Comic Heroes in Pierrot le fou and Le Livre d'image |
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35 | (26) |
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Part Two Comics, Photography, and the Photonovel |
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4 Remediating the Documentary: Photography and Drawn Images in Mickey au camp de Gurs |
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61 | (18) |
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5 Photonovel Bodies: Kitchen Sink Romance and Beyond |
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79 | (22) |
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Part Three Comics, Reportage, and Memory |
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6 BD Reportage or Exotic Travel Journal? L'Afrique de papa and the Intermedial Gaze |
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101 | (26) |
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7 (Re)Negotiating Memory: Panama Al-Brown ou l'Enigme de la Force, or the Black Boxer vs. the Graphic Novel |
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127 | (20) |
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8 Mediated Martyrdom in Marjane Satrapi's Persepolis |
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147 | (26) |
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9 Children in Graphic Novels: Intermedial Encounters and Mnemonic Layers |
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173 | (24) |
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Part Four Comics, Cultural Capital, and the Artistic Tradition |
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10 Art Brut and Alternative Comics: Reciprocal Sympathies |
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197 | (24) |
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11 Belgo-Swiss "Pop Art"? Appropriation and the Making of Euro-Modernity in Herges L'Affaire Tournesol |
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221 | (16) |
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12 Salammbo in the Third Degree: From Novel to BD to Video Game |
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237 | (24) |
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Part Five Comics and Music |
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13 Songs and Music of French Colonialism in the Maghreb through Comics |
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261 | (30) |
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| List of Figures |
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291 | (6) |
| Contributors |
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297 | |
