Atnaujinkite slapukų nuostatas

El. knyga: Italian Chimeras: Narrating Italy through the Writing of Sebastiano Vassalli

Series edited by , Series edited by ,
  • Formatas: PDF+DRM
  • Serija: Italian Modernities 37
  • Išleidimo metai: 10-Aug-2020
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781789977035
  • Formatas: PDF+DRM
  • Serija: Italian Modernities 37
  • Išleidimo metai: 10-Aug-2020
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781789977035

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Sebastiano Vassalli (1941–2015) engaged in an ambitious project to narrate Italy, the nation, its people and its pathologies. For Vassalli, chimeras are the myths that have repeatedly ensnared the nation, resulting in the social and political dysfunctions he denounces. This book represents the first study of Vassalli’s works as a whole.



Sebastiano Vassalli (1941–2015) engaged in an ambitious project to narrate Italy, the nation, its people and its pathologies. His vast cast of characters includes a prototypical fascist father, a terrorist son, a Carmelite nun, Virgil and other literary giants, Francesco Crispi, and an orphan girl burnt as a witch. His historical panorama delves into memory, regional geographies, and national identity to interrogate the condition of the Italian nation since World War II. For Vassalli, chimeras are the myths or illusions that have repeatedly ensnared the nation, resulting in the national, social, and geopolitical dysfunctions that he denounces. Despite his literary successes and prizes (the Campiello Prize for his career, shortlisting for the Nobel Prize for Literature), he remains isolated on the Italian literary scene. This absence of critical attention largely stems from his combative relationship with the literary establishment, which developed after he broke with the neoavantgarde of the 1960s and was reinforced by his accusatory stance toward contemporary society. This book represents the first study of Vassalli’s works as a whole, investigating this difficult, contradictory, yet highly accomplished intellectual who was a major commentator on postwar society and a strongly original voice in Italian literature.

Recenzijos

«The first full presentation and critical assessment in English of one of Italys most original and thought-provoking writers of the past fifty years. The book convincingly shows how Vassallis characters and milieus are distinctly Italian, and yet speak the universal language of desire frustrated and crushed, in different historical settings, by the brutality of institutions and power.» (Lino Pertile, Research Professor, Romance Languages and Literatures, Harvard University)





















«This sweeping study of Sebastiano Vassalli, one of European literatures most iconoclastic public intellectuals, is a retrospective of his multifaceted oeuvre and Italys tumultuous politics and culture from the late 1960s onward. Meriel Tulantes deft and timely analysis brings together literary studies and cultural history to reveal the ethos of his unsparing and polemical lens on human society.» (Letizia Modena, Associate Professor of Italian, Vanderbilt University)

List of Figures
ix
Acknowledgements xi
Introduction 1(10)
Chapter 1 A Laughing Matter: The Neoavantgarde, the commedia all'italiana, and a Political Trilogy
11(64)
Chapter 2 Impegno Revisited: The Public Intellectual and the Futurists
75(56)
Chapter 3 History as Meaning: The Past in Narrative
131(64)
Chapter 4 The Monster, the Nation, the Self: Marginality and Belonging
195(48)
Chapter 5 Place and Nation: Regional Identities and an Ethics of Place
243(46)
Conclusion: A "caso" Vassalli 289(8)
Bibliography 297(18)
Index 315
Meriel Tulante is Associate Professor of Italian Studies at Thomas Jefferson University.