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John Ford at Work: Production Histories 19271939 [Minkštas viršelis]

  • Formatas: Paperback / softback, 256 pages, aukštis x plotis: 241x165 mm, 300 b&w photos
  • Išleidimo metai: 01-Oct-2025
  • Leidėjas: John Libbey Publishing Ltd
  • ISBN-10: 0861967577
  • ISBN-13: 9780861967575
  • Formatas: Paperback / softback, 256 pages, aukštis x plotis: 241x165 mm, 300 b&w photos
  • Išleidimo metai: 01-Oct-2025
  • Leidėjas: John Libbey Publishing Ltd
  • ISBN-10: 0861967577
  • ISBN-13: 9780861967575
John Ford at Work: Production Histories 1927–1939 explores the evolution of John Ford's career in the Hollywood studio system of the 1930s as the system itself changed in response to the coming of sound and the business downtown instigated by the Depression. Based upon a decade of research utilizing the studio files of Twentieth Century-Fox, RKO and Samuel Goldwyn, it delineates the director's collaborations with the producers, screen- writers, actors and cinematographers that had the most impact on his production practices. It traces the major literary, cinematic and musical sources from which he drew. It considers relevant changes in film technology and seeks to explain how they were incorporated into his style. Films analyzed include 4 Sons, The Black Watch, Arrowsmith, Air Mail, The Lost Patrol, The Informer, Judge Priest, Steamboat Round the Bend, The Prisoner of Shark Island, Wee Willie Winkie, Stagecoach and Young Mr. Lincoln.
Introduction
PART 1 FORD'S TRANSITION TO SOUND, 19271932
Chapter 1 Ford and Murnau at Fox
Studio Expansion
Ford and Murnau
Chapter 2 Transformed by Sound
Making the Early Sound Films
The Influence of What Price Glory
Scoring with Songs in The Black Watch
Multiple Camera Shooting and the Long Take in Arrowsmith
PART 2 BETWEEN FOX AND RKO, 19311935
Chapter 3 Forced to Freelance
Out of Fox
Air Mail
Chapter 4 Ford at RKO
New Deals at Fox and RKO
The Lost Patrol
Adapting O'Flaherty's The Informer
Stylistic Experimentation in The Informer
Chapter 5 Fox Before Zanuck
Negotiating the Fox Production Sector After 1932: Doctor Bull and Judge
Priest
Steamboat Round the Bend
Will Rogers and Ford's Sound Style
PART 3 TWENTIETH CENTURY-FOX
Chapter 6 Zanuck and Ford
Zanuck Takes Over
The Zanuck/Ford Contract Negotiations
Script Development and Post-production Editing in The Prisoner of Shark
Island
Ford's Contributions to The Prisoner of Shark Island
Chapter 7 Wee Willie Winkie
Script Development
Wee Willie Winkie: from Script to Film
PART 4 ANNUS MIRABILIS
Chapter 8 Stagecoach
The United Artists Connection
Story Structure
Script Revisions and Songs
Ford and Glennon on Location
Ford and Glennon on Set
Chapter 9 Young Mr Lincoln
Story Sources and Structure
Problems of Exposition and Emphasis
New Salem: The River
Springfield: The Mob and the Dance
The Trial
Afterword The Director's Share
Bibliography
Index
Lea Jacobs, professor emeritus, University of Wisconsin-Madison, taught film history and aesthetics. Her books include: The Wages of Sin: Censorship and the Fallen Woman Film, Theatre to Cinema (written with Ben Brewster) and Film Rhythm After Sound: Technology, Music and Performance.