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El. knyga: Joan Littlewood

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This book uses original archival material to consider the theatrical and cultural innovations of Joan Littlewood and her company, 'Theatre Workshop'. Littlewood had a huge impact on the way theatre was generated, rehearsed and presented during the twentieth century.

Now reissued, Joan Littlewood is the first book to combine:

  • an overview of Littlewood's career in relation to the wider social, political and cultural context
  • an exploration of Littlewood's theatrical influences, approach to actor's training, belief in the creative ensemble, attitude to text, rehearsal methods and use of improvisation
  • a detailed case study of the origins, research, creative process and thinking behind Littlewood's most famous production, Oh What a Lovely War, and an assessment of its impact
  • a series of practical exercises designed to capture and illustrate the key approaches Littlewood used in the rehearsal room.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performace Practitioners offer unbeatable value for today's student.

List of figures
ix
Acknowledgements xi
1 Biography In Political, Social and Artistic Context
1(42)
Introduction
1(3)
Early life
4(1)
Early career: `Theatre as a Weapon': Theatre of Action and Theatre Union (1935-1945)
5(7)
On the road: the creative ensemble (1945-1952)
12(10)
Popular theatre/critical success (1953-1963)
22(10)
Community initiatives (1963-1975)
32(11)
2 Joan Littlewood's Working Method
43(34)
Introduction
43(2)
What was Littlewood against?
45(2)
Attitude to acting
47(1)
Promoting the creative ensemble
48(2)
Approaches to actor training
50(1)
Creating a movement-based theatre: the influence of Laban
51(5)
Using and adapting Stanislavsky
56(3)
Realising the world of the play
59(3)
Improvisation: creating the conditions for theatrical invention
62(10)
Keeping a show alive
72(3)
Conclusion
75(2)
3 Description and Analysis of Oh What A Lovely War
77(38)
Introduction
77(1)
1963: political and cultural context
78(1)
The war game
79(2)
Theatricality
81(1)
Developing the show
82(4)
The pierrot show
86(1)
Documentary material/the `technological actor'
87(2)
The songs
89(2)
Act One
91(7)
Act Two
98(10)
Selling out
108(2)
Impact and influence
110(5)
4 Practical Exercises
115(22)
Introduction
115(1)
Aims
116(1)
Approach
116(1)
Warm-up exercises
117(3)
The performing body in space and time
120(7)
Releasing the imagination
127(3)
Working with text
130(2)
Ensemble playing
132(1)
Working with documentary sources
133(4)
Name glossary 137(6)
References 143(6)
Index 149
Nadine Holdsworth is Professor of Theatre and Performance Studies at the University of Warwick