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Korngold and His World [Minkštas viršelis]

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  • Formatas: Paperback / softback, 352 pages, aukštis x plotis: 235x156 mm
  • Serija: The Bard Music Festival
  • Išleidimo metai: 27-Aug-2019
  • Leidėjas: Princeton University Press
  • ISBN-10: 0691198292
  • ISBN-13: 9780691198293
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 352 pages, aukštis x plotis: 235x156 mm
  • Serija: The Bard Music Festival
  • Išleidimo metai: 27-Aug-2019
  • Leidėjas: Princeton University Press
  • ISBN-10: 0691198292
  • ISBN-13: 9780691198293
Kitos knygos pagal šią temą:

A brand-new look at the life and music of renowned composer Erich Wolfgang Korngold

Erich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, Korngold and His World provides a substantial reassessment of Korngold’s life and accomplishments.

Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. This collection examines Korngold’s operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. The volume also features numerous historical documents—many previously unpublished and in first-ever English translations—including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.

The contributors are Leon Botstein, David Brodbeck, Bryan Gilliam, Daniel Goldmark, Lily Hirsch, Kevin Karnes, Sherry Lee, Neil Lerner, Sadie Menicanin, Ben Winters, Amy Wlodarski, and Charles Youmans.

Bard Music Festival 2019
Korngold and His World
Bard College
August 9–11 and 16–18, 2019

Preface and Acknowledgments ix
Permissions and Credits xv
ESSAYS
Korngold Father and Son in Vienna's Prewar Public Eye
3(34)
David Brodbeck
"You must return to life": Notes on the Reception of Das Wunder der Heliane and Jonny spielt auf
37(30)
Charles Youmans
Acoustic Space, Modern Interiority, and Korngold's Cities
67(22)
Sherry Lee
Sadie Menicanin
Korngold and Jewish Identity in Concert
89(22)
Lily E. Hirsch
New Opportunities in Film: Korngold and Warner Bros
111(20)
Ben Winters
"The caverns of the human mind are full of strange shadows": Disability Representation, Henry Bellamann, and Korngold's Musical Subtexts in the Score for Kings Row
131(36)
Neil Lerner
American and Austrian Ruins in Korngold's Symphony in F-sharp
167(26)
Amy Lynn Wlodarski
Recollections of Zemlinsky from My Years of Study
193(8)
Erich Wolfgang Korngold
Elisabeth Staak
David Brodbeck
David Brodbeck
Notes for an Interview
201(6)
Erich Wolfgang Korngold
Elisabeth Staak
Kevin C. Karnes
A Farewell to Vienna
207(16)
Luzi Korngold
Elisabeth Staak
Kevin C. Karnes
Composing for the Pictures: An Interview
223(10)
Daniel Goldmark
"Give up your plans of coming home": Letters of a Viennese Father to His Son
233(14)
Julius Korngold
Elisabeth Staak
Bryan Gilliam
Kevin C. Karnes
Some Experiences in Film Music
247(8)
Erich Wolfgang Korngold
Daniel Goldmark
Faith in Music!
255(8)
Erich Wolfgang Korngold
Kevin C. Karnes
CODA
Before and After Auschwitz: Korngold and the Art and Politics of the Twentieth Century
263(52)
Leon Botstein
Index 315(12)
Notes on Contributors 327
Daniel Goldmark is professor of music and director of the Center for Popular Music Studies at Case Western Reserve University. His books include Tunes for 'Toons. Kevin C. Karnes is professor of music at Emory University. His books include Arvo Parts "Tabula Rasa."