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Jazz [Kietas viršelis]

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  • Formatas: Hardback, 568 pages, aukštis x plotis: 244x169 mm, weight: 1315 g
  • Serija: The Library of Essays on Popular Music
  • Išleidimo metai: 28-Aug-2011
  • Leidėjas: Routledge
  • ISBN-10: 0754629511
  • ISBN-13: 9780754629511
Kitos knygos pagal šią temą:
JazzDidesnis paveikslėlis
  • Formatas: Hardback, 568 pages, aukštis x plotis: 244x169 mm, weight: 1315 g
  • Serija: The Library of Essays on Popular Music
  • Išleidimo metai: 28-Aug-2011
  • Leidėjas: Routledge
  • ISBN-10: 0754629511
  • ISBN-13: 9780754629511
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780754629511.html
Raktažodžiai:
The featured articles in this volume provide an overview of jazz studies writings from the 1990s to the present day, and each text engages with issues that are central to the changing discourse of jazz in popular culture. The volume includes studies of specific scenes, artists and periods from jazz history, and also comments on broader aspects of musical discourse, from ontological considerations to the politics of canon formation, from issues of representation to international perspectives. The collection encourages readers to engage in comparative thinking and analysis, and contributions touch on a range of themes that will be of interest to scholars who situate jazz at the heart of popular music studies. It is a highly valuable resource for researchers, enthusiasts, teachers and students.
Acknowledgements vii
Series Preface ix
Introduction xi
PART I HISTORY, CANON AND THE POLITICS OF THE POPULAR
1 `Is Jazz Popular Music?', Jazz Research Journal, 1, pp. 7-23
3(18)
Simon Frith
2 `Hear Me Talkin' to Ya: Problems of Jazz Discourse', Popular Music, 12, pp. 1-12
21(12)
Bruce Johnson
3 `Cultural Dialogics and Jazz: A White Historian Signifies', Black Music Research Journal, 11, pp. 229-64
33(36)
Gary Tomlinson
4 `Marsalis and Baraka: An Essay in Comparative Cultural Discourse', Popular Music, 23, pp. 241-55
69(16)
Lee B. Brown
5 `Struggling with Jazz', Current Musicology, 71-73, pp. 353-74
85(22)
Scott DeVeaux
6 `Free Jazz in the Classroom: An Ecological Approach to Music Education', Jazz Perspectives, 1, pp. 61-88
107(28)
David Borgo
7 `Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies', revised version, The Source: Challenging Jazz Criticism, 2, pp. 31-46, [ 135-50]
135(18)
Sherrie Tucker
PART II REPRESENTATIONS, PEOPLE, REPERTOIRE
8 `White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters', Journal of the Society for American Music, 1, pp. 207-55
153(50)
Laurie Stras
9 `Charlie Parker and Popular Music', Annual Review of Jazz Studies, 14, pp. 83-99
203(18)
Brian Priestley
10 `The Sound World of Art Tatum', Black Music Research Journal, 20, pp. 237-57
221(22)
David Horn
11 `Out of Notes: Signification, Interpretation, and the Problem of Miles Davis', The Musical Quarterly, 77, pp. 343-65
243(24)
Robert Walser
12 `A Question of Standards: "My Funny Valentine" and Musical Intertextuality', Popular Music History, 1, pp. 83-108
267(26)
Alan Stanbridge
13 `Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology', Critical Inquiry, 20, pp. 283-313
293(32)
Ingrid Monson
14 `Style and the Improvised in Keith Jarrett's Solo Concerts', Jazz Perspectives, 2, pp. 51-67
325(18)
Peter Elsdon
15 `Four for Trane: Jazz and the Disembodied Voice', Jazz Perspectives, 1, pp. 115-32
343(18)
Tony Whyton
16 `Regendering Jazz: Ornette Coleman and the New York Scene in the Late 1950s', in Jazz Cultures, Berkeley: University of California Press, pp. 62-82, 188-93
361(28)
David Ake
PART III RECEPTION, SCENES, GLOBAL PERSPECTIVES
17 `Stars of David and Sons of Sicily: Constellations beyond the Canon in Early New Orleans Jazz', Jazz Perspectives, 3, pp. 123-52
389(30)
Bruce Boyd Raeburn
18 `A Critical Reassessment of the Reception of Early Jazz in Britain', Popular Music, 22, pp. 315-36
419(22)
Catherine Parsonage
19 `Making Jazz French: The Reception of Jazz Music in Paris, 1927-1934', French Historical Studies, 25, pp. 149-70
441(22)
Jeffrey H. Jackson
20 `Jammin' on the Jazz Frontier: The Japanese Jazz Community in Interwar Shanghai', Japanese Studies, 19, pp. 5-16 [ 463-74]
463(12)
E. Taylor Atkins
21 `Concert and Dance: The Foundations of Black Jazz in South Africa between the Twenties and the Early Forties', Popular Music, 10, pp. 121-45
475(26)
Christopher Ballantine
22 `Jazz Britannia: Mediating the Story of British Jazz on Television', Jazz Research Journal, 3, pp. 145-70
501(26)
Tim Wall
Paul Long
Name Index 527
Tony Whyton is Reader in Music in the School of Media, Music and Performance at the University of Salford. He is the author of Jazz Icons: Heroes, Myths and the Jazz Tradition, Cambridge University Press (2010) and the project leader for the HERA-funded research programme Rhythm Changes: Jazz Cultures and European Identities. Tony was the founding editor of the interdisciplinary journal The Source: Challenging Jazz Criticism and co-edits the internationally peer-reviewed Jazz Research Journal.