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Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques [Kietas viršelis]

4.20/5 (10 ratings by Goodreads)
  • Formatas: Hardback, 264 pages, aukštis x plotis: 216x138 mm, weight: 449 g, 38 integrated bw
  • Išleidimo metai: 30-Jul-2012
  • Leidėjas: I.B. Tauris
  • ISBN-10: 1848857292
  • ISBN-13: 9781848857292
Kitos knygos pagal šią temą:
Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian MosquesDidesnis paveikslėlis
  • Formatas: Hardback, 264 pages, aukštis x plotis: 216x138 mm, weight: 449 g, 38 integrated bw
  • Išleidimo metai: 30-Jul-2012
  • Leidėjas: I.B. Tauris
  • ISBN-10: 1848857292
  • ISBN-13: 9781848857292
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781848857292.html
Raktažodžiai:
The architecture of the Islamic world is predominantly considered in terms of a dual division between "tradition" and "modernity" -- a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture, and material culture of the Islamic world.

Recenzijos

'This book marks a welcome progression in seeking to move beyond "Islamic Art History" as a monolithic continent-wide movement. By explaining how and why Iran absorbed Islam and vice versa, Khaghani successfully demonstrates that Islamic Architecture is shaped by cultural and traditional factors as much, if not more, than purely religious imperatives. It is to be hoped that this opens the way for more regional studies and a more subtle understanding of the Architecture of Islam and Iran in the future.' - Emma Loosley, Senior Lecturer in Islamic Art, School of Arts, Histories and Cultures, The University of Manchester

Daugiau informacijos

Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.
Illustrations
ix
Note on Transliteration xi
Acknowledgements xiii
Introduction
1(14)
1 Islam as an Attribution
15(38)
Introduction
15(2)
The Emergence of Islam
17(2)
Islamic Ideals and Realities
19(12)
Islam and Cultural Material
31(12)
Mosques
43(10)
2 Iranism
53(40)
Introduction
53(2)
Islamic Identity
55(1)
Iranism
56(11)
Persian Art
67(1)
Iranian Architecture
68(7)
The Notion of Time and the Image of Place
75(9)
The Geography of Space
84(5)
Conclusion
89(4)
3 The Mosque as Public Space
93(30)
Introduction
93(2)
Individualism and Collectivism
95(6)
Home, Mahallah and City
101(5)
Representation
106(2)
The Image of the City
108(7)
The Mosque as a Public Place
115(5)
Conclusion
120(3)
4 Difference and the Iranian Architectural Discourse
123(36)
Introduction
123(2)
The Semantics of Islamic Art: Problems and Deficiencies
125(3)
Spatial History
128(2)
Heterology
130(7)
The Semiotics of Islamic Iranian Art
137(6)
Islamic Iranian Architectonic Discourse
143(14)
Conclusion
157(2)
5 Difference and Particularity
159(32)
Introduction
159(4)
The Concept of Style: The Universal and Particular
163(7)
The Formal Language of Iranian Architecture
170(4)
Nomos and Polis
174(7)
Iranian Architecture
181(2)
The Notion of Time and Space
183(1)
Labyrinth and Obelisk
184(1)
Iranian Architectural Historiography
185(1)
Periodisation, Regionalism and Morphology
186(2)
Conclusion
188(3)
Conclusion 191(6)
Notes 197(30)
Bibliography 227(14)
Index 241
Saeid Khaghani is Assistant Professor of Architectural History and Theory of Iran at the Shahrood University of Technology, Shahrood, Iran. He holds a PhD in Art History and Visual Studies from The University of Manchester. His main interests are historiography and historical sociology of Persian art and architecture, and is currently working on an interdisciplinary research project about historical and everyday perception of the space in Iranian society.