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El. knyga: Islamesque: The Forgotten Craftsmen Who Built Europe's Medieval Monuments

3.80/5 (10 ratings by Goodreads)
  • Formatas: 480 pages
  • Išleidimo metai: 14-Nov-2024
  • Leidėjas: C Hurst & Co Publishers Ltd
  • Kalba: eng
  • ISBN-13: 9781805261872
  • Formatas: 480 pages
  • Išleidimo metai: 14-Nov-2024
  • Leidėjas: C Hurst & Co Publishers Ltd
  • Kalba: eng
  • ISBN-13: 9781805261872

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A revealing history of Islamic architectural influence on Europe's cathedrals, palaces and monuments.

Who really built Europe's finest Romanesque monuments? Abbots and bishops presiding over holy sites receive mentions aplenty throughout history, while their highly skilled creators remain anonymous. But the buildings speak for themselves.

In this groundbreaking book, Middle East cultural historian Diana Darke explores the evidence embedded in medieval monasteries, churches and castles across Europe, from Mont Saint-Michel and the Leaning Tower of Pisa to Durham Cathedral and the Basilica of Santiago de Compostela. Tracing the origins of key decorative and architectural innovations during this pre-Gothic period--acknowledged as the essential foundation of all future European construction styles--she sheds new light on the mystery masons, carpenters and sculptors behind these masterpieces.

Her discoveries are dramatic. At a time when Christendom lacked such expertise, Muslim craftsmen, with their advanced understanding of geometry and complex ornamentation styles, dominated the high-end construction industry in Islamic Spain, Sicily and North Africa, spreading their knowledge and techniques across Western Europe. Challenging Euro-centric assumptions about the continent's built heritage, Darke uncovers the profound influence of the Islamic world in "Christian" Europe, and argues that "Romanesque" architecture, a fiction first invented by nineteenth-century French art historians, should be recognized as what it truly is: Islamesque.

Recenzijos

'A beautifully-illustrated account of the Middle Eastern influence on Europes great buildings [ Darke] offers an enjoyable and eye-opening reminder that Europes heritage has far more diverse roots than we assume.' -- The Guardian Magnificently lively, detailed and bold, a real revolution in how we think about the development of medieval art and architecture. But it also does a fine and timely job of unsettling all kinds of assumptions about mutually impenetrable and isolated civilisations. -- Rowan Williams, former Archbishop of Canterbury 'A meticulous and piercing reassessment of the origins of the "Romanesque" style in medieval architecture... revelatory.' -- Publishers Weekly, starred review 'A pioneering work of scholarship ... an audacious challenge to art historical orthodoxy.' -- The Christian Science Monitor Once again, Diana Darke forces us to open our eyes and see the wealth of outside influences on Europes architecture. With an often-startling originality she brings to life the charm and elegance that Islam brought to soften the northern vigour of Romanesque and Gothic. -- Simon Jenkins, Guardian columnist, and author of Cathedrals: Masterpieces of Architecture, Feats of Engineering, Icons of Faith A thrilling detective story that begins with a zigzag and ends with a radical reappraisal of our religious past. Whenever you visit a church or cathedral, take this book; you will learn a new way to read religious buildings, and a new way to think about Islams place in Europe. -- Edward Stourton, BBC Radio 4 In this truly beautiful book, Diana Darke masterfully explores and unveils the much-ignored Islamic contribution to European architectural heritage. It is fascinating, enlightening and also educating to all those who see only stark gaps between civilisations. -- Mustafa Akyol, Senior Fellow on Islam and Modernity, Cato Institute, and author of Reopening Muslim Minds: A Return to Reason, Freedom, and Tolerance Learned but lively, Islamesque invites us to look again at medieval European architecture, demonstrating beyond doubt that the spirit, techniques and crafts of Islam inspired many of its most glorious expressions. -- Tim Winter, Lecturer in Islamic Studies, University of Cambridge A guide to some of the most remarkable buildings in Europe, Islamesque persuasively argues that the innovative techniques and motifs of Romanesque architecture can only be explained by wealthy Christian patrons employing architects and craftsmen from formerly Muslim Spain and Sicily. -- Julia Bray, Emerita Abdulaziz Saud AlBabtain Laudian Professor of Arabic, University of Oxford Its rare to read a historical account of architecture where bias is eliminated and prejudice overcome. Diana Darke does just that, writing out of love and respect for places and peoples. In times of severe division, she dedicatedly turns the compass towards the true essence of civilisations: human cooperation. -- Marwa Al-Sabouni, architect, public speaker and author of Building for Hope and The Battle for Home

Introduction
Chapter One: A Temple in Sinai
Chapter Two: My House in Damascus
Chapter Three: Coptic Connections
Chapter Four: Early Muslim Zigzags (700-950)
Chapter Five: Fatimid Zigzags in Cairo (909-1171AD)
Chapter Six: The Emirate of Sicily 827-1091
Chapter Seven: The Normans in Sicily 1038-1198
Chapter Eight: The Normans in France
Chapter Nine: The Normans in England
Chapter Ten: The Seljuks Turks and Links to Venice
Chapter Eleven: The Crusades and Pilgrimages to Jerusalem
Chapter Twelve: Romanesque in Germany, Italy and Spain
Conclusion
Diana Darke has spent four decades in the Middle East. Her books include Stealing from the Saracens (also published by Hurst), My House in Damascus and The Ottomans. A non-resident scholar at Washington DCs Middle East Institute, she holds degrees in Arabic and in Islamic Art and Architecture.