Atnaujinkite slapukų nuostatas

El. knyga: John Williams: Changing the Culture of the Classical Guitar: Performance, perception, education and construction [Taylor & Francis e-book]

(Classical guitar soloist, Ireland)
  • Formatas: 222 pages, 16 Line drawings, black and white; 16 Illustrations, black and white
  • Serija: Routledge Research in Music
  • Išleidimo metai: 29-Apr-2019
  • Leidėjas: Routledge
  • ISBN-13: 9780429400872
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 222 pages, 16 Line drawings, black and white; 16 Illustrations, black and white
  • Serija: Routledge Research in Music
  • Išleidimo metai: 29-Apr-2019
  • Leidėjas: Routledge
  • ISBN-13: 9780429400872
This book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams.

Beginning with an examination of Andrés Segovia and his influence upon Williams lifes work, a further three incisive chapters cover key areas such as performance, perception, education and construction, considering social and cultural contexts of the guitar over the past century. A final chapter on new directions in classical guitar examines the change in reception of the instrument from the mid-1970s to the present day, and Williams impact upon what might be termed standard classical guitar repertoire.

With in-depth discussion of the cultural and perceptual impact of Williams more daring crossover projects and numerous musical examples, this is an informative reference for all classical guitar practitioners, as well as scholars and researchers of guitar studies, reception studies, cultural musicology and performance studies. An online lecture by the author and a transcript of the authors interview with John Williams are also available as e-resources.
List of music examples
vii
Acknowledgements viii
Introduction 1(9)
The `Segovian' narrative
1(3)
John Williams and diversity
4(4)
Aims
8(2)
1 Andres Segovia and John Williams
10(46)
Segovia: career, tributes and reception
10(4)
Other contributions to classical guitar culture in the early twentieth century
14(5)
Attitudes to other musical styles
19(5)
Teaching
24(2)
Interpretation of the Segovia legacy
26(5)
The king and the prince
31(1)
Williams as a child prodigy
32(4)
Contrasting approaches to popular and folk music styles
36(4)
Williams and politics
40(4)
Shifting attitudes about classical guitar
44(4)
Conclusion
48(8)
2 John Williams' approach to the classical guitar
56(47)
Following the pulse
57(7)
Performance anxiety
64(4)
Approach to J.S. Bach's Chaconne in D minor
68(3)
Contrasting approaches to Mauro Giuliani's Guitar Concerto No. 1 in A major, Op. 30 (1808)
71(2)
Ensemble playing and sight-reading
73(3)
Amplification and other manipulations of the natural sound
76(6)
`Squeaks'
82(4)
Guitar design
86(4)
Williams and guitar teaching
90(6)
Summary
96(7)
3 `Putting the guitar out of classical music'
103(32)
Cavatina and other film projects
103(3)
Sky
106(6)
Africa
112(6)
Venezuela ~ El Diablo Suelto
118(6)
John Williams and jazz
124(7)
Summary
131(4)
4 New directions in classical guitar
135(53)
Sculthorpe
136(7)
Takemitsu
143(4)
Dodgson
147(4)
Performing with Julian Bream
151(5)
Richard Harvey
156(2)
Williams' own compositions
158(5)
Programme choices
163(5)
Leo Brouwer
168(5)
Agustin Barrios Mangore
173(9)
Summary
182(6)
Conclusion 188(9)
Broadening the repertoire and appeal of the classical guitar
188(5)
Critical perception
193(2)
Summary
195(2)
Bibliography 197(12)
Index 209
Michael O'Toole is one of the leading figures in the Irish guitar scene today. He has given many memorable solo recitals and also contributed significantly to the development of the instrument as artistic director of both The Waltons International Guitar Festival and The Chord Ennis International Music Festival. Michael also currently has the honour of being a director of the prestigious Kilkenny Arts Festival. Michael holds a PhD from the DIT Conservatory of Music and Drama, and a master's degree in performance from University College Cork.