Atnaujinkite slapukų nuostatas

El. knyga: Italian Industrial Literature and Film: Perspectives on the Representation of Postwar Labor

Edited by , Edited by , Series edited by , Edited by , Series edited by
  • Formatas: EPUB+DRM
  • Serija: Italian Modernities 40
  • Išleidimo metai: 28-Jun-2021
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781788746007
Kitos knygos pagal šią temą:
  • Formatas: EPUB+DRM
  • Serija: Italian Modernities 40
  • Išleidimo metai: 28-Jun-2021
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781788746007
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

«Questo volume [ ] non si limita a descrivere, ma ricompone un quadro finora assente. I 37 capitoli che compongono questo volume-monstre dettagliano aspetti, figure, momenti spesso messi da parte nel dibattito.Attraverso i diversi capitoli il lettore percepisce la pervasivitą [ dellindustria] che si fa ideologema, le sue diverse realizzazioni e simbolizzazioni artistiche (cinematografiche e letterarie), e si rende conto che non si tratta solo di una «moda» o un momentaneo interesse dovuto a qualche intellettuale innamorato degli operai.»



(Carlo Tirinanzi De Medici, University of Pisa, in SigMa 6 (2022))









«Il libro rappresenta senza dubbio unindagine preziosa sulla rappresentazione del lavoro e dellindustria nellItalia del dopoguerra. Molte sono le piste che esso ha il merito di aprire, cosģ come le domande e le questioni che mette in gioco.»



(Federico Pierotti, University of Picardie Jules Verne, in SigMa 6 (2022))









«L'autorevolezza del volume risiede principalmente in tre ragioni: la cornice teorica chiara ma al tempo stesso originale; il contributo e lapporto dei maggiori esperti sul tema; la capacitą di riflettere sulla letteratura industriale non solo a partire dalla cornice cronologica «classica» di questi saggi (che vanno grosso modo dallinizio del boom economico alla fine degli anni Settanta), ma inserendola in un discorso che porta ai giorni nostri rendendo cosģ tale letteratura una specificitą nel contesto letterario italiano.Un coraggioso tentativo di creare un canone letterario e cinematografico delle produzioni culturali industriali italiane.»



(Daniele Comberieti, Paul Valéry University Montpellier 3, in Annali dItalianistica 40 (2022))









«uno dei volumi pił autorevoli sulla letteratura industriale.»



(Daniele Comberieti, Paul Valéry University Montpellier 3, in Annali dItalianistica 40 (2022))









This book explores the representation of industrial labor in Italian literature and film from the 1950s through the 1970s. The first article of the postwar Italian Constitution states that the Republic is founded on labor. Forces across the political spectrum, from Catholic to communist, invested labor with the power to build a new national community after Fascism and war. The 1950s-1970s saw dramatic transformations, in economic, social and cultural terms, as labor moved from agriculture to industry and a whole generation of Italian writers and filmmakers used literature and cinema to interpret and influence these changes and to capture the new experiences of industrial labor. The essays in this book offer a comprehensive panorama of this generations work, examining key questions and texts, set against the context of history and theory, gender and class, geography and the environment, as well as their precursors and present-day successors.
List of Figures
xi
Italian Industrial Literature and Film: A Brief Introduction 1(22)
Carlo Baghetti
Jim Carter
Lorenzo Marmo
Part I History, Method, Legacy
23(214)
1 Industrial Labor in Italian Literature and Film before Neorealism
25(16)
Claudio Panella
2 Spaces and Bodies of Industrial Labor in Italian Cinema, 1945-1975
41(18)
Lorenzo Marmo
3 A Short History of Sponsored Film in Italy
59(18)
Paola Bonifazio
4 For a New Humanism: Literary and Cultural Debate in Il Menabo di letteratura
77(14)
Jim Carter
5 The Factory as Cultural Center
91(14)
Emanuele Zinato
6 Alienation and Class Struggle in Italian Literature
105(14)
Sergio Ferrarese
7 Care or Control? Psychology and Psychoanalysis in Italian Factories
119(18)
Alessandra Diazzi
8 Class Struggle and Its Metamorphoses: A Path through Postwar Italian Political Thought
137(14)
Andrea Sartori
9 Women and/in the Factory
151(14)
Ambra Zorat
10 Ecocritical Approaches to Factory Life
165(12)
Piergiorgio Mori
11 The City, the Countryside and the `Great Transformation' in Italian Industrial Literature
177(16)
Paolo Chirumbolo
12 Against Working-Class Idols: Thieves, Vitelloni, Hunks and the Dolce Vita in 1950s Italian Cinema
193(14)
Francesca Cantore
Andrea Minuz
13 Contemporary Returns to Questions of Industry and Labor
207(12)
Carlo Baghetti
14 Italian Cinema in the Twenty-First Century: Representing the Precarious Subject
219(18)
Malvina Giordana
Part II Italian Industrial Literature
237(122)
15 Luigi Davi: The Caliber of a Working-Class Writer
239(12)
Ugo Fracassa
16 Mechanization and Exploitation in Ottiero Ottieri: Tempi stretti (1957) and Donnarumma all'assalto (1959)
251(10)
Fabrizio Di Maio
17 Giovanni Arpino's Industrial Novels: Glianni delgiudizio (1958) and Una nuvola d'ira (1962)
261(12)
Tiziano Toracca
18 Industrial Absurdities and Utopia in Giancarlo Buzzi's II senatore (1958) and L'amore mio italiano (1963)
273(10)
Silvia Cavalli
19 Failure and Solitude in the Boom Years: The Vigevano Stories of Lucio Mastronardi
283(12)
Giovanni Capecchi
20 Luciano Bianciardi and the New Frenetic Era of Labor
295(12)
Mark Pietralunga
21 Writing the Factory: Paolo Volponi's Industrial Novels
307(8)
Daniele Fioretti
22 Reversing the Coming-of-Age Story in Industrial Society: Il padrone (1965) by Goffredo Parise
315(12)
Ricciarda Ricorda
23 When Nothing Meets the Needs of Everything: Nanni Balestrini's Vogliamo tutto (1971)
327(10)
Pasquale Verdicchio
24 La chiave a Stella (1978): Labor sub specie Faussone
337(12)
Pierpaolo Antonello
25 Tommaso Di Ciaula's Tuta blu (1978): The Voice and Body of the Working Class
349(10)
Erica Bellia
Part III Italian Industrial Film
359(132)
26 "Casa e lavoro": Southern Labor and the Housing Problem in Eduardo De Filippo's Napoletani a Milano (1953)
361(10)
Paola D'Amora
27 Giovanna (1955) and the Others: Factory Women in Reconstruction Italy
371(10)
Anna Masecchia
28 Love Is Not a Many Splendored Thing: Pietro Germi's L'uomo di paglia (1958)
381(10)
Federico Vitella
29 Rocco e i suoi fratelli (1960): Patterns of Labor, Space and Integration
391(10)
Valerio Coladonato
Dalila Missero
30 Il posto (1961) and the Gender of Italian Modernity
401(14)
Veronica Pravadelli
31 Earth and Water: The Market of Bodies in La ragazza in vetrina (1961)
415(12)
Lucia Cardone
32 The Working Class in Post-Neorealist Italian Cinema: Times and Politics of Mario Monicelli's I compagni (1963)
427(12)
Andrea Mariani
33 The Factory as a Work of Art and an Alienating Force in Michelangelo Antonionis Deserto rosso (1964)
439(10)
Eleonora Lima
34 Italiani nel mondo (1965): The Glorification of Italian Labor Abroad
449(10)
Luca Peretti
35 A Spanner in the Works: Elio Petri from Il maestro di Vigevano (1963) to La classe operaia va inparadiso (1971)
459(10)
Louis Bayman
36 The Seduction of a Worker in Lina Wertmuller's Mimi metallurgico ferito nell'onore (1972)
469(10)
Ilaria A. De Pascalis
37 Migration, Industry and Class Struggle in Trevico-Torino: Viaggio nel Fiat-Nam (1973)
479(12)
Mattia Lento
Appendix: Italian Industrial Literature and Film - A Tentative Canon 491(6)
Bibliography 497(28)
Author Affiliations 525(4)
Index 529
Carlo Baghetti is a postdoctoral fellow at the Casa Velįzquez in Madrid (École des Hautes Études Hispaniques et Ibériques). He holds a PhD in Italian Studies from Aix-Marseille Université and lUniversitą degli Studi «La Sapienza» di Roma. He is the editor of Il lavoro raccontato. Studi su letteratura e cinema italiani dal postmodernismo allipermodernismo (2020) and a special issue of Costellazioni (2020) dedicated to representations of work in Europe.



Jim Carter is Lecturer of Italian at Boston University. His articles on Italian industrial culture, especially at the Olivetti company, have appeared in journals like Modern Italy and Italian Culture. In 20182019, he won a Rome Prize from the American Academy in Rome.



Lorenzo Marmo is Associate Professor of Film Studies at Universitas Mercatorum and also teaches at the Universitą degli Studi di Napoli «LOrientale.» In 2017, he was Lauro de Bosis Postdoctoral Fellow at Harvard University. He is the author of Roma e il cinema del dopoguerra. Neorealismo melodramma noir (2018).