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El. knyga: Investigations Into the Phenomenology and the Ontology of the Work of Art: What are Artworks and How Do We Experience Them?

  • Formatas: EPUB+DRM
  • Serija: Contributions to Phenomenology 81
  • Išleidimo metai: 22-Jun-2015
  • Leidėjas: Springer International Publishing AG
  • Kalba: eng
  • ISBN-13: 9783319140902
  • Formatas: EPUB+DRM
  • Serija: Contributions to Phenomenology 81
  • Išleidimo metai: 22-Jun-2015
  • Leidėjas: Springer International Publishing AG
  • Kalba: eng
  • ISBN-13: 9783319140902

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?This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.

Daugiau informacijos

This is an open access book, the electronic versions are freely accessible online.
Introduction 1(14)
Peer F. Bundgaard
Temporal Aspects of Literary Reading
15(16)
David S. Miall
Memory and Mental States in the Appreciation of Literature
31(20)
Marisa Bortolussi
Peter Dixon
Temporal Conflict in the Reading Experience
51(24)
Cathrine Kietz
The Aesthetic Experience with Visual Art "At First Glance"
75(14)
Paul J. Locher
What Is a Surface? In the Real World? And Pictures?
89(20)
John M. Kennedy
Marta Wnuczko
The Idiosyncrasy of Beauty: Aesthetic Universals and the Diversity of Taste
109(20)
Patrick Colm Hogan
Why We Are Not All Novelists
129(16)
Shaun Gallagher
Aesthetic Relationship, Cognition, and the Pleasures of Art
145(22)
Jean-Marie Schaeffer
More Seeing-in: Surface Seeing, Design Seeing, and Meaning Seeing in Pictures
167(24)
Peer F. Bundgaard
Depiction
191(18)
John Hyman
Green War Banners in Central Copenhagen: A Recent Political Struggle Over Interpretation---And Some Implications for Art Interpretation as Such
209(16)
Frederik Stiernfelt
The Appropriation of the Work of Art as a Semiotic Act
225(18)
Francis Edeline
Jean-Marie Klinkenberg
Sculpture, Diagram, and Language in the Artwork of Joseph Beuys
243(16)
Wolfgang Wildgen
Index 259
Peer Bundgaard is professor at the Center for Semiotics, Aarhus University, and is the Editor-in-Chief of Cognitive Semiotics.

Frederik Stjernfelt is professor at the Center for Semiotics, Aarhus University, and is member of the Danish Academy as well as the Royal Danish Academy of Sciences and Letters. Post-doctoral habilitation Diagrammatology (Springer 2007). He is also a guest professor at Humboldt University Berlin 2010.