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El. knyga: Life of William Faulkner: This Alarming Paradox, 1935-1962

4.23/5 (39 ratings by Goodreads)
  • Formatas: 656 pages
  • Išleidimo metai: 22-Sep-2020
  • Leidėjas: University of Virginia Press
  • Kalba: eng
  • ISBN-13: 9780813944418
  • Formatas: 656 pages
  • Išleidimo metai: 22-Sep-2020
  • Leidėjas: University of Virginia Press
  • Kalba: eng
  • ISBN-13: 9780813944418

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By the end of volume 1 of The Life of William Faulkner ("A filling, satisfying feast for Faulkner aficianados"— Kirkus), the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second and concluding volume of Carl Rollyson’s ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts—a symptom of the South’s faded fortunes—and numerous mouths to feed and funerals to fund. And so he turns to the classic temptation for financially struggling writers—Hollywood.

Thus begins roughly a decade of shuttling between his home and family in Mississippi—lifeblood of his art—and the backlots of the Golden Age film industry. Through Faulkner’s Hollywood years, Rollyson introduces such personalities as Humphrey Bogart and Faulkner’s long-time collaborator Howard Hawks, while telling the stories behind films such as The Big Sleep and To Have and Have Not. At the same time, he chronicles with great insight Faulkner's rapidly crumbling though somehow resilient marriage and his numerous extramarital affairs--including his deeply felt, if ultimately doomed, relationship with Meta Carpenter. (In his grief over their breakup, Faulkner—a dipsomaniac capable of ferocious alcoholic binges—received third-degree burns when he passed out on a hotel-room radiator.)

Where most biographers and critics dismiss Faulkner’s film work as at best a necessary evil, at worst a tragic waste of his peak creative years, Rollyson approaches this period as a valuable window on his artistry. He reveals a fascinating, previously unappreciated cross-pollination between Faulkner’s film and literary work, elements from his fiction appearing in his screenplays and his film collaborations influencing his later novels—fundamentally changing the character of late-career works such as the Snopes trilogy.

Rollyson takes the reader on a fascinating journey through the composition of Absalom, Absalom!, widely considered Faulkner’s masterpiece, as well as the film adaptation he authored—unproduced and never published— Revolt in the Earth. He reveals how Faulkner wrestled with the legacy of the South—both its history and its dizzying racial contradictions—and turned it into powerful art in works such as Go Down, Moses and Intruder in the Dust.

Volume 2 of this monumental work rests on an unprecedented trove of research, giving us the most penetrating and comprehensive life of Faulkner and providing a fascinating look at the author's trajectory from under-appreciated "writer's writer" to world-renowned Nobel laureate and literary icon. In his famous Nobel speech, Faulkner said what inspired him was the human ability to prevail. In the end, this beautifully wrought life shows how Faulkner, the man and the artist, embodies this remarkable capacity to endure and prevail.

Recenzijos

A lush story of a genius and his substantial achievements, failures, and demons.- Kirkus, starred review;

""The concluding volume of this two-part biography of Faulkner shows Rollyson, a Baruch College professor emeritus, as both a careful observer of Faulkner the man, and an adept and perceptive reader of his work.... Rollyson's painstakingly researched and beautifully written biography should be a touchstone for Faulkner scholarship for years to come.""- Publishers Weekly, starred review

Preface xi
1 Faulkner's Shadow: Pylon, 1935
1(21)
A Hanger-on with High Flyers
Homage to Howard Hawks
Back to Bailey's Woods
Something Is Going to Bust
Defying Death
2 Transcendental Homelessness: Absalom, Absalom!, December 1935-October 1936
22(74)
Romance during a Mad Yankee Operation
Unhappy at Home
Hollywood on the Mississippi
Counterpull
Faulkner v. Faulkner
Into the Dark House of History and Race
The Power of Love
3 The Dividing Line: October 1936-February 1938
96(24)
Flannel Unmentionables
Slavery and War the Hollywood Way
Breakup
A Voodoo Version of Absalom, Absalom!
Returns, Revisions, and Reunions
4 Grief: February 1938-January 1939
120(29)
Family Complications
The Bad Boy of American Fiction
Hollywood on the Mississippi
5 Up from Feudalism: The Hamlet, 1938-1940
149(21)
Exile and Exhaustion
The Rise of the Redneck
"Flem"
"Eula"
"The Long Summer"
"The Peasants"
6 Was: Go Down, Moses, 1940-1942
170(21)
Way Down in Egypt Land
"Our Most Distinguished
Unread Talent"
7 War: July 1940-June 1942
191(12)
Visitations, Correspondence, and Exhibitions
The Homefront
Escape from Debtor's Prison
8 Soldiering On: July 1942-January 1943
203(19)
"The Prison House of Warner Brothers"
Hollywood Goes to War
Furlough
9 Yoknapatawpha Comes to Hollywood: January-August 1943
222(19)
The Wax Works
At Home and War
10 Fables of Fascism: To Have and Have Not, August 1943-May 1944
241(9)
Reigning at Rowan Oak
What Price Hollywood?
11 Hollywoodism: May-December 1944
250(9)
Fitful Family Man
The Faulkner Mystique
12 Hollywood and Horror, Home and Horses: December 1944-September 1945
259(17)
Businesswomen, Brothels, and Vampire Lesbians
Home
The Salt Mines
"The Plastic Asshole of the World"
13 "A Golden Book": The Portable Faulkner, September 1945-April 1946
276(13)
Native Haunts
Success
The `Compson Appendix"
14 Impasse: June 1946-December 1947
289(9)
Interruptions
Work in Progress
15 New Audiences: Intruder in the Dust, January 1948-October 1949
298(22)
Off the Cuff
"An Event in American Literature"
Suppressed Faulkner
Hollywood Comes to Oxford
Pulping Faulkner
16 Coded Autobiography: Knights Gambit, November 1948-November 1949
320(12)
Faulkner the Foreigner
"Tales of Crime, Guilt, and Love"
17 Acclaim and Fame and Love: 1950-1955
332(9)
"The First Great American Writer"
The Nobel
Else
18 What Mad Pursuit: August 1949-March 1954
341(14)
Joan
Estelle
Jill and Joan
Joan
The End of the Affair
19 Two Lives/Two Faulkners: 1949-1951
355(20)
Black against a White Background
Collaborating with the
Enemy
Staging History
20 In and Out of Phase: August 1951-January 1953
375(11)
Hanging Fire
Invitations, Visitations, and Honors
Another Collapse"
21 Steal Away: January-December 1953
386(9)
Into the Night
Recovery
Mississippi on the Nile via the Alps
22 Civilization and Its Discontents: December 1953-January 1955
395(15)
Affairs
You Can't Go Home Again?
War and Peace
Crossovers
23 Ambassador Faulkner: June 1954-January 1955
410(8)
"Hemispheric Solidarity"
"The Perfect Virgin"
Home Alone
"The Dream of Perfection"
24 Past and Present: February-August 1955
418(10)
The Old Hunter and the Artist
Fools Rush In
An Education
"The Empty Mouthsound of Freedom"
25 East and West: August-October 195$
428(12)
A Star Turn East
A Star Turn West
26 North and South: September 1955-Spring 1957
440(15)
Murder
A New Confederation
"Go Slow Now"
Gandhi's Way
"The Far Side of the Moon"
27 Going On: January 1956-May 1957
455(10)
The Actual and Apocryphal
Mr. Jefferson's University
A Confession
A Faustian Time of Trial
28 Writer-in-Residence: October 1956-January 1959
465(31)
The Professor
From Jefferson to the World and Back
Two Towns
Two Faulkners and Two Marriages
"The Writer-in-Residence"
"Moby Mule"
The Oxford-Charlottesville-Princeton Axis
The Princeton Affair
At the Algonquin
At the Hunt
29 Full Circle: January-November 1959
496(18)
Faulkner on Stage
Coming Home
Race and Politics and Sex
"An `Interview' with `Pappy' Faulkner"
30 Renascence: 1960-1962
514(19)
Between Homes
Grandfather Faulkner
Fool about a Horse
President Faulkner
A New Home
31 End of Days: June-July 1962
533(6)
Before the Fall
The Fall
A Fabled End
Notes 539(44)
Bibliography 583(16)
Illustration Credits 599(2)
Index 601
Carl Rollyson, Professor Emeritus at Baruch College, The City University of New York, has published numerous biographies of literary figures such as Sylvia Plath, Susan Sontag, and Norman Mailer, as well as film icons Marilyn Monroe and Dana Andrews. His writing has appeared in the Wall Street Journal, the New Criterion, and the Washington Post.