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Lasting City: The Anatomy of Nostalgia [Kietas viršelis]

3.15/5 (40 ratings by Goodreads)
  • Formatas: Hardback, 336 pages, aukštis x plotis x storis: 244x165x30 mm, weight: 618 g, black & white illustrations, frontispiece
  • Išleidimo metai: 20-Dec-2013
  • Leidėjas: Liveright Publishing Corporation
  • ISBN-10: 0871404583
  • ISBN-13: 9780871404589
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 336 pages, aukštis x plotis x storis: 244x165x30 mm, weight: 618 g, black & white illustrations, frontispiece
  • Išleidimo metai: 20-Dec-2013
  • Leidėjas: Liveright Publishing Corporation
  • ISBN-10: 0871404583
  • ISBN-13: 9780871404589
Kitos knygos pagal šią temą:
Enjoined by his dying mother to "tell everything," James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy's funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner-a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine's death to its traumatic aftermaths both real and imagined, which are-as McCourt tells it-equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother's bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather's day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that "the perfectly diagrammed sentence has become the secret weapon of nice people," Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.

Recenzijos

"Turned by a master's hand, this kaleidoscope of sharp-edged, brilliantly colored memories continually shifts and shines, resolving at last into a grand parable of a soul in the city. Sly, scandalous-and sensational!" -- J. D. McClatchy "Here's an author who isn't afraid to admit he's 'longing for the gutter'. James McCourt writes like a brilliant ghost who whispers into our ears forgotten New York bar names and long-gone secret sex locations and makes any reader young enough not to have been there feel embarrassed. Lasting City gives 'old school' queer nostalgia a radical, hilarious new edge. It's an astoundingly smart book." -- John Waters "In Lasting City, the exquisite soul of Ronald Firbank lives again...Though McCourt provides an esoteric pleasure, it calls out to a dimension in all of us." -- Harold Bloom "Lasting City offers us the most gorgeous-even the most Czgowchwz!-shards and splinters of memory, as though James McCourt had tossed a rock through a stained glass window. The blood-red of Manhattan, the brilliant green of an Irish-American wake, the blue-rinsed divas of the opera and the bathhouse alike: McCourt's world is all here, a camp Runyonesque New Yorker's New York, and more vivid than ever before." -- Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece "Lasting City is a tell-all encyclopedia of wit, erudition and recovered memory for the gifted student." -- Fran Lebowitz "In this virtuosic meta-memoir, author McCourt careens along the course of his life while exposing the voluble convolutions of his troubled Irish-Catholic family and documenting several long-lost New Yorks.... The allure of this book is McCourt's dynamic prose and high-brow erudition that has gone the way of the dodo. McCourt has preserved on paper the intellectual climate that helped to make New York City the edgy capital of the 20th Century." -- Publishers Weekly, Starred Review "A creatively executed memoir rekindling the epoch of an eccentric native New Yorker. ...An artful tapestry of fever-dreamed conversations, nostalgic poignancy and rich Gotham history.... McCourt's drifting, serpentine narrative unfurls a lush and prideful profile, painstakingly contemplated and clearly written from the heart. The writer tells the stories of his gay youth, his family's melodrama and his own sweet maturation with an intoxicating amalgam of poetry, quotation, fantasy, and the kind of sweeping, colorful language that creates a kaleidoscope of precious memories.... Vibrantly, blissfully sublime." -- Kirkus Reviews, Starred review "In this lucid, lyrical memoir, McCourt blends the cosmopolitan facticity of Queer Street (2003) with the campy, theatrical swagger of his Mawrdew Czgowchwz novels.... For all his light humor and stylistic innovation, McCourt does not skirt the hard facts of growing up gay in 1950s New York. The result is less autobiography than a powerful work of creative nonfiction, indebted as much to the New York of McCourt's youth as to his honed artistic talent, reminiscent of both Woody Allen and Richard McCann's Mother of Sorrows (2005). Intensely personal, unabashedly playful, and brilliantly inventive in its own gorgeous spotlight." -- Booklist "He is our modern Tristram Shandy...inching ever toward the moment of his birth, and yet already performing his life with grand gestures in front of our eyes." -- Timothy Young - The Yale Review

James McCourt is the author of Mawrdew Czgowchwz, Time Remaining, Delancey's Way, Now Voyagers: The Night Sea Journey and Queer Street. He has contributed to the Yale Review, The New Yorker, and the Paris Review. He lives in New York City and Washington, D.C.