CD Tracks |
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vi | |
Acknowledgments |
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ix | |
Introduction |
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x | |
How This Book Came About |
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x | |
Latin Jazz |
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x | |
Clave, Vocabulary, and Comping |
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xi | |
Tumbaos |
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xi | |
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PART I MAKING SENSE OF CLAVE |
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1 | (28) |
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Chapter 1 Clave Direction |
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2 | (5) |
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Change in Clave Direction |
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3 | (2) |
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5 | (1) |
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6 | (1) |
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7 | (4) |
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7 | (1) |
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8 | (1) |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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10 | (1) |
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Chapter 3 Latin Jazz: Arranging |
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11 | (14) |
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11 | (4) |
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15 | (1) |
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15 | (4) |
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19 | (5) |
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24 | (1) |
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24 | (1) |
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Chapter 4 Determining 2--3 vs. 3--2 |
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25 | (4) |
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27 | (1) |
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27 | (1) |
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27 | (1) |
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28 | (1) |
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28 | (1) |
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PART II IMPROVISING WITH CLAVE |
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29 | (22) |
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30 | (4) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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Chapter 6 Phrasing in 2-3 Clave |
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34 | (6) |
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Same Rhythm, Different Pitches |
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35 | (2) |
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Expanding Rhythmic Vocabulary |
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37 | (1) |
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38 | (2) |
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Chapter 7 Phrasing in 3-2 Clave |
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40 | (6) |
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Same Rhythm, Different Pitches |
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41 | (2) |
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Expanding Rhythmic Vocabulary |
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43 | (1) |
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44 | (2) |
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Chapter 8 Common Clave Phrases |
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46 | (5) |
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48 | (1) |
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48 | (1) |
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49 | (1) |
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49 | (1) |
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50 | (1) |
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PART III OCTAVES AND MELODIC VOCABULARY |
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51 | (36) |
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Chapter 9 Double Octaves in Minor Keys |
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52 | (8) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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56 | (1) |
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Polyrhythms and Rhythmic Displacement |
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57 | (2) |
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59 | (1) |
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Chapter 10 Double Octaves in Major Keys |
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60 | (6) |
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62 | (1) |
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62 | (1) |
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63 | (1) |
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Emphasis on the Sixth Scale Degree |
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63 | (1) |
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64 | (1) |
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64 | (1) |
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64 | (1) |
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Polyrhythms and Rhythmic Displacement |
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64 | (1) |
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65 | (1) |
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Chapter 11 Double Octaves in Dominant-Seventh Vamps |
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66 | (5) |
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68 | (1) |
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69 | (1) |
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Triads with Chromatic Approach |
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69 | (1) |
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70 | (1) |
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Chapter 12 Double Octaves Technique |
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71 | (8) |
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72 | (1) |
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Progressive Rhythmic Values for Scales |
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72 | (1) |
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Specific Scales to Practice |
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73 | (1) |
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Progressive Rhythmic Values for Arpeggios |
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74 | (1) |
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Specific Arpeggios to Practice |
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75 | (1) |
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Chromatic Octaves Exercise |
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76 | (3) |
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79 | (3) |
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81 | (1) |
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82 | (5) |
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83 | (4) |
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87 | (20) |
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Chapter 15 Comping in 2-3 Clave |
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88 | (7) |
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88 | (3) |
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91 | (2) |
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93 | (1) |
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94 | (1) |
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Comping with "Oye Como Va" Tumbao |
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94 | (1) |
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94 | (1) |
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Rhythm Section Call-and-Response |
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94 | (1) |
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Chapter 16 Comping in 3-2 Clave |
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95 | (6) |
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95 | (2) |
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97 | (2) |
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99 | (1) |
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100 | (1) |
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Comping with Reverse "Oye Como Va" Tumbao |
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100 | (1) |
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100 | (1) |
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100 | (1) |
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101 | (6) |
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101 | (2) |
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Clave-Neutral Left-Hand Comping |
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103 | (1) |
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103 | (2) |
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Clave-Neutral Two-Handed Comping |
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105 | (1) |
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106 | (1) |
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106 | (1) |
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106 | (1) |
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107 | (1) |
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Appendix B "Sombras" Solo Transcription |
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108 | (3) |
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111 | (1) |
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Appendix D Suggested Listening |
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112 | (3) |
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112 | (1) |
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112 | (1) |
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112 | (1) |
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Some of My Favorite Recorded Piano Solos |
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113 | (2) |
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Appendix E Suggested Repertoire |
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115 | (1) |
About the Author |
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116 | (1) |
Index |
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117 | |