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Latin Jazz Piano Improvisation [Book and Audio Online]

  • Formatas: Multiple-component retail product, part(s) enclosed, 136 pages, aukštis x plotis x storis: 306x227x10 mm, weight: 499 g, Contains 1 Paperback
  • Type: Book and Audio Online
  • Serija: Berklee Guide
  • Išleidimo metai: 2013
  • Leidėjas: Berklee Press Publications
  • Aranžuotė: Pianinas
  • genres: Mokymas
  • Kalba: English
  • ISBN-10: 0876391412
  • ISBN-13: 9780876391419
Kitos knygos pagal šią temą:
  • Formatas: Multiple-component retail product, part(s) enclosed, 136 pages, aukštis x plotis x storis: 306x227x10 mm, weight: 499 g, Contains 1 Paperback
  • Type: Book and Audio Online
  • Serija: Berklee Guide
  • Išleidimo metai: 2013
  • Leidėjas: Berklee Press Publications
  • Aranžuotė: Pianinas
  • genres: Mokymas
  • Kalba: English
  • ISBN-10: 0876391412
  • ISBN-13: 9780876391419
Kitos knygos pagal šią temą:
Improvise on the piano in Latin music settings. This book breaks down the harmonic, rhythmic and melodic techniques used by the greatest artists of Cuban piano music, such as Rubén Gonzįles (Buena Vista Social Club), PedroPeruch n Jśstiz, and Lil Mart nez Grińįn. The exercises and play-along recording will help you orient yourself to Afro-Cuban grooves, and develop a sense of how to hear and use the clave as the central grounding force behind yoursolos and accompaniments. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audiowithout changing pitch, set loop points, change keys, and pan left or right.
CD Tracks vi
Acknowledgments ix
Introduction x
How This Book Came About x
Latin Jazz x
Clave, Vocabulary, and Comping xi
Tumbaos xi
PART I MAKING SENSE OF CLAVE
1(28)
Chapter 1 Clave Direction
2(5)
Change in Clave Direction
3(2)
Clave Relativism
5(1)
Exercises
6(1)
Chapter 2 Son and Rumba
7(4)
Son
7(1)
Rumba
8(1)
Clave
8(1)
Beat 4 in Son Clave
9(1)
Beat 4 in Rumba Clave
10(1)
Exercises
10(1)
Chapter 3 Latin Jazz: Arranging
11(14)
Clave Direction
11(4)
Rhythmic Styles
15(1)
Cha Cha Cha
15(4)
Guaguanco
19(5)
Inspiration
24(1)
Exercises
24(1)
Chapter 4 Determining 2--3 vs. 3--2
25(4)
Exercises
27(1)
2-3 Son Clave
27(1)
2-3 Rumba Clave
27(1)
3-2 Son Clave
28(1)
3-2 Rumba Clave
28(1)
PART II IMPROVISING WITH CLAVE
29(22)
Chapter 5 Finding 1
30(4)
Locating Beat 1
30(1)
Downbeats and Upbeats
31(1)
Listening Beyond Oneself
32(1)
Exercises
33(1)
Chapter 6 Phrasing in 2-3 Clave
34(6)
Same Rhythm, Different Pitches
35(2)
Expanding Rhythmic Vocabulary
37(1)
Exercises
38(2)
Chapter 7 Phrasing in 3-2 Clave
40(6)
Same Rhythm, Different Pitches
41(2)
Expanding Rhythmic Vocabulary
43(1)
Exercises
44(2)
Chapter 8 Common Clave Phrases
46(5)
Cinquillo
48(1)
Finding the Balance
48(1)
Clave Ambiguity
49(1)
Clave Philosophy
49(1)
Exercises
50(1)
PART III OCTAVES AND MELODIC VOCABULARY
51(36)
Chapter 9 Double Octaves in Minor Keys
52(8)
Harmonic Minor
54(1)
Melodic Minor
55(1)
Ending on Chord Tones
56(1)
Skips and Steps
56(1)
Polyrhythms and Rhythmic Displacement
57(2)
Exercises
59(1)
Chapter 10 Double Octaves in Major Keys
60(6)
Scalar Passages
62(1)
Arpeggiated Passages
62(1)
Chromaticism
63(1)
Emphasis on the Sixth Scale Degree
63(1)
Launching a Solo
64(1)
Ending on Chord Tones
64(1)
Steps, Skips, and Leaps
64(1)
Polyrhythms and Rhythmic Displacement
64(1)
Exercises
65(1)
Chapter 11 Double Octaves in Dominant-Seventh Vamps
66(5)
Dominant Sus4
68(1)
Whole Tone
69(1)
Triads with Chromatic Approach
69(1)
Exercises
70(1)
Chapter 12 Double Octaves Technique
71(8)
Exercises
72(1)
Progressive Rhythmic Values for Scales
72(1)
Specific Scales to Practice
73(1)
Progressive Rhythmic Values for Arpeggios
74(1)
Specific Arpeggios to Practice
75(1)
Chromatic Octaves Exercise
76(3)
Chapter 13 Triple Lead
79(3)
Exercises
81(1)
Chapter 14 Double Lead
82(5)
Exercises
83(4)
PART IV COMPING
87(20)
Chapter 15 Comping in 2-3 Clave
88(7)
Comping Rhythms in 2-3
88(3)
Looser Comping in Clave
91(2)
The Rhythm Section
93(1)
Exercises
94(1)
Comping with "Oye Como Va" Tumbao
94(1)
Loose Comping in Clave
94(1)
Rhythm Section Call-and-Response
94(1)
Chapter 16 Comping in 3-2 Clave
95(6)
Comping Rhythms in 3-2
95(2)
Looser Comping in Clave
97(2)
The Rhythm Section
99(1)
Exercises
100(1)
Comping with Reverse "Oye Como Va" Tumbao
100(1)
Looser Comping in Clave
100(1)
Changing Gears
100(1)
Chapter 17 Voicings
101(6)
Left-Hand Voicings
101(2)
Clave-Neutral Left-Hand Comping
103(1)
Two-Handed Voicings
103(2)
Clave-Neutral Two-Handed Comping
105(1)
Exercises
106(1)
Left-Hand Voicings
106(1)
Two-Handed Voicings
106(1)
Appendix A Glossary
107(1)
Appendix B "Sombras" Solo Transcription
108(3)
Appendix C Bibliography
111(1)
Appendix D Suggested Listening
112(3)
Websites
112(1)
Forums
112(1)
Documentaries
112(1)
Some of My Favorite Recorded Piano Solos
113(2)
Appendix E Suggested Repertoire
115(1)
About the Author 116(1)
Index 117