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Liminality and «Communitas» in the Beat Generation New edition [Kietas viršelis]

  • Formatas: Hardback, 316 pages, aukštis x plotis: 210x148 mm, weight: 500 g, 3 Illustrations
  • Išleidimo metai: 16-Aug-2017
  • Leidėjas: Peter Lang AG
  • ISBN-10: 3631727690
  • ISBN-13: 9783631727690
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 316 pages, aukštis x plotis: 210x148 mm, weight: 500 g, 3 Illustrations
  • Išleidimo metai: 16-Aug-2017
  • Leidėjas: Peter Lang AG
  • ISBN-10: 3631727690
  • ISBN-13: 9783631727690
Kitos knygos pagal šią temą:

This book analyzes the literature and lifestyles of the Beat Generation based on Victor Turner’s anthropological studies. Signs of liminality and «communitas» appear in works by Jack Kerouac, William S. Burroughs, and Allen Ginsberg. The Beats formed anti-structure in their liminal stage and recorded this in their liminoid literature.



The Beat Generation questioned mid-twentieth century America and sought the margins of society. This book analyzes the literature and lifestyles of the Beat authors Jack Kerouac, William S. Burroughs, and Allen Ginsberg in regard to Victor Turner’s anthropological studies. The Beats separated from society by willingly entering the rites of passage. Liminal symbolism is apparent in their literature such as in movement, time, space, pilgrimages, and monstrosities. In their liminal stage, they established «communitas» and developed anti-structure. They questioned society and made proposals to change it in their liminoid literature. The Beats shared similarities with previous countercultures, and they influenced the following Hippie Generation.

Introduction 7(8)
Chapter 1 Discovering the Liminal Beat Generation and its Communitas
15(22)
1.1 A Generation on the Margins
15(15)
1.2 Research Methodology
30(7)
Chapter 2 Anthropology and the Beat Generation
37(12)
2.1 Anthropology and Literature
37(6)
2.2 Victor Turner and Anthropology in Literature
43(2)
2.3 Victor Turner, the Beat Generation, and the 1960s Counterculture
45(4)
Chapter 3 Liminality and the Beat Generation
49(86)
3.1 Jack Kerouac's Journeys and the Rites of Passage
49(22)
3.2 Jack Kerouac's Liminal Movement and Time
71(13)
3.3 Ghosts and Death: The Haunting Liminality of Jack Kerouac
84(11)
3.4 From Crime to Monstrosity with William S. Burroughs
95(22)
3.5 William S. Burroughs' Liminal Space
117(7)
3.6 Elders in Beat Literature
124(11)
Chapter 4 Communitas and the Beat Generation
135(104)
4.1 Beat Communitas and Anti-Structure
135(6)
4.2 The Beat Generation as Liminoid Literature
141(27)
4.3 Establishing Beat Communitas through Poverty
168(11)
4.4 Deepening Beat Communitas through Relationships
179(17)
4.5 Jack Kerouac's Dichotomy of Structure and Anti-Structure
196(15)
4.6 Allen Ginsberg: A Beat Poet's `Howl' for Communitas
211(28)
Chapter 5 Liminality and Communitas in Jack Kerouac's Pilgrimages
239(16)
Chapter 6 Countercultures and the Beat Generation
255(42)
Conclusion 297(6)
Works Cited 303
Aaron Christopher Mitchell teaches English language and American cultural studies courses at the University of Vechta. His interests lie in German and American literature and culture.