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List of Exhibits and Figures |
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ix | |
Foreword |
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xi | |
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Preface |
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xiii | |
Acknowledgments |
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xvi | |
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Part I: Understanding the Value and Types of Graphic Novels |
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Why Offer Graphic Novels for Adults in Your Library? |
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3 | (12) |
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4 | (1) |
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Mainstream Appeal and Recognition |
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4 | (2) |
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Film Adaptations and Genre Crossovers |
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6 | (5) |
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11 | (2) |
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13 | (1) |
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13 | (2) |
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What Are Comic Books and Graphic Novels? |
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15 | (24) |
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16 | (3) |
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Writers, Pencilers, and Inkers |
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16 | (2) |
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18 | (1) |
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18 | (1) |
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19 | (2) |
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Comic Books and Trade Editions |
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21 | (10) |
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22 | (4) |
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26 | (5) |
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A Brief History of Comics |
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31 | (5) |
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36 | (1) |
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36 | (3) |
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What Genres Do Graphic Novels Cover? |
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39 | (16) |
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39 | (2) |
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Biography, Autobiography, and Memoir |
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41 | (3) |
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Adaptations and Licensed Works |
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44 | (2) |
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46 | (2) |
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Horror and the Supernatural |
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48 | (1) |
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49 | (2) |
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Other Examples of Nonfiction |
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51 | (2) |
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Diversity in Comics and Graphic Novels |
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53 | (1) |
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53 | (1) |
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54 | (1) |
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What Is Manga and Where Else Do Graphic Novels Come From? |
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55 | (18) |
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55 | (7) |
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55 | (3) |
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58 | (3) |
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Manga in Other Parts of the World |
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61 | (1) |
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Manga Genres and Popular Storylines |
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62 | (1) |
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Manga for Different Ages and Sexes |
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63 | (3) |
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Comics Traditions Elsewhere in the World |
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66 | (2) |
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68 | (1) |
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69 | (4) |
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Part II: Creating and Working with Your Graphic Novel Collection |
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How Can You Purchase Your Graphic Novel Collection? |
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73 | (10) |
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74 | (1) |
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74 | (1) |
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74 | (1) |
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Book Wholesalers, Inc. (BWI) |
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75 | (1) |
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75 | (1) |
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75 | (4) |
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79 | (1) |
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80 | (1) |
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81 | (2) |
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How Do You Decide What to Purchase and What Is Available? |
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83 | (32) |
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The ``Big Two'' Publishers: DC and Marvel |
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83 | (5) |
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The Independent Publishers |
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88 | (3) |
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88 | (1) |
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88 | (1) |
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Devil's Due Publishing (DDP) |
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89 | (1) |
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89 | (1) |
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89 | (1) |
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89 | (1) |
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89 | (1) |
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89 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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Slave Labor Graphics (SLG) |
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90 | (1) |
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90 | (1) |
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90 | (1) |
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90 | (1) |
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Book Publishers and Graphic Novels |
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91 | (1) |
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Publisher Crossovers and Changes |
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92 | (3) |
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95 | (4) |
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Purchasing for Adult Collections |
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99 | (11) |
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99 | (1) |
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100 | (2) |
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102 | (2) |
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Conferences and Conventions |
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104 | (1) |
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105 | (1) |
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106 | (4) |
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Purchasing Related Materials |
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110 | (1) |
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Making Your Final Decision |
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110 | (2) |
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112 | (1) |
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112 | (3) |
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How Do You Manage Your Collection? |
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115 | (8) |
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115 | (4) |
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115 | (1) |
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116 | (1) |
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117 | (2) |
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119 | (1) |
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The Future of the Collection |
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120 | (2) |
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120 | (1) |
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Weeding and Replacing the Collection |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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How Can You Display, Promote, and Work with Your Collection? |
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123 | (20) |
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123 | (1) |
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124 | (6) |
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Using the Graphic Novel Collection for Programs and Activities |
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130 | (2) |
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132 | (8) |
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132 | (1) |
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Complaints and Challenges |
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133 | (5) |
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Publisher Self-Censorship |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (3) |
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How Do Comics and Graphic Novels Fit in Academia? |
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143 | (16) |
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Comics Research Libraries |
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143 | (3) |
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146 | (1) |
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Classes Incorporating Comics and Graphic Novels |
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147 | (6) |
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Other Academic Activities |
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153 | (1) |
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154 | (1) |
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Research Outside the Academic World |
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155 | (2) |
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157 | (1) |
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157 | (2) |
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What Is the Future of Graphic Novels? |
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159 | (2) |
Appendix A. An Annotated List of Selected Graphic Novels |
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161 | (96) |
Appendix B. Recommended Additional Books for Your Collection |
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257 | (14) |
Appendix C. Recommended Online Sources for Information and Purchasing |
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271 | (6) |
Bibliography |
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277 | (6) |
Title Index |
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283 | (32) |
Subject Index |
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315 | (5) |
About the Author |
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320 | |