In this book, veteran game developers, academics, journalists, and others provide their processes and experiences with level design.
In this book, veteran game developers, academics, journalists, and others provide their processes and experiences with level design. Each provides a unique perspective representing multiple steps of the process for interacting with and creating game levels experiencing levels, designing levels, constructing levels, and testing levels. These diverse perspectives offer readers a window into the thought processes that result in memorable open game worlds, chilling horror environments, computer-generated levels, evocative soundscapes, and many other types of gamespaces. This collection invites readers into the minds of professional designers as they work and provides evergreen topics on level design and game criticism to inspire both new and veteran designers.
Key Features:
Learn about the processes of experienced developers and level designers in their own wordsDiscover best-practices for creating levels for persuasive play and designing collaborativelyOffers analysis methods for better understanding game worlds and how they function in response to gameplayFind your own preferred method of level design by learning the processes of multiple industry veterans
| Acknowledgments |
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xi | |
| Editor |
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xiii | |
| Contributors |
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xv | |
| Introduction |
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xxi | |
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SECTION I Experiencing Levels |
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Chapter 1 Kamuro Nights: A Personal Retrospective of the Yakuza Series |
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3 | (16) |
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Chapter 2 Cracking the Resident Evil Puzzle Box |
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19 | (34) |
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Chapter 3 From Construction to Perception: Three Views of Level Design for Story-Driven Games |
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53 | (26) |
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Chapter 4 Everything I Learned about Level Design at an Orlesian Ball |
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79 | (22) |
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SECTION II Designing Levels |
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Chapter 5 Hell, Hyboria, and Disneyland: The Origins and Inspirations of Themed Video Game Level Design |
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101 | (20) |
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Chapter 6 Level Design Practices for Independent Games |
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121 | (18) |
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Chapter 7 Making the Most of Audio in Characterization, Narrative Structure, and Level Design |
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139 | (20) |
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Chapter 8 Procedural Content Generation: An Overview |
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159 | (26) |
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SECTION III Constructing Levels |
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Chapter 9 P.T. and the Play of Stillness |
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185 | (20) |
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Chapter 10 The Illusion of Choice: How to Hide the Linearity of Levels from Players |
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205 | (12) |
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Chapter 11 Integrating Procedural and Handmade Level Design |
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217 | (26) |
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Chapter 12 Level Design Planning for Open-World Games |
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243 | (32) |
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SECTION IV Testing Levels |
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Chapter 13 Play-Personas: Mental Tools for Player-Centered Level Design |
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275 | (20) |
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Chapter 14 Evaluating Level Design Using Public Events |
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295 | (14) |
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Chapter 15 The Rule of 27s: A Comparative Analysis of 2D Screenspace and Virtual Reality Environment Design |
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309 | (14) |
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Chapter 16 Expression versus Experience: Balancing Art and Usability Needs in Level Design |
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323 | (34) |
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| Conclusion |
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357 | (2) |
| Index |
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359 | |
Christopher Totten is the Game Artist in Residence at American University and the founder of independent developer Pie for Breakfast Studios. He is also the founder of the Smithsonian American Art Museum Indie Arcade and an advocate for bringing games to museums and cultural institutions. Totten is an active writer in the game industry, with articles featured in industry journals, chapters in several academic publications, and two books: Game Character Creation in Blender and Unity (Wiley 2012) and An Architectural Approach to Level Design (CRC, 2014.) He has also spoken at GDC China, Foundations Of Digital Games (FDG), East Coast Game Conference, Digital Games Research Association (DiGRA) conference, and Games For Change. He has displayed his games at MAGFest, The Smithsonian Innovation in Art event, and Baltimore Artscape, and Blank Arcade. He has a Masters Degree in Architecture from The Catholic University of America in Washington, DC.
