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Leap into Action: Critical Performative Pedagogies in Art & Design Education New edition [Kietas viršelis]

Edited by
  • Formatas: Hardback, 290 pages, aukštis x plotis: 225x150 mm, weight: 501 g, 10 Illustrations
  • Išleidimo metai: 14-Jan-2020
  • Leidėjas: Peter Lang Publishing Inc
  • ISBN-10: 1433166402
  • ISBN-13: 9781433166402
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 290 pages, aukštis x plotis: 225x150 mm, weight: 501 g, 10 Illustrations
  • Išleidimo metai: 14-Jan-2020
  • Leidėjas: Peter Lang Publishing Inc
  • ISBN-10: 1433166402
  • ISBN-13: 9781433166402
Kitos knygos pagal šią temą:
Leap into Action asks: "What happens when performative arts meet pedagogy?" and views performative teaching as building students’ understanding of complex ideas and concepts "through action." It provides the theoretical, philosophical, and conceptual terrain by setting forth the scholarly rationale as to what performative pedagogy is at this moment across Art & Design education. Contributions are made from individuals and groups across art and design disciplines who deploy innovative pedagogic approaches with an emphasis on performativity. To underline that Art & Design does not only happen within the institution, Leap into Action provides rich intertextual material that draws upon the experiences of practitioners. Leap into Action is intended to prompt new angles from which to examine one’s practice including and beyond pedagogy, mainly in terms of art, design and performance, and disciplines further afield. Whilst Leap into Action engages with performative pedagogies through disruptions, interruptions, tricksters, liminalities, affective bodies, sensory encounters, and technoparticipation, it calls into question what risk-taking means in an arts school context and the tension (even paradox) that exists between wanting to create a safe, welcoming, and inclusive environment and provoking students out of their comfort zones through experimental performative pedagogy and playfulness. Whilst engagement with performative strategies may be a ‘risky’ strategy, the rewards can be great. Enter the unknown, take a leap into action, and have fun.

Leap into Action asks: "What happens when performative arts meet pedagogy?" and views performative teaching as building students’ understanding of complex ideas and concepts "through action."tudents’ understanding of complex ideas and concepts "through action."

Recenzijos

"This edited collection should make you uncomfortable; it is challenging and tricksy and will shift you into a liminal zone. As it makes you rethink your stance it also offers you ways forward and is therefore a 'must read' for anyone in any sphere of higher education who believes there has to be better ways of doing things." (Maggi Savin-Baden, University of Worcester) " Leap into Action is a timely and lively compendium of the possibilities of a performative arts pedagogy. Set against the chilling effect that neoliberal forms of metricised assessment and satisfaction surveys have upon critical attitudes in the academy, Campbell's book is a clarion call to embrace the risks of active learning. It challenges us to fear not the personal or institutional exposures of performance in the classroom, but instead to be wide-eyed and attentive to what we might learn from it, both about ourselves and our ethical relation to others." (Gavin Butt, Northumbria University, Newcastle) "Leap into Action is an invaluable, much needed extension to our understanding of critical performative pedagogies and the deliberate design of openness in learning experiences. The range of thoughtful case studies demonstrates the role of chance, conversation, enactment, gesture, immersion, interruption, failure, movement, rupture and uncertainty in facilitating agency and enabling students to become politicised active critical thinkers and makers." (Silke Lange, Central Saint Martins, University of the Arts London)

List of Illustrations
ix
Introduction: Critical Performative Pedagogies: Principles, Processes and Practices 1(34)
Lee Campbell
Part I Radical Not-Knowing: Disruptions, Interventions, and Liminalities
Chapter One A Leap into Dissociated Space: Liminality, Liberation, and Action in Performative Pedagogies
35(8)
Gustave J. Weltsek
Chapter Two Assembling Agency--Learning in Liminal Spaces
43(14)
Mark Ingham
Provocation One The Swerve
Glenn Loughran
57(2)
Peter Bond
59(1)
Neil Mulholland
59(1)
Adrian Rifkin and John Seth
60(1)
Chapter Three Regulation, Resistance, Readiness and Care: What Can Be Learnt by Performing the Peripheral Behaviours of Artists? Jo Addison and Natasha Kidd
61(8)
Chapter Four Doing Without, Inside. Scenes from a Scenario (Stagings for a Conversation)
69(6)
Adrian Rifkin
John Seth
Provocation Two The Art of Interruption
Alex Schady
75(3)
Steve Fossey
78(1)
Adam Cooke and Paul Jones
78(1)
Christabel Harley
79(1)
Gill Foster
79(1)
Adrian Lee
79(2)
Chapter Five Tricks and Erasers: Disruption as Performance Pedagogy
81(12)
Fred Meller
Chapter Six Pausing to (Re)frame: Using Actioning and Positive Reflection in Performative Learning and Teaching
93(12)
Gavin Baker
Chapter Seven Gaps
105(10)
Peter Bond
Chapter Eight Feelings to Knowledge: The Trouble with Sensations, Matter and Systems
115(12)
Christabel Harley
Part II Proximities and Encounters: Bodies, Senses and Affects
Chapter Nine DEMO CHELSEA #
127(26)
Claire Makhlouf Carter
Chapter Ten Strange Continuities
153(12)
Lee Campbell
Provocation Three From Space to (Embodied) Place: A Manifesto for Sensory Learning in Site-Specific Practices
James Layton
165(3)
Nathan Geering
168(1)
Paul Vivian
168(1)
Nic Chalmers and Sarah May
168(1)
Jo Hassall
169(2)
Chapter Eleven Beyond the Visual: Exploring the Intersection of Performative Pedagogy, Interaction and Multimodal Interventions in the Creative Classroom
171(12)
Richie Manu
Chapter Twelve Harnessing the Power of the White Cube: The Contemporary Art Gallery as a Liminal Space for Multisensory Learning
183(10)
Simon Taylor
Chapter Thirteen Drawing Performance: Creating Confident Collaborators Through Movement, Mark Making, Dance and Dialogue
193(12)
Lucy Algar
Part III Technoparticipation: Traversing Physical/Digital Thresholds
Provocation Four Transition
David Parkes
205(2)
Cathy Gale
207(1)
Laura Davidson
207(1)
Pauline de Souza
208(1)
Aaron D. Knochel
208(3)
Chapter Fourteen How Do You Wish to Be Operated? Cultivating Technological Disruption for Creativity
211(8)
Laura Davidson
Chapter Fifteen Art Apart: Collaboration and Disruption in the Virtual and Augmented Immersive Space
219(10)
Pauline de Souza
Chapter Sixteen `Materials in Motion': Using Film as a Method for Exploring Material Qualities
229(12)
Kevin J. Hunt
Fo Hamblin
Provocation Five Not Enough Immersion?
Lee Campbell
241(6)
Chapter Seventeen Relating and Acting: Learning, Embodiment and Performance in Virtual Worlds
247(12)
Mark Childs
Anna Childs
Chapter Eighteen Performing the Live Image: Critical Materiality, Visual Culture and Art Education
259(12)
Aaron D. Knochel
Conclusion: Critical Performative Pedagogies: Look Before You Leap 271(10)
Lee Campbell
Notes on Contributors 281
Lee Campbell, PhD received his doctorate from Loughborough University, United Kingdom in 2016. He is an artist and Lecturer in Academic Support at University of the Arts London. His previous publications include PARtake: The Journal of Performance as Research, Body Space Technology and Performance Paradigm.