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Japanese Woodblock Prints 1680 - 1980: Worcester Art Museum [Kietas viršelis]

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  • Formatas: Hardback, 136 pages, aukštis x plotis: 254x210 mm, 100 Illustrations, color; 100 Illustrations, color
  • Išleidimo metai: 07-Apr-2025
  • Leidėjas: D Giles Ltd
  • ISBN-10: 1913875911
  • ISBN-13: 9781913875916
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 136 pages, aukštis x plotis: 254x210 mm, 100 Illustrations, color; 100 Illustrations, color
  • Išleidimo metai: 07-Apr-2025
  • Leidėjas: D Giles Ltd
  • ISBN-10: 1913875911
  • ISBN-13: 9781913875916
Kitos knygos pagal šią temą:

A major new survey of an internationally significant collection of Japanese woodblock prints.

This wide-ranging volume brings together over seventy five significant woodblock prints from the collection of Worcester Art Museum, spanning three hundred years, from the seventeenth century through the twentieth. Organized chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603–1868) woodblock ukiyo-e prints, many of which were sourced from the museum's seminal John Chandler Bancroft collection, donated in 1901. Encompassing a diverse range of sizes, materials, and subjects, among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada, Utagawa Hiroshige. 

This volume then surveys later periods and artists associated with Japanese print output during the late nineteenth- and early twentieth-century Meiji (1868–1912) and Taisho (1912–1926) periods including many produced by artists working as part of the Shin-hanga "new prints" and Sosaku-hanga "creative print" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Koshiro Onchi and Ito Shinsui. 

Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.

Recenzijos

"This is a wonderful edition for any artist captivated by the floating world."Lucy May Schofield ARE, Printmaking Today

Director's Foreword
Acknowledgments
Introduction by Fiona Collins
The Technology of Japanese Woodblock Prints by Sarah E. Thompson
Famous Places: Japanese Woodblock Prints at the Worcester Art Museum by
Quintana Heathman Scherer
Catalogue
Edo Period, 1601-1868
Meiji and Taisho Periods, 1868-1926
Showa Period, 1926-1989

Glossary of Terms
Index
Photo Credits
Fiona Collins is curatorial researcher of Asian Art, Worcester Art Museum, MA.

Sarah E. Thompson is curator of Japanese Art, Museum of Fine Arts, Boston, MA.

Quintana Scherer is assistant professor, Kanagawa University, Yokohama, Japan.