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Li Zehou and Confucian Philosophy [Kietas viršelis]

Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by , Edited by , Contributions by , Contributions by , Contributions by
  • Formatas: Hardback, 464 pages, aukštis x plotis x storis: 231x157x35 mm, weight: 753 g, 7 diagrams
  • Serija: Confucian Cultures
  • Išleidimo metai: 31-Jul-2018
  • Leidėjas: University of Hawai'i Press
  • ISBN-10: 0824872894
  • ISBN-13: 9780824872892
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 464 pages, aukštis x plotis x storis: 231x157x35 mm, weight: 753 g, 7 diagrams
  • Serija: Confucian Cultures
  • Išleidimo metai: 31-Jul-2018
  • Leidėjas: University of Hawai'i Press
  • ISBN-10: 0824872894
  • ISBN-13: 9780824872892
Kitos knygos pagal šią temą:

For more than a century scholars both inside and outside of China have undertaken the project of modernizing Confucianism, but few have been as successful or influential as Li Zehou (b. 1930). Since the 1950s, Li’s extensive efforts in this regard have in turn exerted a profound influence on Chinese modernization and resulted in his becoming one of China’s most prominent social critics. To transform Confucianism into a contemporary resource for positive change in China and elsewhere, Li has reinterpreted major ideas and concepts of classical Confucianism, including a rereading of the entire Analects, replete with his own philosophical speculations derived from other Chinese and Western traditions (most notably, the ideas of Kant and Marx), and developed an aesthetical theory that has proved especially far-reaching.

Although the authors of this volume hail from East Asia, North America, and Europe and a wide variety of academic backgrounds and fields of study, they are unanimous in their appreciation of Li’s contributions to not only an evolving Confucian philosophy, but also world philosophy. They view Li first and foremost as a sui generis thinker with broad global interests and not one who fits neatly into any one philosophical category, Chinese or Western. This is clearly reflected in the chapters included here, which are organized into three parts: Li Zehou and the Modernization of Confucianism, Li Zehou’s Reconception of Confucian Philosophy, and Li Zehou’s Aesthetical Theory and Confucianism. Together they form a coherent narrative that reveals how Li has, for more than half a century, creatively studied, absorbed, and reconceptualized the Confucian ideational tradition to integrate it with Western philosophical elements and develop his own philosophical insights and original theories. At the same time, he has transformed and modernized Confucianism for the purpose of both coalescing with and reconstructing a new world cultural order.

Series Editors' Preface ix
Roger T. Ames
Peter D. Hershock
Introduction 1(17)
Roger T. Ames
Jinhua Jia
Response to Paul Gauguin's Triple Question 18(13)
Li Zehou
Part I Li Zehou and the Modernization of Confucianism
31(104)
1 Li Zehou and New Confucianism: A Philosophy for New Global Cultures
33(24)
Jana S. Rosker
2 "Western Learning as Substance, Chinese Learning for Application": Li Zehou's Thought on Tradition and Modernity
57(17)
Karl-Heinz Pohl
3 Modernizing Confucianism: Li Zehou's Vision and Inspiration for an Unfinished Project
74(20)
Ming Dong Gu
4 Determinism and the Problem of Individual Freedom in Li Zehou's Thought
94(24)
Andrew Lambert
5 What Should the World Look Like? Li Zehou, Confucius, Kant, and the World Observer
118(17)
James Garrison
Part II Li Zehou's Reconception of Confucian Philosophy
135(118)
6 Li Zehou's Lunyu jindu (Reading the Analects Today)
137(18)
Michael Nylan
7 Li Zehou's Reconccption of Confucian Ethics of Emotion
155(32)
Jinhua Jia
8 Li Zehou's Doctrine of Emotion as Substance and Confucian Philosophy
187(21)
Byung-Seok Jung
9 Li Zehou and Pragmatism
208(17)
Catherine Lynch
10 Li Zehou's View of Pragmatic Reason
225(28)
Wang Keping
Part III Li Zehou's Aesthetical Theory and Confucianism
253(122)
11 Li Zehou's Aesthetics: Moving On after Kant, Marx, and Confucianism
255(23)
Liu Zaifu
12 Li Zehou, Kant, and Darwin: The Theory of Sedimentation
278(35)
Marthe Chandler
13 Li Zehou's Aesthetics and the Confucian "Body" of Chinese Cultural Sedimentation: An Inquiry into Alternative Interpretations of Confucianism
313(22)
Tsuyoshi Ishii
14 Modern Chinese Aesthetics and Its Traditional Backgrounds: A Critical Comparison of Li Zehou's Sedimentation and Jung's Archetypes
335(21)
Tea Serneu
15 Li Zehou's Aesthetics as a Form of Cognition
356(19)
Rafal Banka
Appendix: Li Zehou's Life and Works 375(4)
Huang Chenxi
Contributors 379(8)
Index 387
Roger T. Ames is Humanities Chair Professor at Peking University, a Berggruen Fellow, and professor emeritus of philosophy at the University of Hawaii.

Jia Jinhua is professor of Chinese culture at The Hong Kong Polytechnic University, a National Humanities Center Fellow, and an Institute for Advanced Study (Princeton) Member.

Li Zehou was a key figure in the intellectual foment of the 1980s. A philosopher of aesthetics and historian of Chinese thought, as well as Chinas preeminent authority on Kant, Li is the author of The Path of Beauty: A Study of Chinese Aesthetics (1995), and Four Essays on Aesthetics: Toward a Global View (with Jane Cauvel; Lexington Books, 2006). A senior research fellow and retired professor of the Chinese Academy of Social Sciences, Li has since 1991 resided in the United States, where he makes his home in Boulder, Colorado.