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El. knyga: Italian Renaissance Sextet: Six Tales in Historical Context

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An Italian Renaissance Sextet is a collection of six tales offering a unique view of the history of Renaissance Italy, with fiction and fictional modes becoming gateways to a real, historical world. All written between 1400 and 1500 - among them a rare gem by Lorenzo the Magnificent and a famous account featuring Filippo Brunelleschi - the stories are presented here in lively translations.

As engrossing, fresh, and high-spirited as those in Boccaccio's Decameron, the tales deal with marriage, deception, rural manners, gender relations, social ambitions, adultery, homosexuality, and the demands of individual identity. Each is accompanied by an essay, in which Lauro Martines situates the story in its temporal context, transforming it into an outright historical document. The stories and essays focus mainly on people from the ordinary and middling ranks of society, as they go about their ordinary lives, under the pressure of a highly practical, conformist, pleasure-loving (but often cruel) urban society. Revealing the concerns of a searching historical work with a combined anthropological, demographic, and cultural slant, An Italian Renaissance Sextet shines a probing light on Italian Renaissance culture.



Revealing the concerns of a searching historical work with a combined anthropological, demographic, and cultural slant, An Italian Renaissance Sextet shines a probing light on Italian Renaissance culture.



Recenzijos

"... as the friar continued to beg the damsel to satisfy his love, and the young priest continued to refuse, the friar became all inflamed with desire. And unable to change his mind with prayers, gifts, and extravagant promises, he seized him and threw him on the bed. Now the young priest, finding himself on his back and thinking it was time to reveal his identity, suddenly changed his fake Florentine accent and spoke in the accent of Arezzo, saying: "My dear sir, don't overexert yourself, for I am more a man than you are." Amazed and wanting an immediate explanation, the friar put out his hand and felt that the "young lady" was a very well-endowed young man. But seeing how handsome he was, feeling all aflame with desire, and determined to satisfy his unruly appetite, he said: "Very well I like you no less as a man than as a woman." Then the young priest, rather alarmed by this, quickly pushed his feet against the friar's shameless breast, knocking him backward, and jumped off the bed... From 'Friar and Priest'"

Acknowledgements 8(1)
Foreword 9(10)
Six Tales and Historical Essays
One
Ricciarda by Giovanni Gherardi da Prato
19(6)
The Real in the Imaginary: Ricciarda
25(14)
Two
Scopone by Gentile Sermini
39(16)
Ceremonies of Identity: Scopone
55(16)
Three
Friar and Priest by Giovanni Sabadino degli Arienti
71(10)
A Ritual Cleansing: Friar and Priest
81(14)
Four
Bianco Alfani by Piero Veneziano
95(22)
The Wages of Social Sin: Bianco Alfani
117(24)
Five
Giacoppo by Lorenzo de' Medici
141(12)
A Patriotic Prank: Giacoppo
153(18)
Six
The Fat Woodcarver by Antonio Manetti
171(42)
Who Does He Think He Is? The Fat Woodcarver
213(30)
Bibliographic Commentary 243(16)
Bibliography 259(14)
Index 273


Murtha Baca is head of the Standards and Vocabulary Programs at the Getty Research Institute.